I´m a Hobby musician in Different Styles of
Noise,Metal etc. but at the Moment in a longer
Pause ..... 

ce.no.type (see. noh. typ): the original type from which all forms have arisen.

(s??n?-)
(s?n??-t?p)
[? + /typos/, a type]

An original type; term used in ontogeny and cytology.
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Existing somewhere in that undefined region of sound known as Industrial music, Cenotype is the personal expression of a single individual known as Lenny B. Also known as DJ Wintermute, Lenny is a long-standing member of the NYC/ New Jersey-area industrial scene. Raised in the poisonous sprawl of depressed cities such as Bayonne and Jersey City, Lenny cut his teeth as a dancefloor DJ at several venues around the region, and was inspired by acts, such as SPK, KLINIK, SKINNY PUPPY, DIVE, SYNAPSCAPE and PSYCHIC TV, to create his own project.

Influenced by the first and second ‘Power Noise’ waves of the mid-late 1990s, Cenotype now seeks to rise above the growing mass of imitators spawned by that movement to create an identity all its own, incorporating elements of Death Industrial and Power Electronics while staying true to his origins. This project centers around themes of morality, justice, sanity, depression and, at times, even redemption.

With the 2007 debut full-length CD release, Origins (Hive Records) receiving positive reactions all over the world, and performances alongside some of the Industrial scene’s most respected artists, Cenotype was established as a force to be reckoned with. Lenny formally unveiled his ORIGINS PRODUCTIONS imprint in 2009 and produced the label’s first official release, in collaboration with Lee Bartow (aka Leech) of NAVICON TORTURE TECHNOLOGIES: Origins Unfold. This very special release came out in a limited edition of 250 numbered copies. Black-on-black CD-Rs collect 15 amazing remixes from contributors, such as Iszoloscope, Caustic, Panic Lift, ESA and others, and a 3inch CD-R featuring an extended remix by NAVICON TORTURE TECHNOLOGIES, are packaged in hand-assembled chipboard CD cases, stamped with the Cenotype/ORIGINS logo.

The recent addition of talented electronic musician Clive Reinhold & then of the prolific Brian Boyle (DCV/ Absence of Sincerity), means that Cenotype is now evolving into a three-man project, both live and in the studio.

As of early 2012, Cenotype has paired with the stellar Philadelphia label, 
Industry8, to release the new mini-album The Hour Before. This collection of 5 new Cenotype tracks takes a glimpse into the heart of men at the hour before that intangible time of night when we are capable of most anything. This is the hour before the nameless hour. These tracks marked an evolution in Cenotype’s style. The more traditionally rigid structure slightly gives way to a more improvisational and spontaneous rhythmic style, allowing the music to take on more of a life of its own. Three collaborations with the late Adam Waters helped to shape this aspect of this release, while also promising to alter the face of Cenotype further into the future. The Hour Before proudly includes remixes from Cervello Ellettronico, Intoner and Vynil Rob and was mastered by James Plotkin. The infamous S.Alt of Ant Zen/ Hymen fame is responsible for the utterly insane artwork.

Cenotype is currently playing live shows and is working on the second full-length album, The Nameless Hour.

Dirty K is a UK based Rhythm & Noize powerhouse that has been meticulously forged in the inferno by, the wild-child of noize himself, Ryan Dirty K. Dirty K has been responsible for the soundtrack to your worst nightmares since 2006 and shows no signs of slowing down anytime soon. The project has had various line up changes over the years, with other musicians joining as live support.

Ryan is armed with a very distinctive sound: an upfront and in your face blend of unavoidable ambient drones, harsh industrial sounds and a relentless onslaught of powerful distorted and broken beats, all of which is aimed at the dance floor.

