DC Promo Tracks #1737: "Camel Night-Rate (Clear To The Ocean)" by Max Essa is part of the release "Camel Night-Rate / Love's New Merdian" on Is It Balearic @coyotesounds @max-essa  

Buy Now: https://www.juno.co.uk/products/max-essa-camel-night-rate-loves-new-meridian-vinyl/1091532-01/?ref=dc 

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DC Promo Tracks: Max Essa "Camel Night-Rate" (Clear To The Ocean)

DC Promo Tracks #1748: "Natural Unity (Oceanic Version)" by Pleasure Voyage is part of the release "Postcards from Eden" on Constellation Tatsu  

Buy Now: https://ctatsu.bandcamp.com/merch/fall-batch-2025

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DC Promo Tracks: Pleasure Voyage "Natural Unity" (Oceanic Version)

About Epicentre
Epicentre was an R&B/funk group formed in Seattle, Washington by keyboardist Ric Ulsky. The band developed a loyal following, playing the extensive NW club, concert and dance venues throughout the mid-to-late 1970s. Their sound was a blend of melodic R&B and powerhouse funk that dependably filled music venues throughout the Western US. Bernadette Bascom was the lead vocalist, who captivated audiences with her powerful yet velvet-smooth voice and commanding, magnetic stage presence.
 In 1978,  Epicentre worked with Seattle producer Don McKinney to record their music in Seattle's now legendary Kaye-Smith studios. The result was seven strong, fully -produced R&B songs, with occasional horn and string orchestrations tastefully added to the final versions.  
Their music quite literally sat on a shelf for decades until McKinney decided that all the hard work and talent should no longer remain undiscovered and it needed to find its audience. He restored and digitized his copies of the master tapes and looked for an opportunity. A chance call to the former leader of the group, Kell Houston, led to a serendipitous introduction to UK boutique/funk/R&B label founder Russell Paine. The result was an agreement to release their music, starting with two songs, "When You Were In Love With Me", and "Magic Carpet." 
Footnotes: Lead singer Bernadette Bascom became a protegé of Stevie Wonder, and was the first artist to be signed to his label Black Bull , starting a period of collaboration between the two. Bermadette is the daughter of Reverend Dr. Marion C. Bascom (1925-2012), one of Baltimore's major civil rights voices and pastor emeritus of Baltimore's Douglas Memorial Community Church. Ric Ulsky eventually left the group to play keyboards and tour extensively with The Association. You can also find Epicentre's music on the compilation album "Seattle Funk, Modern Soul & Boogie: Volume II 1972-1987." In addition to Bernadette, the musicians on the 1978 sessions are Kell Houston, keyboards,  Michael Cox, bass, John Carmondy, guitar, and Ricky Lynn Johnson, drums and vocals. While their recorded material is primarily original, Stacy Christensen from Seattle's Gabriel contributed two of his compositions.
Label credits:
Epicentre featuring Bernadette Bascom
Recorded at Kaye-Smith Studios, Seattle, Washington, August 1978
"When You Were in Love With Me" and "Magic Carpet" written by Bernadette Bascom
Produced for Epicentre by Don McKinney


Epicentre Feat Bernadette Bascomb "Magic Carpet" unissued Modern Soul 45

Crossings

Paul Murphy’s Claremont 56 label welcomes a genuine legend of UK music to its roster – Chaz Jankel, the man whose dizzying musicality and love of soul, funk and disco did much to shape the sound of Ian Dury’s Blockheads band in the late 1970s and early ‘80s.

A virtuoso keyboardist with a deep love of Black American music, Jankel’s arrangements and compositional skills were key to the success of their records, the funkiest of which not only became crossover pop hits – see ‘Hit Me With Your Rhythm Stick’ and ‘Reasons To be Cheerful, Part 3’ in particular – but also saw heavy rotation in now iconic New York clubs including the Paradise Garage and Studio 54. 

This continued during the formative years of his solo career, with ‘My Occupation’, ‘Questionnaire’ and ‘Glad To Know You’ (later famously re-edited and dubbed out for nu-disco dancefloors by Todd Terje) all becoming club hits. The great Quincy Jones also covered Jankel’s infectious single ‘Ai No Carrida’, while experimental, club-ready synth-jam ‘3,000,000 Synths’ was also influential during the early years of the electro movement.

For his Claremont 56 bow, Jankel has delivered an all-new workout recorded earlier this year, the simply titled ‘Rhumba Jam’. A typically warm, groovy and rolling affair, it features Jankel delivering infectious, stretched-out Rhodes electric piano solos over toasty bass, clipped guitar licks, warm bass, accordion-style synth motifs and a densely layered Rhumba rhythm. While relaxed and sun-soaked, it also has bags of Balearic dancefloor potential.

Murphy remixes under his now familiar Mudd alias, leaning into the track’s languid Balearic vibe while keeping a firm focus on the dancefloor. Beginning with an enticing mix of metronomic drums and jangly acoustic guitars, Murphy slowly layers up key elements of Jankel’s original – think rubbery bass, rhythmic handclaps, mazy synth sounds and those wonderful, stretched-out solos. It’s a version that pays due reverence to the quality of Jankel’s musicianship, production and arrangement while subtly extending it and reframing it for 21st century Balearic dancefloors.


