
As ever with the Hell Yeah crew, there is an interesting back-story to the label’s next release, the ambitiously titled Coast to Coast EP. Firstly, the title refers to the fact that Justin VanDerVolgen hails from the east and Doc Martin the west coast of America, but that’s not all…

The label boss first heard Alexander Robotnick’s Undicidisco*track in a set by Golf Channel associate *Justin Vandervolgen. He went to ask what it was and turns out the track had only been released digitally. Keen to give it the full release it deserved on wax, he fully licensed it and got a remix from the man who first played it, as presented here. So far it’s done well, with Running Back boss Gerd Janson playing it recently at P-Bar – of, course it went down a storm... and Beats In Space's Tim Sweeney shouting "This is the Jam"... wow

The track itself is seven minutes of playfully droning bass synths and boom-bap percussion. It’s alive with darting synth tweaks and twitches and races through outer space at an inviting pace, radiating good time vibes from start to finish.

It’s a similar story with the flip – Hell Yeah’s Marco heard one of his (and dance music in general) heroes, Doc Martin, playing the Florian Meindl's bass driven original mix and immediately wanted to give it a full release, but not before asking Doc for a remix.

That remix is released here and is a heavyweight, shuffling bit of house funk with a tight, knotted and tumbling bass refrain propping up soaring diva vocals and grainy, infectious claps. It’s a wavy and hugely inviting groove that has plenty of lip-curling attitude to it.

A fine release with a great backstory that comes complete with great vinyl artwork designed by Andrea Amaducci, this Coast to Coast EP is yet another fine weapon in the Hell Yeah cannon.


Alexander Robotnick - Undicidisco (Justin VanDerVolgen Edit)

Tensnake "I always loved Marco' productions , and that sounds beautiful"

Italian DJ and producer Marco Dassi is releasing his debut full-length album, First, Quake Me on Hell Yeah Recordings in september 2013.

Having always experimented with a range of sounds and styles from hypnotic techno to melodic bass throughout his career, it is no surprise that this album marks another evolution for Dassi.

A world away from the minimal techno and tight tech loops of his early releases, it’s a more personal and intimate affair that is layered up with plenty of genuine musicality.

Far from a collection of banging bangers, First, Quake Me is a mature record that works on your head as much, if not more than, your heel.

Across the 13 tracks the album peaks and troughs through blissful soundscapes, dancefloor focused grooves and moody ambient pieces as well as some disco nuggets and deep electronic delights. As such it’s a real listening experience from start to finish; and album that takes you somewhere away from here as well as providing plenty of propulsive moments for the club.

Be A Light opens the album with a heavy kick drum and plenty of wiry, sinewy synth sounds that grow in stature and ease you into Dassi’s world. From there Les Petites Choses’ mines a laidback disco groove that is infused with plenty of musicality and frazzled hooks.

Elsewhere the likes of Fleeting Glances suspends you in outer space as sci fi sonics drift by, swells of intergalactic energy build up and dissipate and huge, thudding kicks propel you along. Swedish Love; will no doubt be a standout single for many with its purposeful disco swagger and shiny, reflective analogue textures.

Reloved proves Dassi does vocals as well as instrumentals as he infuses his melodically rich arrangements with muffled male motifs, whilst Acid Purple Weed is a deep house cum acid track that proves this Italian does infectious groove as well as cinematic ambiance.

Closing on the downbeat, depraved sounding technoid slump of Confabulous, First, Quake Me is an album of true invention and originality. It stiches together a wide array of influences into a hugely absorbing tapestry of textural delights.


Marco Dassi - Les Petites Choses

The Balearic Gabba Soundsystem is back, back with a new EP that features three more leftfield remixes from curious electronic specialist Enzo Elia that have all been licensed officially by Irma Records. The source material for his three unhinged reworks is a track by 90s Italian house duo Soft House Company and two from cult Italian DJ and producer Don Carlos.

Soft House Company released only two EPs, both in 1990, but made a big impact with them: pretty much everyone has heard ‘What You Need’ and that’s the track that gets remixed here. Elia turns it into a slightly more bouncy and disco leaning cut with raw silvery drums, huge vamping piano chords and those classic vocal cries and already Eddie C and Gerd Jansen have been playing it. At the breakdown there is the sound of waves breaking on a beach before pianos go wild: It’s a freewheeling and sure fire party starting track that still does the trick nearly quarter of a century after original release.

