~ LAAPS 034 ~ [SEQ.05 - LP33]

artist : Danny Clay
album : No More Darkness, No More Night
duration : 42.52 mn
date : March 28th, 2024

edition :
-  vinyl : limited to 200 copies / transparent blue LP / selective UV varnish / hand numbered 
- cd : limited to 200 copies / pantone / hand numbered + handcrafted, sealed

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pre-order : March 01st, 2024 / official release : March 28th, 2024
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Kevin Rogers, violin
Otis Harriel, violin
Taija Warbelow, viola
Doug Machiz, cello
Danny Clay, pedal steel guitar

Special Thanks to Friction Quartet and R. Eric McMaster
Fall 2023, San Francisco, California, US
In Memoriam Hank Williams

Mastered by Giuseppe Ielasi
Artwork by Anni Leppälä
Design by Sprflxgrfzm
 
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Links :
https://laaps.bandcamp.com/
https://www.instagram.com/iikki_laaps/
https://www.dclaymusic.com/
https://dannyclay.bandcamp.com/

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℗ & © 2 0 2 4 - L A A P S - L A A P S 0 3 4

Danny Clay - Part 4

Originally inspired by oleanders, the first flowers to bloom in Hiroshima after the bomb, "flowers which bloom from blackened earth and poisoned air" is a piece reflecting on environmental destruction, resilience, and hope through duration, slow transformation, and timbral complexity. The piece unfolds in four stages which create affective sonic environments, each containing an enmeshment of one another. 

resonant earth | blackened earth | poisoned air | flowers blooming

written for Broken Frames Syndicate

premiere date: february 2, 2024 at Harvard University’s Paine Hall, Cambridge MA

flowers which bloom from blackened earth and poisoned air (2023) | Broken Frames Syndicate

Berlin-based artist Pavel Milyakov aka Buttechno joins us for an hour a month. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/buttechno/episodes/buttechno-11th-march-2024

PAVEL MILYAKOV w/ Severin Black 110324

Pat Thomas returns to OTOROKU for his fourth collection of solo piano improvisations, this time recorded in a studio setting at London’s Fish Factory.

ROKU040 - "The Oud Of Ziryab" from Pat Thomas "The Solar Model of Ibn Al-Shatir"

Intersystem Crossing

Shibui is a simple, unobtrusive beauty that expresses original imperfection and intelligent restraint. The track titles are based on various polysemantic aspects of Japanese aesthetics and culture.

Miyabi – elegant, understated sophistication.

Raku – The art of hand-molding ceramics, which allows each piece to have its own unique, rough, uneven appearance and texture.

Wabi – unpretentious simplicity.

Mono No Aware – the sad charm of things.

Iki – an elegant, refined manifestation of beauty that combines seductiveness, composure, and modesty.

Nendouryoku – psychokinesis and telekinesis.

Sabi – archaism, genuineness, authenticity, peace of mind in loneliness.

Sumi-e – monochrome ink painting.

Sayonara is not just a farewell, it is a word spoken when someone no longer expects to meet. It is a farewell forever.

Produced and mixed by Dionis Afonichev (Dionisaf)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Dionis Afonichev (Dionisaf)
Cover design by Dionis Afonichev (Dionisaf)

https://www.chitrarecords.com

Shibui

heaven and earth
still not rent asunder -
morning mist

Genkaibō was a Japanese poet and monk from the Edo period.

Marco from Naviar Records says, "Despite my best efforts, I couldn't find more information about him. I came across this poem in The Penguin Book of Haiku, but there's no mention of Genkaibō's life or other works. I also found one of his poems in a 1991 edition of the Frogpond haiku journal. If anyone else has more information on this mysterious haiku poet, please get in touch and I'll update the description."

Haiku by Genkaibō

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF renT (naviarhaiku556)

🏆 Winning entry in the 2023 Wildlife Sound Recording Society 2023 Richard Margoschis Documentary Competition.

“2023 was a big year of change for our family. We moved countries leaving behind the nest we’d built over 10 years. This piece was a way of processing our fleeting memories. Together with my two eldest daughters, we listen to and chat about the recordings I’d made of the swallows that visited our barn. We found parallels between them and us.

A huge thanks from myself and daughters to the WSRS for this award. Owls are a family favourite - don’t tell the swallows!”

Echoes from the Barn

late to this trend but whatever

A long, unedited excerpt from the dawn section of an unattended overnight recording, featuring Crested Bellbirds performing a series of transpositions of their distinctive but (rhythmically and tonally) variable Bellbird song pattern. (At 20:10 one of them seems to push itself to the highest point of its vocal range.)

The recording was made with a microphone rig comprising four supercardioid microphones in an IRT Cross / double NOS array, in open Mallee country.

In this first stereo mixdown of the four isolated tracks of the fourfold array, because of the original stereo perspective, there appears to be only one main (near) vocalist (not counting those Bellbirds that are obviously much farther away). However, while later experimenting with other stereo perspectives made possible by the four tracks, it became clear that, in fact, more than one main (near) Bellbird vocalist was involved. For a different stereo perspective that reveals this differentiation: https://earth.fm/recordings/winter-dawn-in-mallee-country-with-crested-bellbirds/.)

Recorded respectfully and mindfully on the land of the Meru and Danggali peoples.

Track image credit: Male Crested Bellbird photographed by Indra Bone (South Australia, 2019). Source: https://inaturalist.ala.org.au/photos/43977723. (CC BY-NC). Below the photograph is a spectrogram of the recording.

2024.08.11 Crested Bellbirds: Transposition Display. Dawn. Winter's End. (1st stereo perspective)

[disquiet0662] CLCs

𝔈𝔵𝔭𝔩𝔬𝔯𝔦𝔫𝔤 ℌ𝔢𝔞𝔯𝔦𝔫𝔤, 𝔱𝔥𝔢 ℌ𝔢𝔞𝔯𝔞𝔟𝔩𝔢, 𝔞𝔫𝔡 𝔱𝔥𝔢 ℌ𝔢𝔞𝔯𝔢𝔯, 𝔞𝔰 𝔞𝔫 𝔈𝔳𝔢𝔫𝔱, 𝔞 𝔐𝔬𝔡𝔢, 𝔞𝔫𝔡 𝔞 𝔇𝔦𝔪𝔢𝔫𝔰𝔦𝔬𝔫 𝔬𝔣 𝔅𝔢𝔦𝔫𝔤.

2024.08.11 Crested Bellbirds: Transposition Display. Dawn. Winter's End. (1st stereo perspective)

𝕳𝖊𝖆𝖗𝖎𝖓𝖌 𝕭𝖊𝖎𝖓𝖌𝖘