Between Milan and New York, biased signed a first EP on the Early Reflex label, synthesising his club experiments.

Read more on CxC 🔗 https://couvrexchefs.com/en/biased-63n3rd-winded-early-reflex

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CxC PREMIERE: biased - Winded (Early Reflex)

French DJ & label honcho Gboi is thrilled to present Good Vibes Vol. 2, the next chapter in Bad Tips' ever-expanding universe. After a well-received first volume, this new compilation is designed for dancefloors while embracing an even broader spectrum of sounds. Blurring genre lines, it moves fluidly between bass, techno, club, reggaeton, and beyond, delivering both explosive energy and introspective moments. Staying true to the label’s DNA, this release continues to push club music boundaries, creating a space where artistic freedom takes center stage. From high-energy anthems to unconventional experiments, each track contributes to this fearless exploration.

PREMIERE || Antilogic - Time Night [Bad Tips]

𝕭𝖆𝖉 𝕿𝖎𝖕𝖘🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Various - DANSE AVEC
DALF records, 2025
𝓑𝓾𝔂 👉🏾 https://dalfrecords.bandcamp.com/album/danse-avec-2

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
Juana Valeria:
https://soundcloud.com/juanavaleria
https://www.instagram.com/juana.valeria/
un.bound_:
https://soundcloud.com/unbund
https://www.instagram.com/un.bound_/

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://www.instagram.com/dalfrecords/
https://soundcloud.com/danseaveclesfousrecords

#newmusic #electronicmusic #Bass

free DL

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#346 📢 Juana Valeria x un.bound_ - Regina [DALF records]

"It feels like at the moment, we're lost in the long dark tunnel. Plenty of dance music seems to operate in a revivalist form, within a regression cycle, it's hard to pinpoint the exact sound of "now" without it referencing other points in history.

"We're trapped in 20th century culture on higher definition screens", poses Mark Fisher in a seminal lecture, and thus, exposes Berardi's concept of the Slow Cancellation of the Future. "Nothing ever really dies, but that's not good". In 1992 it was impossible to imagine the shape of music 6 months into the future, so why are we now constantly going back to these genres?

My aim with this release was to try and participate in the legacy of the Hardcore Continuum within the sonic context of the current world. A hyper-online, overstimulated landscape where our attention is constantly invaded by notification after notification, stimulus after stimulus. I try to materialise this by reshaping sharp noise into pulse, genre staples like the breakbeat get torn apart and forced into a brand new skeleton, and riot-invoking grime chants are repurposed into music set for a bleak now. Jungle, Dub, Grime, Garage, they are all present here, but the heavy gravitational pull of their legacies presents to me as a black hole I've tried to encapsulate in this EP.

Why is the future vanishing?"
—Pépe

Grane Drum [YUKU]

"Claustrophobic, disorienting, uncomfortable - ‘Only Time Will Tell’ consists of 3 of my latest attempts to push functional club tools as far into the realms of dissonance and abstraction as possible whilst retaining their inherent purpose as body-moving dancefloor tracks.

I’m drawn to sounds that are insistent, deliberate, futuristic and unorthodox. YUKU have always shared a similar vision, so it was little surprise when the label picked the very first 3 tracks I sent over in a large vault of demos - the exact 3 that I quietly hoped that they would take, in the exact order I felt would be most effective.

‘Inertia Of The Real’ has been the closing track for many of my sets over the past few months - unhinged electrical zaps appear out of nowhere and rain down over a sparse grime rhythm to catch the crowd off-guard and cause as much chaos as possible.

‘Plated Brass Recursion Mechanism’ continues the theme of frantic digital laser assault, but this time with a locked breakbeat groove and unyielding low-end snarl - more conventional beat patterns for electro and techno lovers, but weird and unpredcitable nonetheless.

Lastly, ‘Fool’s Errand’ dials back the intensity just a touch, with eerie pads and disembodied vocal chops cutting through machine-gun hihats and start-stop call and response in the low end.

My attitude to production has always been a rejection of the nostalgic rehashing of sounds from the 90s and 00s that has come to dominate the dance music landscape in the current decade. If there isn’t at least one sound in a track that’s surprising or new to my ears, I’m not interested. As a statement of intent, I hope that ‘Only Time Will Tell’ will bring something exciting to the listener in that respect. Endless love to YUKU and everyone who gives the release a spin - getting the chance to share my music on such a perfect label is really such an honour."

- Hedchef 

Written & produced by Hedchef
Mastered by Sam at Precise
Artwork by Lex Cyril
Set free into the wild by YUKU

Download

Hedchef - Plated Brass Recursion Mechanism [YUKU]

Preorder Digital/Vinyl

Pépe - Tobeigeseek

Ozwald's forthcoming EP "Dog Fight" release on flood 02/05/2025

Produced and mixed by @ozwalddublin
Mastered by Lurka
Artwork by Jank Scorpio

Pre-Order

Dog Fight

𝕭𝖆𝖉 𝕿𝖎𝖕𝖘🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



SENTIMENTO - TANK IT
CONTROCORRENTE, 2025
𝓑𝓾𝔂 👉🏾 https://distrokid.com/hyperfollow/sentimento/tank-it

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://www.instagram.com/solosentimento/
https://soundcloud.com/solosentimento

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
N/A

#newmusic #electronicmusic #BassMusic

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#372 📢 SENTIMENTO - TANK IT [CONTROCORRENTE]

"Context" sets out to tie together loose ends and lay the foundation for themes worthy of further exploration. 

Ramping from 80 to 120 beats per minute, the opening track combines an instrumental house track (mostly composed in one day after an early morning shift at a warehouse in 2021) with samples sequenced almost four years later, and the album subsequently steps up the tempo and rhythmic complexity over the next two tracks: "FFaammee" and "(in) My Love" -- the former a previously unreleased track from 2023.

"(2,3)FOUR" begins a transition from house to techno and is the first track on the album to include samples from digitized VHS tapes. Entering the 130+ BPM range, "Get In Touch" makes use of ambient noise and generated DTMF tones to complement drum patterns and a distorting bassline. Having established the "homeless musician making beats at the library" vibe, "Proof Of Concept" transforms a half-baked idea from 2018 into a 3/4-baked idea with the sound of a window AC unit recorded upstate in Buffalo.

Moving into a remaster of the first-released single from the album, "NO VAPES ALLOWED" introduces the main sample of "feedback" before "NYP" tightens the loop in conjunction with more field recordings and synthesized basslines. Tapping into the sounds of the New York City Subway, "4 Lexington Avenue Express" crosses the 140 BPM threshold, manipulating and layering a voice memo recorded while riding the namesake train through Brooklyn.

The album's penultimate and final tracks both extensively process audio from VHS-C camcorder clips taken between 2019 and 2021 to develop distinctive timbres and rhythms. "BROKE A$$ BUNNY ($15/h)" incorporates additional NYC subway noises before bringing the album to a close with excerpts from one of bunjamin franklin's many VHS tapes preserving the memory of television in the late 20th and early 21st centuries.

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Lieja

lab grown

Futureproof dissonant club tools.

YUKU / Scuffed Recordings / Worst Behaviour / International Chrome + many more

jack @ hedchef . com

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