Hailing from the Belgian capital and as 1/3 behind the Şelale record on Second Circle, it's our friend soFa (@sofaholic) on mix 32. Interview (excerpt) down below.

www.musicfrommemory.com 

MFM: Hi Chris, can you tell a bit about how you made your first steps in the scene as a DJ/producer?

SE: That was first by playing school parties only, and later by organising parties and getting booked by others in return. The usual game, but it was a bit easier as today since there was less competition I think. On the production side I am quite new to that. I started in 2018 only because I lacked time before that, I used to have a job as curator for an art festival and also digging for records kept me busy and excited for many hours every day. 

MFM: Earlier this summer saw the release of Selale on Second Circle, a collaborative project between you, Okay Temiz and Houschyar. Most releases you've worked on are collaborations. Is there a reason for that? 

SE: Yeh different reasons. It's much more fun to share the fun! I'm not a properly trained musician, I like to break rules, rather than applying them. Collaborating with people who know notes and harmonies allows to combine those 2 visions and the results are more exciting to my ears. I feel I have more to say by helping others to get their music right (or wrong) cause that's what all those years of digging after very specific records have taught me.

MFM: Any more projects lined up already?

SE: Yes, quite a bunch I produced with dear friends, Nyati Mayi, soon on Bongo Joe, CCCVVV with Clara Vellin on Strangelove Music and Sexo Y Fantasia with Da Boochie from Kiosk Radio on Glossy Mistakes coming up. There is also a solo record going to the pressing plant next week, coming out on Planet Trip in spring. It has guest singers, but I call it my solo record since I played the whole beats and synths by myself. Its probably gonna remain my only solo record for a while. I slipped into so many collabs and I'd like to focus on that. I especially love working with singers/voices and hopefully some day I get to produce a whole band project!

MFM: What are you hoping for to find in nightlife now that dancefloors are opening up again? Have you been thinking about this whole situation a lot at all?

SE: I am looking forward to seeing people smile and dance again! Party wise I would especially hope to find more groove and less hard music everywhere. I have the feeling the youth of today can only dance to hard stuff, I find that sad. Real music lovers can dance to anything. The whole situation is/was of course tragic for the nightlife sector. Especially for younger people who are in their best years to create a network of friends and experience adulthood for the first time. On a personal level I liked the time off. It allowed me to focus on a more healthy lifestyle and on making music. 

MFM: Cheers for contributing your mix! What can you tell about it? 

SE: I glued together the first half of it while on a roadtrip in Albania last month. Second half I did this morning in a rush. It's nice tunes, diverse and odd enough as I love. I don't care too much about the technical aspect, I just recorded a bunch of records I felt for sharing. In my opinion all that Dj thing is a bit overrated and way too serious. We are just playing other people's music afterall. There is an art behind that, but I feel it's getting lost more and more. For me it's not about the technical side of it, it's about adapting to people and still surprising them in an original way.

MFM Mix 032: soFa elsewhere

A year on from Dawn Again's pubwave classic Every Dog's Hotel, the Australian producer returns to Hell Yeah with more dreamy, breaks-driven downtempo brilliance.

Melbourne-based Nick Verwey won plenty of new fans for the sunlit, lo-fi sounds of his last album. It came after years of making music for, and playing records to, people who like to get down anywhere from rooftops to beaches and living rooms. The prolific producer has released on the likes of Houseworx and Enjoyment Division before now, and this new EP is another wonderfully dreamy and carefree outing.

'A Day In The Life of Pond Algae' unfolds over a lazy, dubby groove that is gently brought to life with bulbous synth loops and shakers, sunny chords and little smears of sound that pass like clouds. 'Guided Meditation For Dancefloor Nirvana' picks things up with dusty broken beats and instructional spoken words that encourage you to breathe over painterly synth strokes and effortlessly cool grooves. 'Vanilla Sky' lays you out flat on the lawn, the beach or the lounger and has you gazing up to an azure blue sky as gentle drums and synths wash over you like a cooling breeze. Lastly 'Crying Outside the Stadium' captures the magic of later afternoon on a summer day with more blurry pads and vocals and hints of cosmic melody that lead you towards nightfall with a loving hand.

This is another superbly soothing soundtrack for a calming day of outdoor dancing.

https://soundcloud.com/dawn-again
https://soundcloud.com/hell-yeah

PREMIERE⚡Dawn Again - Crying Outside The Stadium [Hell Yeah Recordings]

www.thetrilogytapes.com

@miellllllll @miellllllll @miellllllll @miellllllll @miellllllll

TTT Bandcamp

mi-el – In Dreams

www.thetrilogytapes.com

Skogar – Dark Fantasy
Skogar – City Morgue
Semilanceata – Swunnen
Ildjarn – Succumb...
Schändermond – Er Wird Alles Schänden
Schändermond – Novemberfrost
Taqbir – Tfou 3lik
Civil Defence Programme – Track 2 (Tape 7)
Civil Defence Programme – Track 3 (Tape 7)
Metalvarefabrikken – Eksempler Nummer Tre
Hilozoizmo – Extravagancias
Hilozoizmo – El Árabe Loco
Hilozoizmo – Expanciones
Hilozoizmo – Fantasías
Hilozoizmo – Entonación
SHXCXCHCXSH – SWSWWWSSWSW
SHXCXCHCXSH – Nges
Fleckentarn – Le Temps Ne Guérit Rien
Vaurien – Biture Tiède
Fleckentarn – Une lame de flammes et de rancœur
Excrement – Respectable Living
Yellowcake – When Night Comes
Asmus Tietchens – Medienlandschaft 6
Asmus Tietchens – Fron
Giovanni Bignone – Maschinengewehr
Urfalı Cemil Cankat – Sultan Süleyman'a Kalmayan Dünya
Bill Orcutt – And Lenny Bruce Made Love
Orchestre De La Paillote – La Guinée Moussolou
A LARGE SHEET OF MUSCLE – GO W THE GHOST
A LARGE SHEET OF MUSCLE – SADDLE IAN
John Grzinich – Spruce