Don Carlos was behind such seminal club tracks as 1991’s ‘Alone’ and produced five studio albums in the nineties and naughties. He fuses Afro rhythms with deep house vibes and has DJed all over the world since the 70s. The first of his to get re-worked is ‘Overture’, which starts with tropical bird cries, whistles and loon calls. It’s the sound of a humid jungle that gets slowly consumed by lush pads, delicate piano melodies and stirring string sounds. With a truly magical atmosphere and uplifting joyousness permeating the whole thing, it cannot fail to make you feel on top of the world.

Finally, Elia tackles ‘Chicago’ (a track that’s already been supported by Soft Rocks) and does so with swathes of mesmeric effects. Organic hand congas, breathy vocal snippets and a bristling nebula of synths, pads and strings all dance around each other in reservedly euphoric symphony.

This might just be one of the most beautifully and bizarrely Balearic releases yet from the ever unhinged Balearic Gabba Soundsystem.

Soft House Company - What You Need (Enzo Elia Balearic Gabba Style)

Dimitri From Paris and DJ Rocca have lots of history of producing together as Erodiscotique and once again here they team up on a new single for Hell Yeah. The stunning original, Disco Shake, comes backed with remixes from Luminodisco, JKriv, D&G and A Mix by remix pioneer and living legend Tom Moulton.

Dimitri from Paris is a true electronic music legend – he pioneered his own French house sound at the start of his career, has mixed seminal compilations including the cult "Deluxe House of Funk" and the infamous "A Night At The Playboy Mansion" and has remixed everyone from The Rapture to Storm Queen in recent times.
His partner in crime here, DJ Rocca – who is part of Ajello and the excellent Crimea X - is one of the key figures in the new Italian house scene. He has released lots of productions and remixes for Classic, Rekids and International Feel and once again comes up with the goods here.

In original form the single is a foot stomping bit of disco with organic drums, breathy vocals and plenty of laser like guitar lines shooting through the arrangement. Bright golden chords add a luxurious quality to the Italo referencing pianos and the twinkly, starry breakdown allows a moment to catch your breath before is off to authentic disco town once again.


Disco Shake

Dimitri From Paris & DJ Rocca - Disco Shake (Original Mix)

...beware, we are not crazy here at Hell Yeah Recordings...

Let’s keep it simple, this dance meets jazz concept started as a joke: take a bunch of friends, discover that they are highly talented jazz musicians and propose them to do something a bit different, play and perform your favourite E-dance / alternative hits / chill out timeless classics into their contemporary jazz style.... shake it as it was your cocktail of choice and you have Serotonin Fuelled Jazz Covers.

3iO are Richard Maggioni (piano), Juan Manuel Moretti (double bass) Matteo Giordani (drums), they are not newcomers in the italian jazz circuit, they have already two albums on their back and with BACK TO NEW ROOTS they challenge themself with a new repertoire: Fat Boy Slim, Groove Armada, Chemical Brothers, Royskopp, Underworld, Spiller, DJ Shadow... just as you never heard them before. 

Already supported by music luminaries like Giles Peterson, Chris Coco and Jon Sa Trinxa. 
Italian visual artist, performer  and Hell Yeah aficionado Andrea Amaducci provides icing on the cake original artwork with his distingueshed urban drawings.

3iO - Back To New Roots is an essential, fresh, out of ordinary summer 2011 listening... 
HELL YEAH



www.3iomusic.com
www.andreaamaducci.com
www.hellyeahrec.com


Eple

download / vinyl

3iO - Eple

Cult Adriatic legend Verdo is back on Hell Yeah Recordings with an EP that shows off his uplifting and sunny piano house style with lashings of heart and soul.
'Prins' gets your head up and your hands in the air from the off. Sumptuous piano chords dance energetically across smooth house grooves, while wispy synth leads dart about in space adding a cosmic edge.

Download

Verdo - Prins

Hell Yeah has enlisted two superb artists to remix a favourite cut from Calm's wonderful Before album and they are label friends Willie Graff and Gallo.

Graff is a proper DJ who has been a resident at Cielo in NYC and Pacha’s Funky Room in Ibiza for the last 15 years while also releasing on plenty of esteemed labels. His Calm remix has already become a beachside classic this summer with plenty of magical sunset plays. And for good reason - it's a soothing sound with pillow bass, gentle synth arps and aching piano keys all unfurling to beautifully mesmeric effect.

