Great ambient, the low strings are such a good ingredient to face all those terrifying noises. Very interesting path you have to explore here...

Very dark and ominous sound, which I like

This is a cover of an old Django Reinhardt tune that I learned from David Grissman's version. My friend Chris Maness was kind enough to play the first and second solos, while I took the third with my mandolin. He's incredibly talented and I'm always extremely happy with what we produce when we work together. I used to play this in an old band I was in called Confluence. It's a fun one and we hope you enjoy it!

Minor Swing (with cgmaness) Django Reinhardt cover

Up Up High

Trying to remember - Sul filo aggrovigliato della memoria

Rolling Forward 120 BPM

Mysterious Decibel--@themysteriousdecibel--MD—lyrics and vocals

TexMex Shaman–@texmex-shaman–Stephen–foundational guitar in first half, solo in the coda, mix, and production

J.J. Terrell–@j-j-terrell– piano and composition

K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion

Llanpsych–@llanpsych–Tez–guitar solo and fills in the main section

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–mandolin, four string fretless bass guitar

This latest Eclectic Collective song was probably the most collaborative in a true sense as we've yet released. The song began with Josh trying to piece together a couple of ideas that he'd come up with on the piano. He sent his ideas to JJ, who took out a connecter section that Josh had no intention of making anything of, and turned it into the body of the song. He returned the song to Josh complete with a signature JJ Terrell climactic coda. Then Josh added the bass to JJ's piano, with some help from the always solid drums from Ken. The way it usually goes is that Josh comes up with a scratch bass line to accompany the song, then Ken adds drums, then Josh goes back and adds the bass to fit the beat. Sometimes they go back and forth, but not this time so much. 

  Then, Stephen added the foundational guitar in the first section, and came up with the idea for the coda. Josh added some mandolin to the coda, too, after which Stephen redid the guitar in the coda to make it very dynamic and part the clouds. Tez finally came along and added the fiery solo and the charming fills in the main section. Most of this time, MD had been working on the narrative lyrics and refining his melodic vocals. Finally, Stephen put it all together for us and mixed it in his expert fashion. 

  We hope you enjoy the thrill of the climax, and also get a chuckle out of the lyrics, which are included below. 

  Let me tell you 'bout a dancer yeah!
A mysterious one
She dances to the decibel
She's a A shape shifter from the stars
She doesn't cast no shadow
The light makes things bizarre
She'll mold a new soul in you
And get your grandmother too
She'll bleed you from afar


It's an Early time and a late night
On a mothership deep in flight
Yeah!
It's an Early time and a late night
When the grays are seeing white!

Yeah, you know what I'm talkin' about 

Oh baby you caught me off guard I think it's gonna be a early time and a Late night

Hubba bubba max
Hubble space snacks
I'm playing galaga 
Waiting for climax
It didn't take long
A few setbacks

One and done in the black hole
With the Shape shifting of my gun
The time was short but the blast quaked
It was all over before it begun
The frown Came over her like a storm cloud dropping down torrential rain
The frown came over me some time later when the little fetus from Mars slopped onto the terrain

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

{Get that thing away from me
Stay on your home planet}

Just One minute altered my universe
My reputation outside of the earth
Flys away in a hearse
Now I'm just the minute man of the cosmos
With an infant out there somewhere they call him... space Frankenstein that's what she knows

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

Early Time Late Night - The Eclectic Collective with Mysterious Decibel

Gomeisa

Recercada Prima (Passamezzo antico) / Recercada Segunda (Passamezzo moderno) / Recercada Cuarta (La gamba).

Composer: Diego Ortiz (1510-1570)
From 3 Recercadas (1553)

Brian Butts: Guitar, mix & mastering.
(Link in bio.)

Bastacho:  Alto Recorder

Enjoy from both!

3 Recercadas 1553  (Diego Ortiz: 1510-1570)

Hourivoura shibboleth halali te deum sacrista.

« Regardez dehors, pourquoi le ciel rosit comme ça ? »

---

spotify : https://open.spotify.com/intl-fr/album/6pzITOtL0AUacnGV7NnHzx?si=KBCahlnMSiKRYW7KOjLYsA

youtube : youtu.be/tsIGRIDMUP4

apparatus&war​-​machines

War-Machines [ruusted]

The Hunting Wood by Jeamland & WÜST

Creepy
Haunting
Dark Ambience
Eerie
Suspenseful
Atmospheric Horror
Spooky
Sinister
Gothic
Chilling
Macabre

Creatures Below

Doing this online electronic music production course, and this is the first track coming out of it. The basic adventure was to avoid playing real instruments.

Apologies that I haven't been active here for some time, needed a break and now this course keeps me busy. I know that I have missed a truckload of cool songs, but I will catch up with them soon, promise!

The Mental State ft. Holden & The Caulfields

PEACE.  





Free Palestine! Free Ukraine! 🇵🇸🇺🇦

WTF is this war shit?!? 


PEACE! 


Whats been heard can not be unheard. 


started making these whatevers 9/2022 with Garageband on my phone.

i hate violence and am against fascism and colonoalism. 



(sorry for being silent and a bit awkward socially, i am a finn cant help it… lets let the tunes speak.)

Gomeisa

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