Italian DJ and producer Marco Dassi is releasing his debut full-length album, First, Quake Me on Hell Yeah Recordings in september 2013.

Having always experimented with a range of sounds and styles from hypnotic techno to melodic bass throughout his career, it is no surprise that this album marks another evolution for Dassi.

A world away from the minimal techno and tight tech loops of his early releases, it’s a more personal and intimate affair that is layered up with plenty of genuine musicality.

Far from a collection of banging bangers, First, Quake Me is a mature record that works on your head as much, if not more than, your heel.

Across the 13 tracks the album peaks and troughs through blissful soundscapes, dancefloor focused grooves and moody ambient pieces as well as some disco nuggets and deep electronic delights. As such it’s a real listening experience from start to finish; and album that takes you somewhere away from here as well as providing plenty of propulsive moments for the club.

Be A Light opens the album with a heavy kick drum and plenty of wiry, sinewy synth sounds that grow in stature and ease you into Dassi’s world. From there Les Petites Choses’ mines a laidback disco groove that is infused with plenty of musicality and frazzled hooks.

Elsewhere the likes of Fleeting Glances suspends you in outer space as sci fi sonics drift by, swells of intergalactic energy build up and dissipate and huge, thudding kicks propel you along. Swedish Love; will no doubt be a standout single for many with its purposeful disco swagger and shiny, reflective analogue textures.

Reloved proves Dassi does vocals as well as instrumentals as he infuses his melodically rich arrangements with muffled male motifs, whilst Acid Purple Weed is a deep house cum acid track that proves this Italian does infectious groove as well as cinematic ambiance.

Closing on the downbeat, depraved sounding technoid slump of Confabulous, First, Quake Me is an album of true invention and originality. It stiches together a wide array of influences into a hugely absorbing tapestry of textural delights.


Marco Dassi - Be a Light

"If you didn't know, Hell Yeah is the Italian label hell-bent on releasing the best modern disco(ish) you can find. Sometimes it's blissed out and Balearic, sometimes it's squelchy and down-right weird and sometimes it's the sort of elongated, tribal stuff that works dancefloors into a salacious frenzy" (Kristan J Caryl - DJ MAG January 2014)


Hell Yeah Recordings, a descendent of leading Italian dance label Mantra Vibes is an Italian-based electronic music label active since 2006. Releasing from Ferrara, Bologna, and Amsterdam and led by Marco Gallerani “peeDoo” (A&R), the label bases its philosophy on a diversity of artists and recording experiences tied together by a common vision of what defines quality progressive recording. 

With a sound as diverse as the artists it represents, Hell Yeah does not limit itself to the constraints of genre but packs a complex palette of sounds ranging from techno to minimal-nu-rave to electro-funk and tech house.  Artists as varied as Radio Slave, Santos, Umek, Oliver Koletzki, Congorock, 3iO, Crimea X and the mighty Balearic Gabba Sound System have helped establish Hell Yeah’s eclectic sound, a distinct take on party music loaded with a sonic Balearic feel good vibe that has made press around the world hail Hell Yeah as a label to watch, always

Hell Yeah aims to build upon its current reputation as a leading Italian Electronic Music play, overseeing the release of a series of progressive productions that straddle genres, defy conventions and blur barriers between listening and dance music. Stemming from Hell Yeah’s initial graphic identity formed by Neverending’s Rocco “the Boghe” Pezzella, new mind-bending web and label artworks from Italian artist Andrea Amaducci and the Berlin-based Ice Cream For Free collective promises complete visual as well as aural stimulation.

info/bookings: 
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