Hailing from the Belgian capital and as 1/3 behind the Şelale record on Second Circle, it's our friend soFa (@sofaholic) on mix 32. Interview (excerpt) down below.

www.musicfrommemory.com 

MFM: Hi Chris, can you tell a bit about how you made your first steps in the scene as a DJ/producer?

SE: That was first by playing school parties only, and later by organising parties and getting booked by others in return. The usual game, but it was a bit easier as today since there was less competition I think. On the production side I am quite new to that. I started in 2018 only because I lacked time before that, I used to have a job as curator for an art festival and also digging for records kept me busy and excited for many hours every day. 

MFM: Earlier this summer saw the release of Selale on Second Circle, a collaborative project between you, Okay Temiz and Houschyar. Most releases you've worked on are collaborations. Is there a reason for that? 

SE: Yeh different reasons. It's much more fun to share the fun! I'm not a properly trained musician, I like to break rules, rather than applying them. Collaborating with people who know notes and harmonies allows to combine those 2 visions and the results are more exciting to my ears. I feel I have more to say by helping others to get their music right (or wrong) cause that's what all those years of digging after very specific records have taught me.

MFM: Any more projects lined up already?

SE: Yes, quite a bunch I produced with dear friends, Nyati Mayi, soon on Bongo Joe, CCCVVV with Clara Vellin on Strangelove Music and Sexo Y Fantasia with Da Boochie from Kiosk Radio on Glossy Mistakes coming up. There is also a solo record going to the pressing plant next week, coming out on Planet Trip in spring. It has guest singers, but I call it my solo record since I played the whole beats and synths by myself. Its probably gonna remain my only solo record for a while. I slipped into so many collabs and I'd like to focus on that. I especially love working with singers/voices and hopefully some day I get to produce a whole band project!

MFM: What are you hoping for to find in nightlife now that dancefloors are opening up again? Have you been thinking about this whole situation a lot at all?

SE: I am looking forward to seeing people smile and dance again! Party wise I would especially hope to find more groove and less hard music everywhere. I have the feeling the youth of today can only dance to hard stuff, I find that sad. Real music lovers can dance to anything. The whole situation is/was of course tragic for the nightlife sector. Especially for younger people who are in their best years to create a network of friends and experience adulthood for the first time. On a personal level I liked the time off. It allowed me to focus on a more healthy lifestyle and on making music. 

MFM: Cheers for contributing your mix! What can you tell about it? 

SE: I glued together the first half of it while on a roadtrip in Albania last month. Second half I did this morning in a rush. It's nice tunes, diverse and odd enough as I love. I don't care too much about the technical aspect, I just recorded a bunch of records I felt for sharing. In my opinion all that Dj thing is a bit overrated and way too serious. We are just playing other people's music afterall. There is an art behind that, but I feel it's getting lost more and more. For me it's not about the technical side of it, it's about adapting to people and still surprising them in an original way.

MFM Mix 032: soFa elsewhere

Italian legend Walter Del Vecchio aka Quiroga pays tribute to the acid house era on Hell Yeah with a new package that comes with two originals, an ambient mix and a remix from cult hero DMX Krew.

Quiroga released his last sublime album Passages on this label and it came as the latest entry into a discography filled with beauty and detail. He is a talented musician from Naples who has his own left-of-centre take on the Mediterranean sounds of the city, as he shows "once again" here with a house-leaning outing.

Quiroga has teamed up with cult musician Dario Bassolino and called upon Whodamanny's mixing skills for these new tracks.

First is 'Once Again', a punchy and chunky house cut with skewed bass spraying about the mix. Its rough analogue edges are lit up by searing acid lines that never quit and will turn any party into a cauldron of intensity.

The Ambient Version is a full-flavour downtempo workout that keeps the wild acid lines, adds in some FX, old-school piano chords and a yelping female vocal next to a blissful breakdown.

'Once Again' (DMX Krew Remix) is then a bumping acid-electro monster with fat drums and the manic 303 offset by serene chord work to make for a perfectly emotional dance floor delight.

'Freak The Funk' is a second original cut and not at rides of crisp snares and snapping drums breaks with a warm bassline and smeared cosmic chords up top. It's a classy peak-time house cut with magical pixelated synth melodies.

