Since 1995, NYC’s Other Music record shop has had a big hand in defining the sound of the underground, helping to establish the careers (and career resurgences) of hundreds of artists, with a wide-ranging aesthetic that includes everything from indie pop to left-field electronica, folk, funk, psychedelia, dub, free jazz, post-punk, avant-classical, hip-hop and much more. For more than a decade and a half, through myriad changes in the “biz,” Other has stayed true to their one goal, connecting great unheard music with passionate music fans, and with their weekly new-release newsletter reaching more than thirty-five thousand subscribers, an MP3 download store, a mail-order website, and a busy East Village retail shop, they have become an icon and last bastion of indie retail. Now, in partnership with Fat Possum, Other is launching their own label, Other Music Recording Co., to bring the same varied taste and enthusiasm that has always defined their retail store to this new venture.

Other’s first release, OM-001, drops on April 24: Ex Cops’ debut 7-inch,  “You Are a Lion, I Am a Lamb” b/w “The Millionaire.” This new Brooklyn group’s hazy mix of influences draws on vintage British and New Zealand indie, Factory Records and a Velvets/Feelies jangle that is distinctly New York, all with their own sunbaked pop vision. What began as a bedroom-recording project for Brian Harding has been fleshed out into a full band, and Ex Cops are now putting the finishing touches on their debut album in the studio with producer John Siket, due out on Other later this year.

Also due this spring on Other, the debut solo album from Shintaro Sakamoto, the former frontman of the legendary Japanese psychedelic group Yura Yura Teikoku. Over the course of their 20 years together, that band rose from the storied Japanese psychedelic underground to huge mainstream success in their homeland (and cult status around the world), with a wholly original sound that defies definition. The group disbanded in 2010, and Sakamoto set off into uncharted waters on his new solo material, working mostly alone to create a stunning set of quiet, percussive songs that draw on ‘70s folk and AM radio pop from the U.S., U.K. and Japan, as well as folk forms from across continents and eras; How to Live with a Phantom, released late last year in Sakamoto’s own Zelone label in Japan, is an enigma and an instant classic that blew so many minds at the Other Music shop when a few imports trickled in, they had to release it themselves.

Other Music Recording Co. will surprise and enlighten fans of underground music with a roster of diverse artists from around the world, releasing new music and under-appreciated classics from their reissue division, and with this strategic partnership with Fat Possum you will be hearing a lot more from Other in the coming months.

New album 'The Phantom Five' out August 30.

Bebel Gilberto (born Isabel Gilberto de Oliveira on May 12, 1966 in New York City) is a Brazilian popular singer often associated with bossa nova. She is the daughter of João Gilberto and singer Miúcha. Her uncle is singer/composer Chico Buarque. Gilberto has been performing since her youth in Rio de Janeiro.

Bebel's debut song was, as expected, precocious. At the tender age of nine, Bebel had already performed at Carnegie Hall with her mother and Stan Getz, and had previously participated in the musicals Pirlimpimpim and Saltimbancos with her mother and her uncle Chico Buarque.

Her professional solo debut came in 1986 with a self-titled EP released by WEA which included "Preciso dizer que te amo," a partnership with Cazuza, Dé, when both were in the Barão Vermelho band. In 1991, the daughter of Gilberto and Miúcha traded Ipanema, where she grew up, for Manhattan, where she was born. Bebel continues to live in New York City, but shares her time between the U.S. and Brazil.

Bebel was a great friend of Cazuza and she composed several songs with him in addition to "Eu preciso dizer que te amo," including "Amigos de Bar," "Mais Feliz" and "Mulher sem Razão."

Bebel next participated in the project Red, Hot + AIDS, joining major music stars such as Everything but the Girl, Maxwell, George Michael and others for the benefit CD recording. She also collaborated on the CD of Japanese producer Towa Tei Future Listening, singing on the hits "Technova" and "Batucada" and also participated in the project Peeping Tom Mike Patton (former lead singer of Faith No More), singing "Caipirinha."

With the release of 'Tanto Tempo' in 2000, Bebel concocted her trademark electronic bossa nova, which took over clubs around the world and positioned Bebel as one of the top-selling Brazilian artists in the U.S. since the '60s. With her second album, 'Bebel Gilberto' (2004), she refined her sound to create an acoustic lounge style that showcased her strengths as a Brazilian composer.

