Hey man, those high string drones really give this a cosmic effect. Feel like I've been to space and back. Excellent work!

This track is a collaboration with Synline (Tokyo) on.soundcloud.com/bzQWw

Synline shares ... I thought this song would be suitable for the opening of the album. When I asked SeaShea for guitar, he not only contributed his usual electric guitar but also created some tracks with synthesizers. The song, initially incomplete, reached its completion through his efforts. Collaboration has been a fulfilling experience.
Composition and Sampling collage by Synline
Guitars, Synthesizers and arrangement by SeaShea
We hope you enjoy.

'Into the Underworld' Synline=SeaShea

The Carpet Jam by Jeamland feat. PJ Project & Martin Jansen & joerxworx


Dedicating my piano part in this song to my Dad who lives in Tennessee in The Smoky Mountains. Hell, I guess I'll dedicate my part to his best friend Ronnie too. 
I only play a small part in this song which is the piano, but I will tell you that the folks I'm playing with are really great people and a lot of fun jamming with. 

Cast of Characters:

mistermark-- @user-432503709 -- Lead and harmony vocals, synth guitar intro, auxiliary percussion, mix, arrangement, and production
TexMex Shaman–@texmex-shaman –Stephen– guitar, banjo, and mastering
Llanpsych -- @llanpsych -- Tez – mix and production
J.J. Terrell–@j-j-terrell –piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and vocal harmonies
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, mandolin, and lap steel
This song began when Josh asked the rest of the guys if they'd be willing to put together a couple of songs for his father as a Christmas present. His dad is from West Virginia, and Josh was born there, too. The original version featured Josh's son, Marshall, singing the lead with him, and hearing his grandson sing a song about West Virginia really meant a lot to elder Clary. Of course, everyone was enthusiastically generous in giving their time, effort, and skill to Josh's family for the holiday. This song also has special meaning for JJ and Ken in relation to their fathers, as well. JJ's dad has had a rough year with his health. He also is a musician who inspired and encouraged JJ to play music. His dad also likes this song, so it was fun for him to present it to him, as well. Ken, who's father never really supported his decision to be a rock-and-roller, loves this version of the song we did, and made Ken know how proud of him he is in regard to it, which really meant a lot to Ken, too. Another cool connection Ken has to this song is that whilest attending elementary school, he was in the same school choral cohort with the Maria Carey. He actually sang this song with her when they were kids. Also, we feel like we should acknowledge Artur's dog, even though Artur isn't in on this one, his dog loves country music and responded enthusiastically to this one.
  The story of the song itself is a little convoluted. After Josh asked for everyone's help, Ken laid down a rudimentary beat, to which Josh started the tonal part with the bass. Stephen added the guitar and banjo soon after, and Josh added the mandolin shortly after that. JJ inserted his piano around this time, too. We pretty much had it working enough for Josh and his son to sing it for his dad. Tez mixed that version perfectly suited to the occasion. 
  After presenting Josh's dad with the present, it sat for about a month, until we asked Mark if he'd get in on it, too. Mark not only sang it better the JD, but also arranged it so there is an instrumental break now. He also added the guitar lick at the very beginning. Ken took the opportunity of having Mark's great vocals to sing against to add his cunning harmonies. Then Mark, being the perfectionist that he is, noticed that the slide part was missing from the second verse. So, Josh added it. Mark also mixed this version, with Stephen doing some mastering at the end. 
  We hope you enjoy listening to this as much as we enjoyed putting this personally meaningful piece together.



Country Roads (Eclectic Collective)

This variation UnBoxed March 2024
Remix of original Open the Box 2 recording November 2022

[ d o w n l o a d a b l e ]

Brown Bunny EXTRA MOIST JUNGLE MIX

This time, I return to the realm of fantasy, where my characters, upon arriving in the North, found themselves in the dwarven mines. There, they are to meet with the Dwarf King's son, who will task them with aiding in uncovering the mystery surrounding his father's death, slain in a goblin ambush. However, before this occurs, they take part in a funeral ceremony.

To craft this piece, I utilized only the free VSTi's by ProjectSAM @projectsam: Free Orchestra 1 and 2. I've begun working on it 2 months ago... It's one of my over 30 projects in development ;)

Thanks goes to my friends and test drivers: kavvka @grzegorzkawka and Alexander Stratonov @ephtrackx

Picture generated by me in Leonardo.ai

Funeral of the Dwarven King

traversable

Video;
https://youtu.be/S4jxrItDM4E

Genres;
#Electronic
#Experimental
#EDM

Made in #Ableton (April 2024)

Deep Impact

The Sanctuary Garden is falling asleep as the sun is setting down and a mermaid song is coming from the sea.

DAW:     LogicPro
Master: Ozone 11
Artwork: me and AI

Sunset

Eyes That Talk

This is messy and rough, more like a demo -- it was all done in my scratch pad context (FL Studio), but then again the subject is messy and rough.

Take You Down

I can take you down
I can bring you right down put your face down to it
I can wait around ready for you

you are free to change your mind
you are free to leave this life behind
there's an open door but you don't go through it

I try to get away clean but you got me in a hold
you put your fingers in my head and I loose control
how will I ever be satisfied

I can help with the pain for a little while
cause you know it really just ain't my style
to let you feel what I'm doing when I'm doin it

got what I need and I need it
where does it end now
now that I've paid with my freedom

I just want to be free from all the craving of the night
hey yeah will there ever be a time when I feel it

Take You Down

The ONE

Update;
I'm going on holiday from 13 May to 23 May.

I make electronic music (and also Pop, Rock etc).
And I also like to paint.

Musical influences;
Tangerine Dream, Ozric Tentacles, Plaid, Air, Younger Brother, Kraftwerk, Dead Can Dance, Fink, Vangelis, Orbital, Banco De Gaia, New Order, Enigma, Pink Floyd, Azmari, Depeche Mode etc.

Check also; @soundcloud.com/gardensofhega
Genres; Dance, EDM, Electronic etc.

Deep Impact

Hega

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