Alongside superb artwork from PlanetLuke, this is another essential package from Hell Yeah.

vinyl / download

Quiroga - Once Again

www.thetrilogytapes.com

@miellllllll @miellllllll @miellllllll @miellllllll @miellllllll

TTT Bandcamp

mi-el – In Dreams

www.thetrilogytapes.com

Skogar – Dark Fantasy
Skogar – City Morgue
Semilanceata – Swunnen
Ildjarn – Succumb...
Schändermond – Er Wird Alles Schänden
Schändermond – Novemberfrost
Taqbir – Tfou 3lik
Civil Defence Programme – Track 2 (Tape 7)
Civil Defence Programme – Track 3 (Tape 7)
Metalvarefabrikken – Eksempler Nummer Tre
Hilozoizmo – Extravagancias
Hilozoizmo – El Árabe Loco
Hilozoizmo – Expanciones
Hilozoizmo – Fantasías
Hilozoizmo – Entonación
SHXCXCHCXSH – SWSWWWSSWSW
SHXCXCHCXSH – Nges
Fleckentarn – Le Temps Ne Guérit Rien
Vaurien – Biture Tiède
Fleckentarn – Une lame de flammes et de rancœur
Excrement – Respectable Living
Yellowcake – When Night Comes
Asmus Tietchens – Medienlandschaft 6
Asmus Tietchens – Fron
Giovanni Bignone – Maschinengewehr
Urfalı Cemil Cankat – Sultan Süleyman'a Kalmayan Dünya
Bill Orcutt – And Lenny Bruce Made Love
Orchestre De La Paillote – La Guinée Moussolou
A LARGE SHEET OF MUSCLE – GO W THE GHOST
A LARGE SHEET OF MUSCLE – SADDLE IAN
John Grzinich – Spruce

TTT NTS 21.07.25

Into the Clouds

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A Phat Phil Cooper Eclectic Mix [Ibiza, August 2025]

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

Coyote & Secret Soul Society IIb? Party Bodega Secret Garden

▬▬▬▬▬▬▬▬▬▬▬▬▬▬
〶 AFRO TEMPLUM 〶 BRĀHMANA 〶
▬▬▬▬▬▬▬▬▬▬▬▬▬▬
✶✶✶✶✶✶✶✶✶✶✶✶✶✶✶
▬▬▬▬▬▬▬▬▬▬▬▬▬▬
▉ Onto The Cosmos ▉
〶 Tako (Music From Memory)
〶 Marco Folco
〶 Afro Templum Armada (Caveargento / Feel Fly / Lorenzo Valeri)
▬▬▬▬▬▬▬▬▬▬▬
●STRAIGHT TO●▒▒▒
▒▒▒●THE COSMOS●
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Recorded during 〶 Afro Templum - Brāhmana 〶
09/08/2025 @ Punta Eucalipto / Lago Trasimeno

AFROTEMPLUM BRĀHMANA -2025- • TAKO / MARCO FOLCO / AFRO TEMPLUM ARMADA (CAVEARGENTO/FEEL FLY/VALERI)

Coyote - The Standard Solar Sessions

Coyote - End of Summer Mix '25

"If you didn't know, Hell Yeah is the Italian label hell-bent on releasing the best modern disco(ish) you can find. Sometimes it's blissed out and Balearic, sometimes it's squelchy and down-right weird and sometimes it's the sort of elongated, tribal stuff that works dancefloors into a salacious frenzy" (Kristan J Caryl - DJ MAG January 2014)


Hell Yeah Recordings, a descendent of leading Italian dance label Mantra Vibes is an Italian-based electronic music label active since 2006. Releasing from Ferrara, Bologna, and Amsterdam and led by Marco Gallerani “peeDoo” (A&R), the label bases its philosophy on a diversity of artists and recording experiences tied together by a common vision of what defines quality progressive recording. 

With a sound as diverse as the artists it represents, Hell Yeah does not limit itself to the constraints of genre but packs a complex palette of sounds ranging from techno to minimal-nu-rave to electro-funk and tech house.  Artists as varied as Radio Slave, Santos, Umek, Oliver Koletzki, Congorock, 3iO, Crimea X and the mighty Balearic Gabba Sound System have helped establish Hell Yeah’s eclectic sound, a distinct take on party music loaded with a sonic Balearic feel good vibe that has made press around the world hail Hell Yeah as a label to watch, always

Hell Yeah aims to build upon its current reputation as a leading Italian Electronic Music play, overseeing the release of a series of progressive productions that straddle genres, defy conventions and blur barriers between listening and dance music. Stemming from Hell Yeah’s initial graphic identity formed by Neverending’s Rocco “the Boghe” Pezzella, new mind-bending web and label artworks from Italian artist Andrea Amaducci and the Berlin-based Ice Cream For Free collective promises complete visual as well as aural stimulation.

info/bookings: 
marco@pplayground.com