TTT NTS 21.07.25

Into the Clouds

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A Phat Phil Cooper Eclectic Mix [Ibiza, August 2025]

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

Coyote & Secret Soul Society IIb? Party Bodega Secret Garden

▬▬▬▬▬▬▬▬▬▬▬▬▬▬
〶 AFRO TEMPLUM 〶 BRĀHMANA 〶
▬▬▬▬▬▬▬▬▬▬▬▬▬▬
✶✶✶✶✶✶✶✶✶✶✶✶✶✶✶
▬▬▬▬▬▬▬▬▬▬▬▬▬▬
▉ Onto The Cosmos ▉
〶 Tako (Music From Memory)
〶 Marco Folco
〶 Afro Templum Armada (Caveargento / Feel Fly / Lorenzo Valeri)
▬▬▬▬▬▬▬▬▬▬▬
●STRAIGHT TO●▒▒▒
▒▒▒●THE COSMOS●
▬▬▬▬▬▬▬▬▬▬▬
Recorded during 〶 Afro Templum - Brāhmana 〶
09/08/2025 @ Punta Eucalipto / Lago Trasimeno

AFROTEMPLUM BRĀHMANA -2025- • TAKO / MARCO FOLCO / AFRO TEMPLUM ARMADA (CAVEARGENTO/FEEL FLY/VALERI)

Coyote - The Standard Solar Sessions

After releasing their Yantar LP digitally last year, Hell Yeah now serve up a much anticipated  vinyl version of Richard Somerville and Craig Wilson’s perfectly horizontal sounds. It features two of the superb originals with remixes from The Beat Broker and Los Gatos Escobar.

Somerville & Wilson have appeared on ISM Records, DWDK (Danny Was A Drag King), Paper Records and Music for Dreams and count the likes of Tensnake and Gerd Janson as fans of their laidback and charming grooves, and this EP is a real slab of heat that will surely sizzle souls across the world this summer. 
 
First up, The Beat Broker proves he is on fire right now with a remix of the classic ‘Melt.’ His heart swelling remix has impossibly mellow chords ringing out into a yellow-orange sky as melodies rise and fall like a yacht bobbing on gentle waters. It’s a blissed out musical sunset of the highest order.

Then comes Somerville & Wilson’s ’Cero Gravity’, eight minutes of cosmic synth workouts, yawning chords and long legged drums offset by soft acid. Drenched in reverb and rippling out in all directions, it’s a warm musical rush that keeps washing over you until your soul melts away. 
 
From New York, Los Gatos Escobar duo offer a more driving but just as tropical remix of ‘Yantar’ with big rubbery drums, zoned out chords and smeared pads. It’s beautifully innocent and honest, heartfelt and meditative music that encourages you to escape to a seaside paradise.

Last of all, a melted Space Edit of Yantar is drowned in saturated chords, scorched pads and heat damaged keys that leave you adrift in a sea of sumptuousness. 
 
Music doesn’t come much more majestic, melodic and mellow than this.

Somerville & Wilson - Yantar EP (12" snippets)

"If you didn't know, Hell Yeah is the Italian label hell-bent on releasing the best modern disco(ish) you can find. Sometimes it's blissed out and Balearic, sometimes it's squelchy and down-right weird and sometimes it's the sort of elongated, tribal stuff that works dancefloors into a salacious frenzy" (Kristan J Caryl - DJ MAG January 2014)


Hell Yeah Recordings, a descendent of leading Italian dance label Mantra Vibes is an Italian-based electronic music label active since 2006. Releasing from Ferrara, Bologna, and Amsterdam and led by Marco Gallerani “peeDoo” (A&R), the label bases its philosophy on a diversity of artists and recording experiences tied together by a common vision of what defines quality progressive recording. 

With a sound as diverse as the artists it represents, Hell Yeah does not limit itself to the constraints of genre but packs a complex palette of sounds ranging from techno to minimal-nu-rave to electro-funk and tech house.  Artists as varied as Radio Slave, Santos, Umek, Oliver Koletzki, Congorock, 3iO, Crimea X and the mighty Balearic Gabba Sound System have helped establish Hell Yeah’s eclectic sound, a distinct take on party music loaded with a sonic Balearic feel good vibe that has made press around the world hail Hell Yeah as a label to watch, always

Hell Yeah aims to build upon its current reputation as a leading Italian Electronic Music play, overseeing the release of a series of progressive productions that straddle genres, defy conventions and blur barriers between listening and dance music. Stemming from Hell Yeah’s initial graphic identity formed by Neverending’s Rocco “the Boghe” Pezzella, new mind-bending web and label artworks from Italian artist Andrea Amaducci and the Berlin-based Ice Cream For Free collective promises complete visual as well as aural stimulation.

info/bookings: 
marco@pplayground.com