
As ever with the Hell Yeah crew, there is an interesting back-story to the label’s next release, the ambitiously titled Coast to Coast EP. Firstly, the title refers to the fact that Justin VanDerVolgen hails from the east and Doc Martin the west coast of America, but that’s not all…

The label boss first heard Alexander Robotnick’s Undicidisco*track in a set by Golf Channel associate *Justin Vandervolgen. He went to ask what it was and turns out the track had only been released digitally. Keen to give it the full release it deserved on wax, he fully licensed it and got a remix from the man who first played it, as presented here. So far it’s done well, with Running Back boss Gerd Janson playing it recently at P-Bar – of, course it went down a storm... and Beats In Space's Tim Sweeney shouting "This is the Jam"... wow

The track itself is seven minutes of playfully droning bass synths and boom-bap percussion. It’s alive with darting synth tweaks and twitches and races through outer space at an inviting pace, radiating good time vibes from start to finish.

It’s a similar story with the flip – Hell Yeah’s Marco heard one of his (and dance music in general) heroes, Doc Martin, playing the Florian Meindl's bass driven original mix and immediately wanted to give it a full release, but not before asking Doc for a remix.

That remix is released here and is a heavyweight, shuffling bit of house funk with a tight, knotted and tumbling bass refrain propping up soaring diva vocals and grainy, infectious claps. It’s a wavy and hugely inviting groove that has plenty of lip-curling attitude to it.

A fine release with a great backstory that comes complete with great vinyl artwork designed by Andrea Amaducci, this Coast to Coast EP is yet another fine weapon in the Hell Yeah cannon.


Alexander Robotnick - Undicidisco (Justin VanDerVolgen Edit)

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All I Want Is You - InspWir&d

This is the first release on ReGraded a new sub label of Midlands Graded imprint, intended to focus on sample based disco tinged house.

REGRD001

Double Feature EP

A) Double Feature 
AA) Stop (Don't let the beat)

Released 18th Sept. 180Gram Vinyl & Digital 
Distributed by !K7
Mastered by Matt Colton @ Alchemy

Double Feature EP

Stop (Don't Let The Beat)

Midland - Stop (Don't Let The Beat) [ReGraded]

http://shop.dekmantel.com/release/5156/high-point-on-low-ground

Cloud City

Skatebård (aka Bård Aasen Lødemel) is warmly welcomed back to the Bordello. Following 2013´s Love in the Night comes a 12” of quite a different hue. Colour Negatives collects three brand new tracks from the Digitalo founder. The late night rave funk session of “Fujicolor Pro 400H” spikes and spins on beams of concentrated energy. Those same infectious hooks dawn into the flip. “Agfachrome RSX II” is bright, clean and joy filled; Skatebård delivering pure goodness to nurture any bodies beginning to flag. Paranoia and the break of day enters with “Kodak Portra 800”, a minimal two stepping demon that cuts like vinegar. Shape shifting synthesizer sounds from an artist who simply ignores genres.

https://bordelloaparigi.com/artist/skatebard/

Vinyl still available on juno!
http://www.juno.co.uk/artists/Skatebard/

AGFACHROME RSX II

Listen in full on Spotify:
bit.ly/FMB010Spotify

Follow Hammer online:
Facebook: facebook.com/thehammerhits
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Spotify: http://spoti.fi/2pCAFlA

FMB010

T & P (Tim Sweeney & Lauer) - Hail Falls [Hammer Remix]

Owing their foundations to traditional afrobeat (and named after a Fela Kuti song), the Brooklyn-based, female-fronted band, Underground System, has built an international reputation around a seamlessly executed stage show, astonishing wherever they go, and compelling crowds to move with unbridled verve. 

Robbing American “afrobeat” of its derivative formalism, Underground System continues to reinvent their brand of global dance music, remaining a force determined to recreate, redefine, and reconstruct. 

In September 2018 the band released their debut LP What Are You on Soul Clap Records, the much-loved New York City imprint known for their coupling of party-ready DJ culture and shapeshifting live acts. Departing from the extended forms formally associated with Underground System’s live performances and stylistic roots. Hints of afrobeat, no wave, world, electronic, contemporary classical, disco, house, and genre-defying elements combine tightly to reflect a self-aware, edgy, and cohesive statement not currently being made by any other band.