Balearic Gabba Sound System member and Buena Onda resident Gallo has long been associated with this label and has a new single coming here soon. This remix is a great taster of it with its wide open sense of space and heavenly saxophone lines which drift and flat above the gentle patter of organic percussion and starry-eyed keys. 
A downtempo masterclass that offers sheer musical escapism.

download

Calm - I Love You (Willie Graff Remix)

File Under Balearic Gabba EP is the first in a new series of serious DJ tools that will encompass remixes, edits, originals and licenses, all with artwork that is a twist on the original Balearic Gabba logo by PlanetLuke.
Up first is a new selection of music from core Hell Yeah artists that is unruly, impossible to define, and sure to twist dance floors inside out.

First up is Daniel Klein better known as SIRS, a Berlin-based mainstay with releases on the likes of Live At Robert Johnson.  His cut of  Caramel 3000's 'Super Rapido' is a dubbed-out blend of kosmiche chug and tropical percussion. Tumbling synth sequences bring extra colour as the groove builds over nine irresistible minutes. 

Then comes Japanese downtempo master Calm with his Mellow Mellow Acid Dub of Sergio Messina & The Four Twenties's 'Sometimes Remember' which is a nostalgic acid daydream and the perfect sunset soundtrack. Melancholic moods and lazy drums sink you in deep as the gentle acoustic guitars keep you afloat.  

Label regular and Internasjonal and International Feel associate Feel Fly then comes through with an Estatico Danzante Remix of Pedro Bertho's 'Tornei' feat Mariana Gehring and takes us to the stars on twinkling keys, dusty breakbeats and steamy, worldly vocals that glow as warm as a setting sun. 

Last of all is New York maestro and Loose Control Band member DJ Spun with his It's Rong Remix of My Friend Dario's 'Acid Mosquito in a Summer Night'. It finds him serving up a nine-minute excursion into jungle humidity with tribal percussion and jumbled bongos all run through with a spooky and primeval lead synth over lurching drum breaks.

The File Under Balearic Gabba EP brings a whole new dimension to wonky dance floor workouts.

Support by Sean Johnston (ALFOS), Chris Duckenfield, Fabrizio Mammarella, Talking Drums, Alexis Le Tan, Max Essa, Kristian (Ame), Tangram DJs.

vinyl / download

Caramel 3000 - Super Rapido - SIRS CUT

As he prepares for a new album in 2024, Gallo teases us with his ‘Hidden Inside EP’ on Hell Yeah. This new outing comes not long after his Tropical Hinterhof Remix of Calm's sublime 'I Love You'.

At the vanguard of the nu-breed Balearic movement, Gallo is a mainstay. Part of the Balearic Gabba Sound System crew, and Buena Onda resident, he has an uplifting sound that has come out mostly on Hell Yeah but has also had music selected for compilations that include Cafe del Mar and Colleen’ Cosmo’ Murphy's Balearic Breakfast. The Berlin-based artist is currently working on his debut long player but first shares with the world these four enchanting cuts. 

'Life on Preset' is a gorgeous downbeat groove embellished with majestic keys that twinkle while gentle chords melt the heart. 'The Last Bud (Beat mix)' slows down further with dusty trip-hop breaks overlaid with pulsing synths to have you gazing off into the distance, lost in a hazy late-night reverie.  Here Gallo showcases his mastery of dreamy, ambient synth work as he suspends you amongst heavenly rays of light and bright white fluffy clouds on 'Hidden Inside'.  Closing down the EP the hazy lazy piano house grooves of 'That Moment' conveys feelings of pure blissed out joy and peacefulness.

Gallo - Life On Preset

Great music is often about chance meetings and impromptu creative sessions and so it is that Hell Yeah proudly serves up Sensory Blending, a new collaborative album from Italian collective Aura Safari and Finnish musician Jimi Tenor. The nine-track record arrives on 26th April 2024 and is a lush and luxurious fusion of jazz-funk styles.

This glorious record came about after Tenor was playing a Hell Yeah party at Tangram in Perugia. Aura Safari were local and, in some free time the day before the gig, everyone jumped in the studio together. They had never met before but soon found plenty of free-flowing common ground and the result of that one-off session is now served up on this vibrant new album that brims with musicality, indelible melodies and subtly uplifting vibrations.

Tenor has toured the world and previously collaborated with the likes of Japanese master Calm. He is a psychedelic space-jazz-funk king, skilled musician, composer and producer who, since the mid-nineties, has released more than 25 albums and 45 EPs. Aura Safari is made up of bass, synth, guitar and keys players Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo, and they are label regulars who served up their sublime Island Dreams album here last year.

