production architect,creative mastermind, vocal wet-work specialist, EARDRUM ASSASSIN.

.accelerates and tries to catch up with the person, but, though it gets faster, they somehow never meet. This is interesting because it sheds new light on the old paradox of Achilles and the tortoise, whereby Achilles cannot catch up with the tortoise. This is the elementary machinery of dream logic. So why do I mention this? Isn't this mixture of extreme mobility and immobility also our situation as cinema or video spectators? We are, as spectators, having our own mobility reduced, while...this incisive reminder still evokes a cutting operation, if not a butchery: a kind of violence — the word flesh if found in the family, just as graphy is a scratch. Higher and further back, to write is to curve meet. Writing is the curve that the turn of seeking has already evoked for us and that we find in the bending of reflection.

Home Studio. Guitar, Vocal, Native Instrument (virtual sounds). Covers and Originals
Musique faite maison. Guitare, voix, Native instrument (sons virtuels). Reprises et Originales

Neït Sabes Recording        
Singer/song writer/ musician
Member of Sacem
France

Enregistré par Neït Sabes
Auteur compositeur interprète, Musicien
Membre Sacem
France

neitsabes.com

Spotify
https://open.spotify.com/artist/2MWmdD4MQR99ZATJLdzpXd?si=-gyNxf9CRcOuCf7d8LNqbg&utm_source=copy-link

Apple Music
https://music.apple.com/fr/artist/ne%C3%AFt-sabes/1545537449?ls

I'm just a Woodard Kid From The Stoop with dreams and heartbreaks, with 16s, beat machines, drawn in like pheens when the needle is in and the band breaks, DOPE is then cross-faded and blended till my hands shake, wave'em in the air though popularity is a high stake, even if they boo me...

~Woodard Kid From The Stoop~

I love rap music I have been rapping for one year

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