Following up on “What Are You,” Underground System returns to Soul Clap Records with a remix package & music video for their standout single “Just A Place” due out, June 7th. Full of heavy hitters and dancefloor bombs, leading off is Germany’s king of the remix, Gerd Janson, who gives us a powerful 80’s influenced main mix and a stripped back drum tool. Joining Gerd on the package, UK legend Greg Wilson, who joins forces with his son Che, along with Soul Clap, Midnight Magic, Sol Power All-Stars, and Underground System mastermind, Peter Matson.

Pre-order the vinyl & digi here: 
undergroundsystem.bandcamp.com/album/just-a-place-remixes

Underground System - Just A Place (Gerd Janson Remix)

A1.Nyra - Both Of Us Knowing

CONNECT: 
@rydimmusic
@johannesalbert

BUY:
https://ffm.to/rydim-fomo-incl-johannes-albert-remix-pets114 

INFO: 
Rydim is a mystery. Well, partly… One thing that isn’t a mystery is the high level of acid house authenticity at play here. Dark, heads-down strobe light seduction with the focus squared firmly on the soul of the dance. 

‘FOMO’ lives up to its name thanks to some ominous reese craft. Purring savagely throughout the track, leaving space for the sinewy 303s to dance wildly, it sucks you right in and spits you back out into the lasers at speed. Miss it, miss out. 

Don’t miss either Johannes Albert’s remix or the Bass Tool either; the former maintains the acid but re-shapes the bass into a warmer vibe while the latter strips everything back to that growing, heated bassline. Both will leave everyone in the house happy… 

Finally we have ‘Fairlight’. A homage to the mother of all samplers? That’s another mystery to solve. But we do know it’s another beauty from Ridym; naked beats and bass with crucial pads woven in for optimum breath-takes, every rush any dancer has ever felt since the 80s is saluted and celebrated right here. Rydim is a dancer…

FOMO

Rydim - FOMO (Johannes Albert Remix)

Cinthie marks a milestone in her career this July with her debut album ‘Skylines – City Lights’ on Aus Music.

https://ausmusic.bandcamp.com/album/skylines-city-lights

Cinthie - Skylines Citylights LP - Aus Music

More exclusive music

Premiere: Cinthie 'No One Can Take You Away From Me'

Miss Kittin and The Hacker - The Beach

"If you didn't know, Hell Yeah is the Italian label hell-bent on releasing the best modern disco(ish) you can find. Sometimes it's blissed out and Balearic, sometimes it's squelchy and down-right weird and sometimes it's the sort of elongated, tribal stuff that works dancefloors into a salacious frenzy" (Kristan J Caryl - DJ MAG January 2014)


Hell Yeah Recordings, a descendent of leading Italian dance label Mantra Vibes is an Italian-based electronic music label active since 2006. Releasing from Ferrara, Bologna, and Amsterdam and led by Marco Gallerani “peeDoo” (A&R), the label bases its philosophy on a diversity of artists and recording experiences tied together by a common vision of what defines quality progressive recording. 

With a sound as diverse as the artists it represents, Hell Yeah does not limit itself to the constraints of genre but packs a complex palette of sounds ranging from techno to minimal-nu-rave to electro-funk and tech house.  Artists as varied as Radio Slave, Santos, Umek, Oliver Koletzki, Congorock, 3iO, Crimea X and the mighty Balearic Gabba Sound System have helped establish Hell Yeah’s eclectic sound, a distinct take on party music loaded with a sonic Balearic feel good vibe that has made press around the world hail Hell Yeah as a label to watch, always

Hell Yeah aims to build upon its current reputation as a leading Italian Electronic Music play, overseeing the release of a series of progressive productions that straddle genres, defy conventions and blur barriers between listening and dance music. Stemming from Hell Yeah’s initial graphic identity formed by Neverending’s Rocco “the Boghe” Pezzella, new mind-bending web and label artworks from Italian artist Andrea Amaducci and the Berlin-based Ice Cream For Free collective promises complete visual as well as aural stimulation.

info/bookings: 
marco@pplayground.com

Alexander Robotnick - Undicidisco (Justin VanDerVolgen Edit)

Hell Yeah Recordings

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