Says Jimi, who enjoyed his time in Perugia and adds that "the studio session was 100% efficient. I showed up and we started to play. Almost all that was made was material that we could use for the album. I love to work fast. Quick brushstrokes. Finish! I was amazed at how intuitively the Aura Safari guys could come up with new parts for songs. I mentioned some feeling or approach and they seemed to find it just like that.”

'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.  

Sensory Blending is a seamless fusion of collaborative minds from Aura Safari and Jimi Tenor and it could well be performed live at some special select shows later in the year.

Sensory Blending

shop

Aura Safari & Jimi Tenor - Indigo

Aura Safari & Jimi Tenor - Your Magic Touch

Shop

Aura Safari & Jimi Tenor - It's Too Easy To Love You

Aura Safari & Jimi Tenor - Gimlet

Great music is often about chance meetings and impromptu creative sessions and so it is that Hell Yeah proudly serves up Sensory Blending, a new collaborative album from Italian collective Aura Safari and Finnish musician Jimi Tenor. The nine-track record arrives on 3rd May 2024 and is a lush and luxurious fusion of jazz-funk styles.

This glorious record came about after Tenor was playing a Hell Yeah party at Tangram in Perugia. Aura Safari were local and, in some free time the day before the gig, everyone jumped in the studio together. They had never met before but soon found plenty of free-flowing common ground and the result of that one-off session is now served up on this vibrant new album that brims with musicality, indelible melodies and subtly uplifting vibrations.

Tenor has toured the world and previously collaborated with the likes of Japanese master Calm. He is a psychedelic space-jazz-funk king, skilled musician, composer and producer who, since the mid-nineties, has released more than 25 albums and 45 EPs. Aura Safari is made up of bass, synth, guitar and keys players Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo, and they are label regulars who served up their sublime Island Dreams album here last year.

Says Jimi, who enjoyed his time in Perugia and adds that "the studio session was 100% efficient. I showed up and we started to play. Almost all that was made was material that we could use for the album. I love to work fast. Quick brushstrokes. Finish! I was amazed at how intuitively the Aura Safari guys could come up with new parts for songs. I mentioned some feeling or approach and they seemed to find it just like that.”

'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.  

Sensory Blending is a seamless fusion of collaborative minds from Aura Safari and Jimi Tenor and it could well be performed live at some special select shows later in the year.

Aura Safari & Jimi Tenor - Last Waltz In Perugia

Aura Safari & Jimi Tenor - My Bluebell (feat. Toimi Tytti)

Aura Safari & Jimi Tenor - Bewitched By The Sea

Aura Safari & Jimi Tenor - Lunar Wind

Aura Safari & Jimi Tenor - Bodily Synesthesia

Hell Yeah kicks off 2024 in fine style with a new album from Australian producer @dawn-again . Every Dog's Hotel is a dreamy and breaks-driven downtempo excursion the artist has dubbed "pubwave."

Melbourne-based Nick Verwey has been crafting solo and collaborative cuts for the best part of a decade on labels like Houseworx and Enjoyment Division. He operates in a world where danceable grooves are paired with laid-back moods. His lo-fi sound is both sunlit and sunset-ready and is for grown-up crowds who like to get down on rooftops, sandy enclaves, or laidback living rooms. This new album, however, he describes as "pubwave" and was conveyed during lockdown when Nick and his friends were missing their favourite communal drinking spots.

"My friends and I were missing the pub, missing dance floors, missing being able to hang out and have fun," he says before explaining that, at the time, he was listening to a lot of 90s and 00s downtempo chill out by the likes of Heights of Abraham, Pork Recordings, Baby Mammoth and Bullitnuts. He came up with the idea of creating something similar but in his own way, initially with spoken word poetry from his friend over the top, though when it came to recording that never quite worked so it was shelved until later when Nick tried again without the vocals. "The whole project has been more than years in the making. I'm super proud of the end result. I think it still nails the dreamy, Balearic "pubwave" vibe and comes with a gorgeous cover painting by my mate Holly Hunt. It's an old English haunt called the Old Neptune, and what nails the brief more than a pub that is literally on the beach?"

The title track is a welcome opening with leggy breaks and soft shakers encouraging you to sway while gazing up at the melodic stars before 'Foam Party' gets more zoned out with its vaporous chords and gentle drum tumbles. 'Journey Through The Schoonerverse' is a suspensory trip to the clouds with effortlessly loose breaks and painterly synth smears, 'Wonky Friends' has a more weighty but still dubbed out and slow motion house kick and 'Kneverending Knockoffs' keeps the energy rising with raw percussion and acidic twitches that journey through a heat haze on a warm afternoon. Closer 'Backyard Paradiso' is the horizontal finish that washes over you like rays of sun and gently breaking waves to leave you relaxed from head to toe and digital bonus 'Hard Earned Thirst' is an extra chance to luxuriate in Dawn Again's richly layered synths and leisurely breaks.

