Name: Ruina II: Harpbeat by Helen Bledsoe Electro Stuff
Duration: 4 min 6 s
Description: Ruina II: Harpbeat is for improvising musician and soundtrack. The title is a play on words, there are no harp sounds. The soundtrack was produced from a single hit of a glass gong. It represents the nadir of a dying civilization. This is my version for alto flute.

"Üben ist kontraproduktiv"

Ausgehend von Paul Bleys Diktum "Üben ist kontraproduktiv" befragt Carl Ludwig Hübsch in seiner ersten ONpodcast-Folge Kolleg*innen aus der Kölner Improvisationsszene zu ihrem Übeverhalten - Kann man Improvisation üben? Wieviel Pausen braucht das kreative Schaffen? Was übt man?

Im Mai gehört dem Tubisten, Improvisierer, Komponisten und Veranstalter Carl Ludwig Hübsch das Mikrophon. In seinen zwei Folgen geht er dem Lebens- und Arbeitsstil in der Kölner Musikszene nach und fragt: "Was heißt hier Bohème?"

https://www.huebsch.me/index.php/de/ 

Foto: Heiko Specht

Der ONpodcast bietet jeden Monat eine neue Perspektive aus der Freien Szene in Köln. Worum es geht und wer zu Wort kommt, liegt in den Händen der Moderatorin oder des Moderators: in zwei Folgen geben sie Einblicke in das Leben und Schaffen der experimentellen Musikszene und lassen mit Gesprächen, Geschichten oder Musik daran teilhaben.

ONpodcast #45 Was Heißt Hier ... Mit Carl Ludwig Hübsch (und Gästen)

Method: Sometimes it's easy getting some pedals in a row .... dealing with the outcome, though, is quite a different issue.
Narration: This is an older poem that wanted to get out and breathe some fresh air.
Illustration: This is an actual item from the days when I still created large-scale poemscapes for the visual senses. 

poem / copyright jo richter:

their young tend to vanish
just like the old ones used to
for the lure of the other
and the bait of the same

fold along this line

Instrumental by Ken Kasriel and St Josephs Social Club

Stop Making Synth

Cover of this tune by Beck Hansen from the Mutations album. Ken Kasriel, vocal and mix; Jordan Humber, guitars; Rebecca James, vocal

Nobody's Fault But My Own

Geier, Krähe und das Vorspiel zum Dissens
for Violin
Sara Cubarsi, Violin

All efforts led to the negation of consensus.
The violin tells a story: the vulture and the crow.
There was no need to rush.
They feel the scalpel and know in which direction the bow will move.

[Design by Mani Kashian © 2023]

Geier, Krähe und das Vorspiel zum Dissens (2022)

La langue des gargouilles (2023) by Sara Cubarsi 
for natural horn, electric keyboard, prepared piano, and gong

premièred at the Lucerne Festival 2023
commission by the I&I foundation
dedicated to Ben and Richard

La langue des gargouilles

An improvised duo with Tiffany Chang, a fantastic your drummer.  I'm playing flute with my Glissando Headjoint®, adding a "slide guitar" aspect to flute's possibilities.  Tiffany and I have been improvising  together for about seven years and this track "Swedge" is from our as yet unreleased CD "Raise the River".

Tiffany and I will be playing at the Stone on Thursday, March 23 at 8:30 PM.

02 Swedge

Thomas Buckner and I are improvising, he's singing (Baritone) and I'm playing bass flute.  This track is from our CD "Flutes and Voices" (Mutable Music 17541-2)

Tons and I will be creating a concert to open my residency at The Stone on Tuesday, March 21 at 8:30 PM.  admission $20.  Please see https://www.flickr.com//photos/studiomch/sets/72157632295815537/show/ for some photos of us in concert in Poland.  

And please visit http://thestonenyc.com/calendar.php for info.

01 In The Land Of Perfect Days

Ruina II: Harpbeat is for improvising musician and soundtrack. The title is a play on words, there are no harp sounds. The soundtrack was produced from a single hit of a glass gong. It represents the nadir of a dying civilization. This is my version for alto flute.

Ruina II: Harpbeat

Cimmerian Isolation by Nathaniel Haering

Para un saxo Soprano, un saxoTenor y dos saxos Barítonos, con amplificación.
Curso de composición KlexosLab 2020; profesor Alberto Bernal y Klexos Ensemble. Técnico de sonido Pedro González Fernández.

caída libre (2020)

Some electroacoustic experiments, and even some serious stuff. My flute channel is over here: https://soundcloud.com/helenbledsoe, and my noise/pop stuff is over here: https://soundcloud.com/chilled_out_electro

Ruina II: Harpbeat

Helen Bledsoe Electro Stuff

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