♥️ This is the kind of calm I need rn..                                     the quality amazes me 

LD sings lead on this track from Disc 1 of 69 LOVE SONGS (Merge, 1999)

“All My Little Words” by The Magnetic Fields

Old Dead Young

National Anthem Of Nowhere

'Bonnie & Clyde' - featuring Anita Lane, Warren Ellis and Bertrand Burgalat - is taken from the reissued double CD collection of Mick Harvey's two Serge Gainsbourg albums, Intoxicated Man and Pink Elephants, released on Mute on 7 April 2014 (6 May in the US).Order it here: Double CD: http://smarturl.it/harveyman14
iTunes: http://smarturl.it/digiharveyman14
Google Play: bit.ly/1ioCILu

Intoxicated Man (1995) and Pink Elephants (1997) are Mick Harvey’s interpretations of the songs of legendary singer, songwriter and poet Serge Gainsbourg and are the first major works translating Gainsbourg’s infuential work from French to English. The double CD collection will include two unreleased tracks, Dr Jeckyll and Run From Happiness.

The vocal parts originally sung by Gainsbourg’s muses Jane Birkin, Brigitte Bardot and daughter Charlotte Gainsbourg are here sung by long time collaborator Anita Lane – other guests on the albums include Nick Cave and David McClymont.

Mick Harvey Website: http://www.mickharvey.com/
Mute: www.mute.com 


Get the albums here

Mick Harvey - Bonnie & Clyde

When I Can Read My Titles Clear

GROUNDERS' new album will be available May 12 in North America, July in UK/EU. Tour dates coming soon!

“Where do you go? Waiting around, where do you go from here?” wonders the chorus of “Secret Friend,” the first single from GROUNDERS’ debut self-titled LP.

With a dreamy, reverb-drenched intro, the song drifts alongside layers of wobbly arpeggiated synth lines and space-age guitar melodies. It’s the opening track, and it’s also a fitting intro to GROUNDERS. It shimmers and gleams, but there’s a scrappy, stripped-back undertone that chips away at any polish. For every catchy hook and lush arrangement throughout the album there’s a woozy counterpoint that keeps things slightly off-kilter.

Where do you go from here? Into the weird and wonderful pop world of GROUNDERS.

This spring, the Toronto-based band – Andrew Davis (vocals and guitar), Daniel Busheikin (keyboards), Mike Searle (Bass) and Evan Lewis (guitar) – will release their first full-length album, a collection of dense and intricate pop music under the gauzy veil of krautrock and psychedelia. In the time between releasing the Wreck of a Smile EP in 2013 and laying demos for their debut album, GROUNDERS rediscovered their love for classic pop music, an appreciation that had waned over the years as they became obsessed with circumventing the conventional. They listened to pop staples like David Bowie and Devo, and revisited old favourites like Velvet Underground, Neu and the Zombies. When GROUNDERS finally came up for air, they had a newfound love for pop and a glut of ideas for a debut LP.

Meanwhile, Meditation for Dummies and David Lynch’s self-help guide Catching the Big Fish, on transcendental meditation and the creative process, were passed around the van while touring through North America. As Davis’s interest in meditation increased, his lyrics began to reflect his search for serenity and inner peace.

The album came to life in two distinct spaces: Davis’s bedroom in Toronto’s sleepy High Park neighbourhood; and a spacious two-car garage packed with vintage gear from various pawn shops and second-hand stores across the country.

After recruiting DIANA’s Kieran Adams to handle drums, the band headed into the studio with longtime pal Marcel Ramagnano (Born Ruffians, Absolutely Free) to record. Months of tracking, tinkering and layering later, GROUNDERS enlisted the incomparable David Newfeld (Broken Social Scene, Holy Fuck) to give each song the bombastic, fried analog treatment he’s become known for.