The superbly welcoming Every Dog's Hotel is a place to pull up, sink a drink, and soak into some lavish and escapist downtempo sounds. 
credits

Every Dog's Hotel

Dawn Again - Every Dog's Hotel  (LP Snippets)

Hell Yeah kicks off 2024 in fine style with a new album from Australian producer Dawn Again. Every Dog's Hotel is a dreamy and breaks-driven downtempo excursion the artist has dubbed "pubwave."

Melbourne-based Nick Verwey has been crafting solo and collaborative cuts for the best part of a decade on labels like Houseworx and Enjoyment Division. He operates in a world where danceable grooves are paired with laid-back moods. His lo-fi sound is both sunlit and sunset-ready and is for grown-up crowds who like to get down on rooftops, sandy enclaves, or laidback living rooms. This new album, however, he describes as "pubwave" and was conveyed during lockdown when Nick and his friends were missing their favourite communal drinking spots.

"My friends and I were missing the pub, missing dance floors, missing being able to hang out and have fun," he says before explaining that, at the time, he was listening to a lot of 90s and 00s downtempo chill out by the likes of Heights of Abraham, Pork Recordings, Baby Mammoth and Bullitnuts. He came up with the idea of creating something similar but in his own way, initially with spoken word poetry from his friend over the top, though when it came to recording that never quite worked so it was shelved until later when Nick tried again without the vocals. "The whole project has been more than years in the making. I'm super proud of the end result. I think it still nails the dreamy, Balearic "pubwave" vibe and comes with a gorgeous cover painting by my mate Holly Hunt. It's an old English haunt called the Old Neptune, and what nails the brief more than a pub that is literally on the beach?"

The title track is a welcome opening with leggy breaks and soft shakers encouraging you to sway while gazing up at the melodic stars before 'Foam Party' gets more zoned out with its vaporous chords and gentle drum tumbles. 'Journey Through The Schoonerverse' is a suspensory trip to the clouds with effortlessly loose breaks and painterly synth smears, 'Wonky Friends' has a more weighty but still dubbed out and slow motion house kick and 'Kneverending Knockoffs' keeps the energy rising with raw percussion and acidic twitches that journey through a heat haze on a warm afternoon. Closer 'Backyard Paradiso' is the horizontal finish that washes over you like rays of sun and gently breaking waves to leave you relaxed from head to toe and digital bonus 'Hard Earned Thirst' is an extra chance to luxuriate in Dawn Again's richly layered synths and leisurely breaks.

The superbly welcoming Every Dog's Hotel is a place to pull up, sink a drink, and soak into some lavish and escapist downtempo sounds.

Vinyl / Download

Dawn Again - Kneverending Knockoffs

Dawn Again -  Journey Through The Schoonerverse

Hell Yeah kicks off 2024 in fine style with a new album from Australian producer Dawn Again. Every Dog's Hotel is a dreamy and breaks-driven downtempo excursion the artist has dubbed "pubwave."

Melbourne-based Nick Verwey has been crafting solo and collaborative cuts for the best part of a decade on labels like Houseworx and Enjoyment Division. He operates in a world where danceable grooves are paired with laid-back moods. His lo-fi sound is both sunlit and sunset-ready and is for grown-up crowds who like to get down on rooftops, sandy enclaves, or laidback living rooms. This new album, however, he describes as "pubwave" and was conveyed during lockdown when Nick and his friends were missing their favourite communal drinking spots.

"My friends and I were missing the pub, missing dance floors, missing being able to hang out and have fun," he says before explaining that, at the time, he was listening to a lot of 90s and 00s downtempo chill out by the likes of Heights of Abraham, Pork Recordings, Baby Mammoth and Bullitnuts. He came up with the idea of creating something similar but in his own way, initially with spoken word poetry from his friend over the top, though when it came to recording that never quite worked so it was shelved until later when Nick tried again without the vocals. "The whole project has been more than years in the making. I'm super proud of the end result. I think it still nails the dreamy, Balearic "pubwave" vibe and comes with a gorgeous cover painting by my mate Holly Hunt. It's an old English haunt called the Old Neptune, and what nails the brief more than a pub that is literally on the beach?"

