photo by wonderful Elseh
https://www.flickr.com/photos/187686180@N02

A Couch By The River

connects to form

Silence Of Silences

Chamber piece for clarinet, bass clarinet, violin, viola, cello & piano performed by Apartment House. Composed during Covid 19 pandemic, finished and recorded in 2022. Thanks to Simon Reynell.

Mira Benjamin, violin
Bridget Carey, viola
Anton Lukoszevieze, cello
Heather Roche, clarinet
Raymond Brien, bass clarinet
Kerry Yong, piano

My Mind Is Twelve Bells - Apartment House

The Dazzle

Mini Moog
Sequential 610
Lexicon

Monet

Drawing Zebra.

Windos 1≠1
The piece is based on a simple harmonic modulation whose chords are stretched over the entire length of the piece. The individual chord tones, however, are not even but broken up into manifold glissando movements and meet only at a few points. The result is a constant oscillation between harmony and disharmony. So a layer of constant of sound was created that runs silently in the background, so to speak, and only becomes audible in a few places. Like when you open and close windows and let sounds in for moments. I froze some of these moments (with the IRCAM verb), which also leads to these magical noisy sounds that might remind you of orchestral sounds. Some of these sounds are doubled and then processed differently, so that they take different developments from an identical starting point: 1≠1. The sound material is entirely made of sawtooth waves that have been heavily processed.
The artwork has been made by Thomas Müller. See also www.flickr.com/photos/txmx-2/albums

Windwos 1≠1

七尺八

Werbeliner See bei Leipzig, 03.03.2024, 07:00 Uhr

Morning At The Lake, March 2024 (song Trush)

Disquiet Junto Project 0638: Center (3 of 3)
The Assignment: Complete a trio begun by two other musicians.

Collaboration with John Wright @thgirwnhoj and Don MacKeen @lazenbeeindustries

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Woodward with John Wright & Don MacKeen (disquiet0638)

I selected these parallel samples because the environment was relatively quiet during this interval, and the occasional bird calls and other sounds are at all at varying distances, but none very close to the microphones. The samples are extracted from the two full-length original files, given at the head of this playlist. The Uši Pro recording and this sample from it are unmodified (as originally recorded at 50 dB). The Clippy recording and this sample taken from it were originally recorded at 60 dB, but were subsequently reduced by -0.90 dB in post to bring the global integrated loudness of the two recordings into exact alignment. I discuss the implications of this adjustment and the audible differences between the two recordings in the Playlist notes. [This track is downloadable.]

2024.04.14 Evening Eucalyptus Forest. LOM Uši Pros and FEL Clippies Parallel Sample.

Recorded live at Senso220 / CSW Solvay / Kraków 
Marzena Majcher / vocal, interactive exformer, synthesizers
Andrzej Wojciechowski / live electronics, sampler
Irwin Wojciechowski / bass guitar

TransMission 6

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Exploring hearing, the hearable, and the hearer, as an event, a mode, and a dimension of Βeing (τὸ εἶναι).

2024.04.14 Evening Eucalyptus Forest. LOM Uši Pros and FEL Clippies Parallel Sample.

Hearing Beings

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Hearing Beings

Hearing Beings

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