
As ever with the Hell Yeah crew, there is an interesting back-story to the label’s next release, the ambitiously titled Coast to Coast EP. Firstly, the title refers to the fact that Justin VanDerVolgen hails from the east and Doc Martin the west coast of America, but that’s not all…

The label boss first heard Alexander Robotnick’s Undicidisco*track in a set by Golf Channel associate *Justin Vandervolgen. He went to ask what it was and turns out the track had only been released digitally. Keen to give it the full release it deserved on wax, he fully licensed it and got a remix from the man who first played it, as presented here. So far it’s done well, with Running Back boss Gerd Janson playing it recently at P-Bar – of, course it went down a storm... and Beats In Space's Tim Sweeney shouting "This is the Jam"... wow

The track itself is seven minutes of playfully droning bass synths and boom-bap percussion. It’s alive with darting synth tweaks and twitches and races through outer space at an inviting pace, radiating good time vibes from start to finish.

It’s a similar story with the flip – Hell Yeah’s Marco heard one of his (and dance music in general) heroes, Doc Martin, playing the Florian Meindl's bass driven original mix and immediately wanted to give it a full release, but not before asking Doc for a remix.

That remix is released here and is a heavyweight, shuffling bit of house funk with a tight, knotted and tumbling bass refrain propping up soaring diva vocals and grainy, infectious claps. It’s a wavy and hugely inviting groove that has plenty of lip-curling attitude to it.

A fine release with a great backstory that comes complete with great vinyl artwork designed by Andrea Amaducci, this Coast to Coast EP is yet another fine weapon in the Hell Yeah cannon.


Alexander Robotnick - Undicidisco (Justin VanDerVolgen Edit)

Out now on 12" vinyl + digitally: http://lnk.to/PH100Remixes

Palms Trax joins LA Priest in remixing Erol Alkan's 'Automatic', the 100th Release on Phantasy Sound.

The landmark hundredth single on Phantasy, Erol Alkan’s ‘Automatic’ returns accompanied with two remixes that further take the London DJ and producer’s psychedelic club vision in distinct directions. The original 12" pressing, limited to 100 and hand-numbered, sold out in less than an hour.

Palms Trax builds on the sensual reverie of Alkan’s production with an electrifying rework full of touches both French and personal. Throwing out a gloriously chic bassline, the Berlin-based producer sprinkles carefully considered sweeps, stabs and filters on a trip to timeless house euphoria.

Automatic

Automatic (Palms Trax Remix)

Following the success of his last RS release, 'Ripples,' the enigmatic Wallace returns to Rhythm Section after a series of stellar releases with a highly anticipated follow-up - ‘Papertrip’

This is another Wallace record that is destined to be a global club and festival favourite. His last releases received extraordinary support from such a wide range of DJ’s including Gilles Peterson, Palms Trax, Blond:ish, Moxie, Hunee and DJ Tennis and this new EP is set to expand this roster of supporters.

Wallace's impact on the scene has been nothing short of extraordinary, since Ripples he has gone on to play in the iconic Panorama bar, tour Japan and release a double LP on Mule musiq. Wallace continues to cultivate a dedicated following among discerning listeners and industry tastemakers alike. Now, with the forthcoming release, Wallace is poised to ascend to new heights, continuing the undeniable and contagious Wallace-maina.
credits
releases April 5, 2024

Written & Produced by Jimmy Wallace
Mastered and Vinyl Cut by Frank @ The Carvery
Layout & Tartan Design by Mali Baden-Powell

RS065 - Papertrip

Turn It Louder

Silicone Soul - Chic-O-Laa (H-Foundation Remix)

Key Tronic Ensemble - Calypso Of House (Paradise Version)

Dylan Forbes' edit of Midland's classic "Final Credits"

FOLLOW THE ARTIST:
www.soundcloud.com/dylanforbesirl
dylanforbes.bandcamp.com

SUPPORT THE LABEL
www.facebook.com/groovedublin
https://groovecollectve.wordpress.com/

Midland - Final Credits [Dylan Forbes Edit]

Not much info on this one. Trust your head & your heart!
"Paraíso '89" from the short-lived group Azura. This mysterious gem finally sees the light of day!
Crashing waves (check). Sexy nylon licks (check). Cheeky chimes (check).
Big dumb grins on the dance floor! Essential breezy Balearic biz!
Tasty Mediterranean flavors. A joint on the beach w/ friends.
Eyes closed, head in the sky...

SIDE A

Paraíso '89     (7:51)

Produced, Mixed And Edited by Azura
Mastered by Dietrich Schoenemann @ Complete Mastering

LABEL: WORLD BUILDING
CATALOG: WB 005-12
ARTIST: AZURA
TITLE: PARAÍSO '89
PUBLISHER: WORLD BUILDING MUSIC PUBLISHING (ASCAP)
COPYRIGHT: WORLD BUILDING, INC.

AZURA - Paraíso '89

Spotify: https://spoti.fi/2kWqS4X
YouTube: https://bit.ly/2McYec7

Brame & Hamo are back with the third release on their eponymous imprint. ‘Trants’ and ‘Club Orange’ effortlessly upheld the Berlin based duo’s reputation for dancefloor ready hits, with the latter selling out in one day. Picking up where the others left off, ‘Limewire EP’ is a nod to their early influences channelling house, techno, trance and breakbeat.

Over three tracks, Brame & Hamo brandish the party starting spirit they are rapidly becoming known for. Broken beats feature heavily alongside subtle acid licks, uplifting harmonies and sweltering synth lines.

‘Parade Rain’ is a peak time house roller with pulsing bass, meditative pads and airy pipes that polish it off to make a fine rendition to early 90’s house. ‘Sports Complex’ the darkest of the EP, builds an intense energy with a heavy hitting 808 , shuttering reflections, a driving 303 line topped off with a trance-inducing melody that makes this into a big room bomb. The title track is a breakbeat workout honing a classy piano riff complimented with emotional synths, strings and more acid lines, a fruit for clarity. Finally “Tuff City Kids” aka Gerd Janson & Lauer round it up with a club ready interpretation of their title track, adding more drum layers, a jittering bassline and a simple but effective melody to finish it off.

‘Limewire’ EP finds the duo exploring a range of influences, expertly referencing various styles whilst still weighing in the sound that is now unmistakably theirs.

Miss Kittin and The Hacker - The Beach

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