The title track is a welcome opening with leggy breaks and soft shakers encouraging you to sway while gazing up at the melodic stars before 'Foam Party' gets more zoned out with its vaporous chords and gentle drum tumbles. 'Journey Through The Schoonerverse' is a suspensory trip to the clouds with effortlessly loose breaks and painterly synth smears, 'Wonky Friends' has a more weighty but still dubbed out and slow motion house kick and 'Kneverending Knockoffs' keeps the energy rising with raw percussion and acidic twitches that journey through a heat haze on a warm afternoon. Closer 'Backyard Paradiso' is the horizontal finish that washes over you like rays of sun and gently breaking waves to leave you relaxed from head to toe and digital bonus 'Hard Earned Thirst' is an extra chance to luxuriate in Dawn Again's richly layered synths and leisurely breaks.

The superbly welcoming Every Dog's Hotel is a place to pull up, sink a drink, and soak into some lavish and escapist downtempo sounds. 
credits

Dawn Again - Foam Party

Dawn Again - Every Dog's Hotel

Hell Yeah return with more freaky stuff from Mexico in the form of the Paranormal EP from La Guardia de la Luz.

LGDLL has regularly appeared on the label in the last few years, most recently with his Magnetic Field in 2022. He has an irresistible and hard-to-categorise Balearic-not-Balearic sound that veers from stoned dubs to cuddly deep house via psychedelic workouts that take you on a real trip.

The title track kicks off this one with a far-sighted cosmic gaze and distant twinkling melodies over a super slow-motion groove that sinks you in deep. 'Tigre de Bengala' features multidisciplinary vocalist and singer La Zorra Zapata and brings a more percussive sound with jumbled hits and drums as squelchy acid lines douse the mix in warmth. Wordless vocals swirl about the mix to exotic effect and ensure this radiant sound really hits the mark.

La Zorra Zapata again features on closer 'La Resistencia' which is a widescreen sound with smeared pads and astral synths that suspend you in mid-air while the vocals drift about like clouds. It's an otherworldly atmosphere for floating on 5am dance floors.

La Guardia de la Luz's Paranormal EP truly taps into some sublime supernatural sounds.

La Guardia De La Luz Feat. La Zorra Zapata - La Resistencia

La Guardia De La Luz Feat. La Zorra Zapata - Tigre De Bengala

La Guardia De La Luz - Paranormal

Italian born Federico Costantini is now a close member of the Hell Yeah family having released a number of EPs and a couple of little classics on the label before now. Here, for the first time, he steps out with a full-length album project that really showcases his style across nine great tracks.

As a regular spinner in Rome best parties, Luminodisco knows how to work a dancefloor in style and does so again with the tracks here, which will appeal to fans of everything from house to disco to feel good beats. He's also half of Studio22 with Francisco (Jolly Music) releases on Edizioni Mondo and generally always impresses with his unhinged sense of sound.

Opening up this LP is the title track Understory: bird calls, humid jungle ambiance and rising synths make for a great bit of evocative musical imagery that places you somewhere hot immediately.

La Mission is next and is a serious slow-mo groove awash with elastic chords, stretched vocals and prickly percussion. The Pirates then offers a playful disco jam with clipped vox and lively chord stabs, Welcome then suspends listeners amongst celestial chords and baby sounds before Equipe gets freaky with bendy bass, blurts of synth and all sorts of beautifully odd sounds and samples that are charming and curious in equal measure.

Continuing to prove he uses totally different sound sources and textures than anyone else, Da Simonetti chugs along on the laziest of drums as sun kissed synths radiate from the core.
Zenigata is a more dancefloor-aligned track with rising arpeggios, twinkling melodies and stirring, emotive synths.

Lavori Forzati is a soupy, gooey number with cosmic ripples and deep space energy permeating throughout and the album closes with the upbeat and authentic disco jam that is Oh Mary.

This album has many tricks up its sleeve but always manages to sound like nothing else as well as making you feel good in its presence. It’s moving both physically and emotionally and really takes you on a unique trip.

Luminodisco - Oh Mary

Just in time to warm up your winter, Hell Yeah revisit the peerless recent Tsuki album from ambient and Balearic masters Tempelhof & Gigi Masin. 

It is Corner Song that gets remixed by Good Timin’ and Running Back man Jex Opolis. Famous for his disco infused synth pop sound he is a master of his own musical world. His version is eight minutes of laid-back tropicalia. Slowly churning drums and knotted funk-bass prop it up as an eco-system of pops, clicks and hits add to the steamy and sensuous groove.