Dirty K also delivers an utterly explosive live set and has been lucky enough to be featured on well over 60 releases, and released tracks and remixes for their peers on a plethora of the leading labels in the genre. Dirty K has also played a number of big festivals and events touring all over the UK and Europe; such as the legendry Maschinenfest, Infest, Wav Gotik Treffen, Resistanz , Slimelight & Summer Darkness festival.

i am a stupid necrophile methamphetamine propaganda lobbyist bot
ick mache immr ecztasy an wochenende
fuck shemale fetish footlicking sex robbottar i marry my tourette family incest
yo what i kmnow uarzara paz is beck
fuken migga from da northcost in ya fuckin dick 
my teeth are broken my family dislikes me on facebook & my "music" is suspected to conatin eserval forms of cupyright infringement

i like: fuckin terror, extremism, gay witches, atomic war, if cars explode, animal liberation, helge schneider, forests. mountains, anarchy, drugs, magic, anal sex, transvestite porn, gothic disco musique, confusion, piss drinking, virus 2016, hasgtag cgeneratir, bild aktualisieren, fuck mahatama ghandi - here´s malcolm x, anti-sexentry, anarchist black cross, luisa francia, militant resistance, the shittaker, the pisstaker, the puketaker, the overtaker, the weed, the filth. the lilith, the satan, the zustand d., the 696, the anti, the end

Rhythmic Noise, Power Noise, Industrial, Dark Ambient, Hardcore, 
Live Electronic, Breakcore, Glitch, IDM

NOIISE is the art of sound. It is a collaboration between Adrian Belew, Elephantcandy and MOBGEN, and the maker of FLUX:FX, a professional multi-effect audio processor app for the iPad that lets you ‘play’ your effects. http://bit.ly/flux_fx

Innovative, intuitive and exciting, FLUX:FX lets you manipulate any audio signal into something entirely new. FLUX:FX redefines the possibilities of audio and live performance in an app with an almost unlimited range of effect options. All of this power is managed through a beautiful, minimalist interface combining easy-to-use controls and a mesmerising liquid-to-polygon audio visualizer.

Discussions over the creation of abstract guitar sounds led to the idea of a new type of touch-screen controlled, ‘authentically digital’ effects processor. Instead of recreating the standard amplifiers and pedals as so many other apps are doing, the idea was to take inspiration from some of the most innovative musical equipment such as the Korg Kaoss pads, Roger Linn Adrenalinn, Alesis Bitrman, the modular flexibility of the Fractal Axe-fx or Roland VG-99, the waveshaping possibilities of the Kurzweil KDFX and the fuzzy destruction of boutique pedals such as those from Devi Ever and Death by Audio [to name just a few].

If you are looking for that creamy Marshall or classic Fender twin modelled tone… you are in the wrong place. FLUX:FX is about redesigning your sound and creating something completely new. Chopping, shaping, sculpting and looping – FLUX:FX can take you from subtle modulating echoes through to wrecking-ball destruction, all with a swipe of a finger. FLUX:FX can be tweaked with surgical precision or completely randomized with a single gesture. Ignoring the ‘traditional’ approach that most software takes to control [where the dials and switches of amps or pedals are simulated], the FLUX:FX has a completely flexible touch interface that is native to the touchscreen. The controls are highly functional and efficient, focussing on ease of performance without sacrificing the ability to edit and tweak every parameter. We have consciously decided not to limit the effects to the safe or ‘sensible’ settings, so far more extreme sounds are possible compared to traditional effect units.

”FLUX:FX LETS ME MAKE SOUNDS THAT I CAN’T GET WITH ANY OTHER GEAR… AND I HAVE ALL THE OTHER GEAR! THE HANDS-ON CONTROL MEANS THAT I CAN ACTUALLY PLAY THE EFFECTS, AND THE EFFECT SEQUENCER ADDS A WHOLE NEW UNIVERSE OF POSSIBILITIES. MOST IMPORTANTLY THE FLUX:FX INSPIRES CREATIVITY… AND IT IS INCREDIBLY FUN TO USE!”

ADRIAN BELEW

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