First single "Secret Friend" sounds like a bleached and sunbaked Zombies; “Vyvanse,” which yes, is named after the ADHD drug, contains a lilting guitar riff that’ll break your heart; “Pull It Over Me” careens into the dreamy ether courtesy of a wistful cyclical guitar that’s the epitome of a lazy summer’s day; “No Ringer” is a wobbly Silver Apples trance doused in a saxophone freak-out; "Fool's Banquet" sparkles like early Broadcast flooded by constant glistening waves of pleasure. After cross-country tours, an acclaimed debut EP and a David Lynch-inspired spiritual journey, GROUNDERS have finally come of age.

GROUNDERS - No Ringer

Billions of gallons of raw sewage from Philly are released into the Delaware annually, report reveals. Philadelphia discharges 12.7 billion gallons of raw, diluted sewage into the Delaware River's watershed each year


[Verse 1]
Under the Ben Franklin Bridge, the water runs dark and slow,
Twelve-point-seven billion reasons why the river's lost its glow.
Cobbs Creek and Tacony whisper secrets to the tide,
Every raindrop brings a warning that the city's trying to hide.
[Pre-Chorus]
Sixty percent of the pipes still share the same old vein,
Stormwater and sorrow mixing in the acid rain.
[Chorus]
Delaware, Delaware, you carry more than ships,
You carry the weight of a century's eclipse.
Half the year you're closed for swimming,
Seventy-two hours after the storm stops brimming-
We sing for the fish, we sing for the kids,
For the outfalls numbered one through one-sixty-four,
Delaware, Delaware, what are we waiting for?
[Verse 2]
Camden County counts the days-ninety-four on the Cooper's shore,
One-eighteen for Newton Creek, still begging for something more.
Green roofs and rain gardens bloom like hopeful graffiti,
But the volume keeps on climbing with the rising of the sea.
[Pre-Chorus]
Floatables and solids caught in screens of rusted steel,
A postcard from the underworld nobody wants to feel.
[Chorus]
Delaware, Delaware, you carry more than ships,
You carry the weight of a century's eclipse.
Half the year you're closed for swimming,
Seventy-two hours after the storm stops brimming-
We sing for the fish, we sing for the kids,
For the outfalls numbered one through one-sixty-four,
Delaware, Delaware, what are we waiting for?
[Bridge]
Portland built its tunnels, Boston bent the arc,
D.C.'s chasing ninety-six percent before the dark.
Philly's got the blueprints, Camden's got the will,
But the price tag reads in billions and the meter's running still.
[Final Chorus]
Delaware, Delaware, don't let the current lie,
We were promised fishable, swimmable beneath a cleaner sky.
One hundred ninety-five days poisoned is one hundred ninety-four too long,
So raise the bonds, dig the tunnels, turn the overflow to song.
We sing for the fish, we sing for the kids,
For the river that divides us and the river that forgives-
Delaware, Delaware, the water's calling home.


Outfall Reverie

(Verse 1)
Beneath my chest, you stirred and grew,
A rhythm wrapped in something true.
I sang before I saw your face,
And held you with a gentle grace.

(Chorus)
Safe and very dear, still nestled near my heart,
I hum the world around you as your dreams begin to start.
Someday you’ll chase the morning, fly beyond my view—
But 'til then, my darling, I’ll still be holding you.

(Verse 2)
Tiny fingers, future wide,
Dreams still tucked where hopes reside.
I hum the life I wish for you,
In every note, my love shines through.

(Chorus)
Safe and very dear, still nestled near my heart,
I hum the world around you as your dreams begin to start.
Someday you’ll chase the morning, fly beyond my view—
But 'til then, my darling, I’ll still be holding you.

(Verse 3)
From first steps through to open skies,
You’ll reach for dreams with wondering eyes.
And though you walk a world brand new,
A part of me still walks with you.

(Final Chorus)
Safe and very dear, still nestled near my heart,
I hum the world around you as your dreams begin to start.
Go and greet the morning, fly beyond my view—
But even now, my darling, I’m still holding you.

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Mother's Lullaby

Illinois Lutheran State Volleyball Service 

You Are My All In All

"Two Windows" out on Morr Music Sept 8th 2017 
Get the Lp/Cd:
https://anost.net/en/Products/Lali-Puna-Two-Windows/
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Running (Live)

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