Corner Song

Tempelhof & Gigi Masin - Corner Song (Jex Opolis Remix)

Hell Yeah Recordings are pleased to announce they have been tempted into the reissue market. As such, the label starts a new off shoot, PERDIO (roughly meaning ‘lost’ in Portuguese) which will focus on putting out re-issues and new remixes of classic or forgotten gems. The fist one is a newly remastered instrumental version and new Francisco Dub of Giorgia Morandi’s ‘Children of the Sky’, a cover of the italo-classic “Figli delle Stelle by Alan Sorrenti which just happened to be released 40 years ago. 
 
The label has been two years in the planning and all started when label boss Marco was at the Gratis Club season closing party a few years ago when cult Italian figure Francisco (of Edizioni Mondo/Jolly Music) was DJing. “At some point, he came out with the instrumental of this tune, and I was in heaven,” remembers Marco. “It was a super cheap Italo 12" from Ala Bianca in Italy, a “bad” cover of Figli delle Stelle... I asked Francisco if he was up for editing the track in case I got rights, and here we are.”
 
The brilliant , remastered, original is seven sizzling minutes of elastic Italo house with happy chords that reach for the skies. Naive melodies and keys add to the colourful effect and cannot help to sweep your heart and get your feet tapping, especially with the rugged bassline that probs it up and the big drums that help drive it along. The special Francisco Dub Edit then builds and builds leaving the main hook for the very end... when it arrives you will be sent into raptures of Italo joy.

DJ Support by Kenji Takimi, Phil Mison, Max Essa, Balearic Gabba Sound System, Ransom Note, If Only UK, ... 

Ban Ban Ton Ton review
banbantonton.com/2018/02/22/mix-looking-for-the-balearic-beat-february-2018/

Giorgia Morandi - Children of the Sky (Francisco Dub Edit)

The second Keep on Wankin EP continues Hell Yeah label boss Marco’s on going quest for the perfect remixes. This time out he serves up the most Balearic Gabba influenced material yet and takes you on a trip to the clouds with Bjorn Torske and Fango both stepping up.

First up is Bjorn Torske’s take on everybody’s favourite Luminodisco tune ‘Oh Mary.’ It’s an impossibly adventurous 11 minute epic with buoyant chords dancing over trilling guitars. Lush, multi-layered and brimming with musicality, this is the sort of dubbed out yet percussively lively masterpiece that will mark the high point of any set as it washes over you time and time again.

Then it’s to Fango’s chunky and spaced out take on Somerville & Wilson’s ‘Yantar.’ It’s been the final track of all recent Fango sets around the world for a while now and that won’t change any time on thanks to the slow build to a colourful dub disco peak. It takes you ever higher on wandering lead synths as the fat drums pump away below.

Essential stuff.

Keep On Wankin' - Voumen Dos

Oh Mary

Luminodisco - Oh Mary (Bjorn Torske's Lange Kleggsommer Dub)

Keep On Wankin' - Volumen Dos

Yantar

Somerville & Wilson - Yantar (Fango Remix)

Following on from Calm’s stunning By Your Side album on Hell Yeah late last year, it is now revisited with a series of special remixes & Mellow Mellow Acid Versions. Part 1 finds the Japanese artist himself revisit one track, while Mind Fair also step up with fresh new versions. 

 First up, Calm reworks his own ‘Mellow Mellow Sadness’ into Mellow Mellow Acid.  It's a super slow burning and soothing remix with a gentle acid line drawn out of tumbling drums. Blissful chords ripple out to the horizon and you can really feel the sun on your face with this one. 

 Golf Channel and International Feel disco duo Mind Fair step up to flip ‘My Home Town’ into a long legged and gorgeously hazy downtempo disco bomb. The chords shimmer and shine and will have people swaying with their eyes shut and is sure to become a huge track this summer. 
  
Support by Chris Coco, Leo Mas, Steve Cobby, Andy WIlson (Ibiza Sonica), Red Rack'em, Sean Johnston (ALFOS), Balearic Gabba Sound System...

Bandcamp

Calm - My Home Town (Mind Fair Remix)

Buena Onda - Balearic Beats is a lovingly compiled collection of exciting music from the new Balearic generation that captures the essence and eclecticism of their Berlin party oasis, Buena Onda. It takes in 12 tracks of fast and slow, acid and downtempo, lush and dreamy sounds to transport you to a place of beauty, warmth and soul.

It has been compiled by Hell Yeah label boss Marco with Buena Onda 's resident DJ and co-owner Gallo, and arrives later this summer as a 12" sampler, limited cassette, download, stream and original t-shirt. Exciting artists such as Lucas Croon, Sergio Messina & The Four Twenties, J-Walk, Willie Graff & Tuccillo, Quiroga, My Friend Dario, Black Spuma and more all feature.