With Momento (2007), her third album in seven years, she wanted to do a fusion of both. Mixing the taste of Rio 'Orchestra Imperial' with the melting pot of New York's Brazilian Girls, and following the direction of the English producer Guy Sigsworth (Madonna's partner in "What It Feels Like for a Girl"), Momento reaffirms the international character of Bebel.

All in One, which was released worldwide on September 29, 2009 on the famous American jazz label Verve, was released in Brazil by Universal Music. It is the least electronic-infused of her albums, it also brings to the forefront more of Bebel's personality and love for organic styles.

To forge a mature serenity on 'All in One,' Bebel had a super team of producers including Mark Ronson (Amy Winehouse, Lily Allen), John King (Dust Brothers, Beck), Daniel Jobim, Carlinhos Brown, Didi Gutman (Brazilian Girls) and Mario Caldato Jr (Beastie Boys, Bjork, Jack Johnson).

Since the launch of 'Tanto Tempo' in 2000, it has sold over 2.5 million records and has been featured on seven film soundtracks (including "Next Stop Wonderland," "Bubble," "Closer" and most recently 2010's "Eat Pray Love") and seven TV series (Sex and the City, Six Feet Under, Nip/Tuck ...).

Discography:

Studio albums:
Um Certo Geraldo Pereira, Funarte (with Pedrinho Rodrigues) (1983, Atracao)
De Tarde, Vendo O Mar (with Luizão Maia & Banzai) (1991)
Tanto Tempo (2000) Ziriguiboom
Bebel Gilberto (2004) Ziriguiboom
Momento (2007) Ziriguiboom
All in One (2009) Verve Records

Remix albums:
Tanto Tempo Remixes (2001) Ziriguiboom
Tanto Tempo (Special Remix Edition) (2003) EastWest Records
Bebel Gilberto Remixed (2005) Ziriguiboom

EPs:
Bebel Gilberto (EP) (1986) Warner Jazz
Bring Back The Love — Remixes EP 1 (2007) [digital-only]
Bring Back The Love — Remixes EP 2 (2007) [digital-only]
Live Session (iTunes Exclusive) - EP (2008) [digital-only]

I still believe in Santa, even though for Christmas 1989 he only got me a hairbrush. 0 to 60 Ginger Nut biscuits in under ten seconds.

asvfuks@gmail.com

http://disquiet.gizmodo.com/8-bit-bossa-nova-1585679353

Marc Weidenbaum
Filed to: FREE DOWNLOAD6/03/14 7:36pm

There is a lot of intriguing music streaming in the feed of the São Paulo, Brazil–based musician who identifies as Asvfuks on the SoundCloud service (and on Instagram, among other places). The track “A Divisão Do João,” by way of example, seems to be based on a snatch of music by João Gilberto, the bossa nova great whose picture is featured on the track. Gilberto’s voice and acoustic guitar appear to be heard at the opening and close of “A Divisão.” A loop of that initial vocal fragment steers the sample into uncanny-valley territory, while the accompanying shaker finds a semi-modern rhythmic contemporary in a broken 8bit beat that persists for the majority of the track, before it all comes to a close with a coda of the original source audio.

The Strypes are 4-piece rhythm and blues band hailing from Cavan, Ireland, formed in 2011 by Ross Farrelly (lead vocals/harmonica), Josh McClorey (lead guitar/vocals), Pete O'Hanlon (bass guitar/harmonica) and Evan Walsh (drums).

The group has spent the past 18 months launching their explosive R&B assault on the clubs and festivals of Ireland, the UK and Europe, viciously hammering out a no-nonsense blues repertoire drawing from the songbooks of Chuck Berry, Bo Diddley, Howlin' Wolf, Little Walter, Slim Harpo and more with the passion and venom of British blues groups such as Dr. Feelgood, The Yardbirds, The Rolling Stones and The Animals. 

Having already been met with critical acclaim from greats such as Jeff Beck and Paul Weller and been tipped by NME as the No. 1 new band to watch, it seems things can only get better for The Strypes.

here’s where i post all my shit before i decide to do it for real

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