Chaz Jankel - Rhumba Jam (Clip)

DC Promo Tracks #1771: "Root Heart Version" by B.J. Smith is part of the release "Dedications to the Greats Four - 'Don't Be Cruel' featuring Joe Harvey-Whyte" on NuNorthern Soul @nunorthernsoul  

Buy Now: https://bj-smith.bandcamp.com/album/dedications-to-the-greats-four-dont-be-cruel-featuring-joe-harvey-whyte-2 

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DC Promo Tracks: B.J. Smith "Root Heart Version"

DC Promo Tracks #1778: "Promise" by Bad Colours is part of the release "Promise" on Bastard Jazz  

Buy Now: https://ffm.to/promiselp.HGW
DC Interview with Bad Colours https://www.dreamchimney.com/interviews/bad-colours/

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DC Promo Tracks: Bad Colours "Promise"

DC Promo Tracks #1787: "Wanna Be With You (feat. Kate Mattison of 79.5)" by lovetempo is part of the release "Wanna Be With You" (ft. Mattison) on lovetempo @lovetempomusique  

Buy Now: https://itslovetempo.bandcamp.com/album/wanna-be-with-you-ft-mattison 

 A sweet and deeply romantic duet with 79.5’s Kate Mattison, “Wanna Be With You” calls back to 80s slow-jam duets without dwelling in nostalgia. With hints of 70s soul and a touch of Balearic acid house, it’s a celebration of deep love, longing, and the joyful discovery of new romance. Includes remix from Turbotito

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DC Promo Tracks: lovetempo "Wanna Be With You" (feat. Kate Mattison of 79.5)

DC Promo Tracks #1788: "Jakko Jakko" by JJasper Van’t Hof’s Pili Pili is part of the release "Selected Works 1984 to 2002" on NuNorthern Soul @nunorthernsoul  

Buy Now: https://mynunorthernsoul.bandcamp.com/album/selected-works-1984-to-2002 

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DC Promo Tracks: Jasper Van’t Hof’s Pili Pili "Jakko Jakko"

DC Promo Tracks #1797: "Night Time (Instrumental)" by Giovanni Damico is part of the release "Night Time" on Star Creature @starcreature  

Buy Now: https://starcreature.bandcamp.com/music?filter_band=2635535680 

Star Creature and Giovanni Damico present a 3 x7s bundle of top shelf modern boogie, Italo proto house and primitive Chicago.

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DC Promo Tracks: Giovanni Damico "Night Time" (Instrumental)

Swedish DJ, producer and songwriter Johan Blende debuts on Hell Yeah with a journey to the heart of a grown-up dancefloor in the Med.

Blende is a master of mixing up retro 70s and 80s sound into modern dancefloor delights. He's been doing it for two decades on a wide range of cultured labels from Studio Barnhus to Eskimo, always with a rare charm and leftfield perceptive. With this EP, he taps into the magic of hazy afternoons turning into euphoric evenings by the sea.

'Off To Mallorca' jangles with taught bass notes and sunburnt vocals. Distant synths glow, the jumbled percussion injects just the right dose of ass-wiggling funk and this playful yet sophisticated cut builds toward a blissful rapture. 'Television' ups the ante with prickly acid panning about the mix over sleazy, low-slung drums. Tension simmers as edgy synth motifs stalk the groove and anticipation builds before the whole thing explodes into a cosmic disco payoff. It's raw, unpredictable, and perfect for when things start to get a little weird.

'Como No Brasil' gazes skyward and basks in a wash of shimmering melodies and breezy, wordless vocals that drift like clouds over layered, sun-drenched rhythms. It’s a dreamy, tropical float until a surprise acid storm rolls in and moves things from tranquil paradise to dancefloor hypnosis. Finally, 'Carousel Bagatelle' is a layered, late-night trip that feels both playful and introspective. Hypnotic synths swirl around screwy acid lines and supple, dubbed-out house drums that spin you into a daze.

Blende’s debut on Hell Yeah lands like a postcard from a perfect party - sun-dazed, acid-kissed and endlessly replayable.

Shop

Johan Blende -  Carousel Bagatelle

"If you didn't know, Hell Yeah is the Italian label hell-bent on releasing the best modern disco(ish) you can find. Sometimes it's blissed out and Balearic, sometimes it's squelchy and down-right weird and sometimes it's the sort of elongated, tribal stuff that works dancefloors into a salacious frenzy" (Kristan J Caryl - DJ MAG January 2014)


Hell Yeah Recordings, a descendent of leading Italian dance label Mantra Vibes is an Italian-based electronic music label active since 2006. Releasing from Ferrara, Bologna, and Amsterdam and led by Marco Gallerani “peeDoo” (A&R), the label bases its philosophy on a diversity of artists and recording experiences tied together by a common vision of what defines quality progressive recording. 

With a sound as diverse as the artists it represents, Hell Yeah does not limit itself to the constraints of genre but packs a complex palette of sounds ranging from techno to minimal-nu-rave to electro-funk and tech house.  Artists as varied as Radio Slave, Santos, Umek, Oliver Koletzki, Congorock, 3iO, Crimea X and the mighty Balearic Gabba Sound System have helped establish Hell Yeah’s eclectic sound, a distinct take on party music loaded with a sonic Balearic feel good vibe that has made press around the world hail Hell Yeah as a label to watch, always

Hell Yeah aims to build upon its current reputation as a leading Italian Electronic Music play, overseeing the release of a series of progressive productions that straddle genres, defy conventions and blur barriers between listening and dance music. Stemming from Hell Yeah’s initial graphic identity formed by Neverending’s Rocco “the Boghe” Pezzella, new mind-bending web and label artworks from Italian artist Andrea Amaducci and the Berlin-based Ice Cream For Free collective promises complete visual as well as aural stimulation.

info/bookings: 
marco@pplayground.com