Buena Onda - Balearic Beats

Japon

Lucas Croon - Japon

Hell Yeah call upon their merry crew of grown up groove makers to revisit key tracks from Quiroga's widely acclaimed Passages album, with Whodamanny, Jazz N Palms, A Vision of Panorama and My Friend Dario all stepping up.

The original album was noted as Piccadilly Records's Best Balearic Album of 2019 and a year on is still providing solace for us in these strange times. First to add his own spin to it is Periodica associate Whodamanny from Naples, whose magical take on 'Martinica Feelings' made it onto the excellent recent Buena Onda compilation, which is out now. It is a big hearted vocal reinterpretation filled with stomping kicks and twisted synths that bring the funk next to withering sci-fi effects and happy piano chords.

DJ feedback
Martinica Feelings is an instant classic for me. Really coooool! - Chris Coco

Re:Passages

Quiroga - Martinica Feelings (Whodamanny Reinterpretation)

Hell Yeah welcomes the red hot pairing of Tuccillo and Willie Graff for a new four track EP that includes 'Gliding', as heard on the recent Buena Onda compilation. This is a serious serving for real DJs only.

Willie Graff & Tuccillo have been cooking up their delicious deep house dishes for more than a decade now on labels like Finale Sessions, Freerange and Circus Company. Tuccillo is also behind the Balearic Gabba classic 'Solo un Delay', and Graff - a born and bred White Isle native, who is also a long time cohort of Kenneth Bager`s Music For Dreams - is the youngest person to ever have a residency at the legendary Pacha nightclub. They have a rich sound palette that gets all horizontal and Mediterranean across these four fresh new tracks.

Day Side opener 'Crystal Ball' has a nimble bassline and bouncing kicks that get you on your toes while the lush synths do a playful dance up top. The excellent 'Gliding' track from the Buena Onda compilation is a super go slow anthem with scuffed up claps and lazy kicks that take you on a real trip far out to sea.

Flip on the Night Side and 'The Moment' picks up the pace, exploring late night deep house with a melodic air, distant whistles and subtle acid sounds that make for a tropical beach rave. Last of all, 'Tic Tac' is six minutes of dreamy rhythmic bliss, with delicate drums and new age ambiance washing over you like a cooling Azure breeze.

These are classy DJ weapons for those who know.

Willie Graff & Tuccillo - Crystal Ball

We are proud to have an exclusive beauty by Ibiza's very own DJ/producer Willie Graff.
more https://banbantonton.com/2020/05/13/interview-willie-graff-pacha/

New Dreams EP

Willie Graff x Buena Onda

"If you didn't know, Hell Yeah is the Italian label hell-bent on releasing the best modern disco(ish) you can find. Sometimes it's blissed out and Balearic, sometimes it's squelchy and down-right weird and sometimes it's the sort of elongated, tribal stuff that works dancefloors into a salacious frenzy" (Kristan J Caryl - DJ MAG January 2014)


Hell Yeah Recordings, a descendent of leading Italian dance label Mantra Vibes is an Italian-based electronic music label active since 2006. Releasing from Ferrara, Bologna, and Amsterdam and led by Marco Gallerani “peeDoo” (A&R), the label bases its philosophy on a diversity of artists and recording experiences tied together by a common vision of what defines quality progressive recording. 

With a sound as diverse as the artists it represents, Hell Yeah does not limit itself to the constraints of genre but packs a complex palette of sounds ranging from techno to minimal-nu-rave to electro-funk and tech house.  Artists as varied as Radio Slave, Santos, Umek, Oliver Koletzki, Congorock, 3iO, Crimea X and the mighty Balearic Gabba Sound System have helped establish Hell Yeah’s eclectic sound, a distinct take on party music loaded with a sonic Balearic feel good vibe that has made press around the world hail Hell Yeah as a label to watch, always

Hell Yeah aims to build upon its current reputation as a leading Italian Electronic Music play, overseeing the release of a series of progressive productions that straddle genres, defy conventions and blur barriers between listening and dance music. Stemming from Hell Yeah’s initial graphic identity formed by Neverending’s Rocco “the Boghe” Pezzella, new mind-bending web and label artworks from Italian artist Andrea Amaducci and the Berlin-based Ice Cream For Free collective promises complete visual as well as aural stimulation.

info/bookings: 
marco@pplayground.com

Popular tracks by Hell Yeah Recordings