This song sounds like it could be in one of those bad 60's Elvis movies.
A late night jealousy motel song.
From the Album: "Arrhythmia & Blues" 2024

Lyrics:
Don't leave me lonely
I love you only
We're playing the blame game
Every night

Ahh, well, we go out
Almost every Saturday night
And it always ends up
Ends up in a fight
Because I see that you're making eyes
With every man in sight
(You're manipulating me, Baby!)
(You're really pushing all my buttons)
Don't leave me lonely
I love you only
We're playing the blame game

I'm out for a walk
A woman comes up to me
She says: I want to take you back to my secret sanctuary
I see you're looking for a thrill
Come back to my Bastille
I'm gonna do bad things to your body
And bend you to my will
And you say with those crazy eyes of yours
"Oh no, that man is mine!"
(Oh, baby)
(Baby baby baby)
( I don't even know who this woman is)

Don't leave me lonely
I love you only
We're playing the blame game

You're waking up the neighbor
Saying things that you can't take back
We've got to stop playing this blame game with each other
Gotta gotta gotta gotta gotta
Stop playing
The blame game

The Blame Game

Thanks you so much for listening!

I try to write with rich lyrical details and self-deprecating humor about the human condition. Plus, that unique Shade Structure sound!  It sounds best with headphones. Thanks for any comments, reposts or likes.

Discography: Available under Album tag on my Soundcloud main page. Free Downloads/ Always Free
* The Curse Of A Good Looking Ghost (2024)
* Low Profile (2024)
* Smilers (EP 2023)
•Short Songs For Tall Minds"  (2022)
•Friends, They're Gonna Get Your Story Wrong (2021)
•A Suburban Dadaist With Some Store Bought Beats (2021)
•All Feel and No Technique (2020)
•This Is How I Spend My Nights (2019)
•California Songs (2018-2019)
All sounds contained within are home-made/DIY recordings. Most songs are short stories, as I am influenced by Musicians & Writers like Raymond Carver, Warren Zevon, Mountain Goats, Tom Waits, Mark Eitzel,  Randy Newman, Destroyer, Steely Dan, Captain Beefheart, Loudon Wainwright III, Leonard Cohen & The National. Most songs have the lyrics on the song page. Thank you for listening!

Bit of a mixed bag of styles and genres…
consistently amateur and homemade though… and just for the fun of it!

Half the songs here are just me noodling away on my own… (using garageband on my ipad, headphones, and a couple of cheap old guitars).

…the other half are recorded during very occasional jam sessions with some lovely talented old friends, who bring my song ideas to life, spontaneously, usually one-take, having never heard them before.

hope you enjoy a song or two,

Kelvin

(by the way, I know I'm really not any good at mixing, mastering, production etc... I don't have any equipment or knowhow! ... so I think all these tunes will sound better on headphones 👍 cheers)

Some stuff spilling over into https://soundcloud.com/kelvin-and-friends-2

Songs from the edge of somewhere.
You don’t know if you’re walking into a protest, a party, or a funeral.
Bluesy, soulful rock’n’roll.
Haunted, deep and raw. 
The kind of raw you can’t fake.

“You don’t sound like anyone else,” said Danny Thompson - legendary bassist for Nick Drake and Joe Strummer - about English producer Conil.

Tchad Blake, sonic architect for Tom Waits and Elvis Costello, agreed: “Strange Part of the Country is an amazing album. I still listen to it.”

Fleetwood Mac’s Peter Green was also a fan, making a rare visit to Conil’s studio to record a mellow take on “Woke Up Around Midnight,” his smoky tribute to the jazz greats.

Conil’s distinct sound has drawn praise from Marc Ribot, Davey Graham, Pino Palladino, and John Leckie - artists and producers known for recognising the real thing when they hear it.

Upon release, Strange Part of the Country made quiet but lasting waves. Q Magazine gave it four stars and a Q Recommends stamp. Blues Matters Magazine put Conil on the cover, calling him “one of the most original artists out there.” In the U.S., “Years Between” climbed to number three on the Alternative Radio Chart.

Raised in England on the Rolling Stones, the Velvet Underground, and Tom Waits, Conil later lived in some of the world’s most musically charged cities - New Orleans, New York, Chicago, Austin and Berlin - chasing sound wherever he went.

That began early. He travelled far, met the Dalai Lama, climbed Kilimanjaro, and crossed the Himalayas - experiences that shaped his perspective and his music.

He is now finishing his long-awaited second album - recorded in New Orleans, Chicago, London and Greece - with Danny Thompson, Tchad Blake and more.

(Don't follow me here, best on my main page ;)

New album Audio/Visual is now available exclusively on SC and BandCamp, featuring my favorite tracks from 2024-25. Soon to be released more widely to Spotify and other platforms.

My genre influences include electronic, downtempo, lofi, experimental, rock, blues, indie, prog, post rock, ambient, synthwave, trip hop, and hip hop. 

My recent tunes are produced using Ableton Live, FabFilter suite plugins, and often feature synths like Pigments, Microfreak, and Minilogue XD. I'm also beginning to incorporate guitar a lot more!
 
Some of my major artist influences include Aphex Twin, Boards of Canada, DJ Shadow, Radiohead, LCD Soundsystem, the Flaming Lips, Tame Impala, M83, Godspeed you Black Emperor!, Mogwai, Animal Collective, Nicolas Jaar, Dirty Projectors, Massive Attack, Björk, Dan the Automator, Del, the Gorillaz, Reggie Watts, Ween, Neon Indian, Tycho, Ott, Shpongle, Danger Mouse, Built to Spill, Yo La Tengo, Velvet Underground, My Bloody Valentine, Pink Floyd, Modest Mouse, the Books, and too many others to list here.

HERE ARE FREEDOWNLOAD ACAPPELLAS 
for WHO WANT USE PARTS & REMIX IT...
READ TRACK's INFOS  FOR DETAILS...

MORE VOCALS WILL COME AGAIN...

basic copyright on all tracks.
all of the tracks on here are made with a 12 track boss digital recorder.      to make some sounds more spacious such as the main chords and melodies i have to use 2 tracks at the same time. this is why i try to keep my tracks short because i can only use a limited number of sounds. if i use 2 tracks for bass, drums, chords and melody it only leaves me with 4 tracks for effects and secondary melodies. i prefer to record only one sound on the channels allocated as this avoids problems with volume levels.  i'm not a great musician, but i am also not very good with computers, so this is the only way i can demonstrate my musical ideas.  a big thank you to everyone who listens and comments.........and especially those who like.

Special Page with New Choice of Acappellas FreeDL for Who Want do Original Mixs with it. 
THANKS TO LIKE THE COLLABS REPOSTED :) <3

New Vocals  Free download for Collabs & Remixes
& Playlists by Topics with WorldWide SC Friends Tracks, as well as some of my Songs ...
 I put Heart, Soul & Mind & take Time to Select Sounds Worthy to be Shared & Discovered... 
Hope You Enjoy. Thanks for all Support.

kid otari is a collaboration of naldo & guillaume
https://soundcloud.com/naldeau/tracks
https://soundcloud.com/guillaumelecompositeur/tracks
our NG-Xp experimental instrumental music here:
https://soundcloud.com/ng-xp/tracks