Name: Tempelhof & Gigi Masin - The Flying Man by Hell Yeah Recordings in Tempelhof & Gigi Masin - Corner Song / The Flying Man
Duration: 4 min 31 s
Description: 'Flying Man’, a suspensory film that feels like floating amongst the clouds on a humid afternoon. Wordless vocals add a heavenly feel to the lush and all encompassing chords and pads and nothing sounds sweeter than being lost in this one.

Just in time to warm up your winter, Hell Yeah revisit the peerless recent Tsuki album from ambient and Balearic masters Tempelhof & Gigi Masin.

Trancendental and dreamy drums characterise the new age ‘Corner Song’, which is the sound of laying back on a boat and bobbing up and down on gentle seas at sunrise. It’s organic and soothing to the max. The other original is 'Flying Man’, a suspensory film that feels like floating amongst the clouds on a humid afternoon. Wordless vocals add a heavenly feel to the lush and all encompassing chords and pads and nothing sounds sweeter than being lost in this one.

It is Corner Song that gets remixed by Good Timin’ and Running Back man Jex Opolis. Famous for his disco infused synth pop sound he is a master of his own musical world. His version is eight minutes of laid-back tropicalia. Slowly churning drums and knotted funk-bass prop it up as an eco-system of pops, clicks and hits add to the steamy and sensuous groove.

float away

Tempelhof & Gigi Masin - Corner Song / The Flying Man

A year on from Dawn Again's pubwave classic Every Dog's Hotel, the Australian producer returns to Hell Yeah with more dreamy, breaks-driven downtempo brilliance.

Melbourne-based Nick Verwey won plenty of new fans for the sunlit, lo-fi sounds of his last album. It came after years of making music for, and playing records to, people who like to get down anywhere from rooftops to beaches and living rooms. The prolific producer has released on the likes of Houseworx and Enjoyment Division before now, and this new EP is another wonderfully dreamy and carefree outing.

'A Day In The Life of Pond Algae' unfolds over a lazy, dubby groove that is gently brought to life with bulbous synth loops and shakers, sunny chords and little smears of sound that pass like clouds. 'Guided Meditation For Dancefloor Nirvana' picks things up with dusty broken beats and instructional spoken words that encourage you to breathe over painterly synth strokes and effortlessly cool grooves. 'Vanilla Sky' lays you out flat on the lawn, the beach or the lounger and has you gazing up to an azure blue sky as gentle drums and synths wash over you like a cooling breeze. Lastly 'Crying Outside the Stadium' captures the magic of later afternoon on a summer day with more blurry pads and vocals and hints of cosmic melody that lead you towards nightfall with a loving hand.

This is another superbly soothing soundtrack for a calming day of outdoor dancing.

https://soundcloud.com/dawn-again
https://soundcloud.com/hell-yeah

PREMIERE⚡Dawn Again - Crying Outside The Stadium [Hell Yeah Recordings]

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mi-el – In Dreams

Mix of the Week #594 is by Polcari
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the latest album from Polcari is out now, "I Will Try To Imitate The Birds" on Hell Yeah Recording  https://hellyeahrec.bandcamp.com/album/i-will-try-to-imitate-the-birds

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Mix of the Week #594: Polcari

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Skogar – City Morgue
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Civil Defence Programme – Track 3 (Tape 7)
Metalvarefabrikken – Eksempler Nummer Tre
Hilozoizmo – Extravagancias
Hilozoizmo – El Árabe Loco
Hilozoizmo – Expanciones
Hilozoizmo – Fantasías
Hilozoizmo – Entonación
SHXCXCHCXSH – SWSWWWSSWSW
SHXCXCHCXSH – Nges
Fleckentarn – Le Temps Ne Guérit Rien
Vaurien – Biture Tiède
Fleckentarn – Une lame de flammes et de rancœur
Excrement – Respectable Living
Yellowcake – When Night Comes
Asmus Tietchens – Medienlandschaft 6
Asmus Tietchens – Fron
Giovanni Bignone – Maschinengewehr
Urfalı Cemil Cankat – Sultan Süleyman'a Kalmayan Dünya
Bill Orcutt – And Lenny Bruce Made Love
Orchestre De La Paillote – La Guinée Moussolou
A LARGE SHEET OF MUSCLE – GO W THE GHOST
A LARGE SHEET OF MUSCLE – SADDLE IAN
John Grzinich – Spruce

TTT NTS 21.07.25

Into the Clouds

hell yeah its summer

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A Phat Phil Cooper Eclectic Mix [Ibiza, August 2025]

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

Coyote & Secret Soul Society IIb? Party Bodega Secret Garden

Coyote - The Standard Solar Sessions

Just in time to warm up your winter, Hell Yeah revisit the peerless recent Tsuki album from ambient and Balearic masters Tempelhof & Gigi Masin. 

It is Corner Song that gets remixed by Good Timin’ and Running Back man Jex Opolis. Famous for his disco infused synth pop sound he is a master of his own musical world. His version is eight minutes of laid-back tropicalia. Slowly churning drums and knotted funk-bass prop it up as an eco-system of pops, clicks and hits add to the steamy and sensuous groove.

Corner Song

Tempelhof & Gigi Masin - Corner Song (Jex Opolis Remix)

'Flying Man’, a suspensory film that feels like floating amongst the clouds on a humid afternoon. Wordless vocals add a heavenly feel to the lush and all encompassing chords and pads and nothing sounds sweeter than being lost in this one.

Tempelhof & Gigi Masin - The Flying Man

Trancendental and dreamy drums characterise the new age ‘Corner Song’, which is the sound of laying back on a boat and bobbing up and down on gentle seas at sunrise. It’s organic and soothing to the max.

Taken from Tsuki
https://hellyeahrec.bandcamp.com/album/tsuki

Tempelhof & Gigi Masin - Corner Song

"If you didn't know, Hell Yeah is the Italian label hell-bent on releasing the best modern disco(ish) you can find. Sometimes it's blissed out and Balearic, sometimes it's squelchy and down-right weird and sometimes it's the sort of elongated, tribal stuff that works dancefloors into a salacious frenzy" (Kristan J Caryl - DJ MAG January 2014)


Hell Yeah Recordings, a descendent of leading Italian dance label Mantra Vibes is an Italian-based electronic music label active since 2006. Releasing from Ferrara, Bologna, and Amsterdam and led by Marco Gallerani “peeDoo” (A&R), the label bases its philosophy on a diversity of artists and recording experiences tied together by a common vision of what defines quality progressive recording. 

With a sound as diverse as the artists it represents, Hell Yeah does not limit itself to the constraints of genre but packs a complex palette of sounds ranging from techno to minimal-nu-rave to electro-funk and tech house.  Artists as varied as Radio Slave, Santos, Umek, Oliver Koletzki, Congorock, 3iO, Crimea X and the mighty Balearic Gabba Sound System have helped establish Hell Yeah’s eclectic sound, a distinct take on party music loaded with a sonic Balearic feel good vibe that has made press around the world hail Hell Yeah as a label to watch, always

Hell Yeah aims to build upon its current reputation as a leading Italian Electronic Music play, overseeing the release of a series of progressive productions that straddle genres, defy conventions and blur barriers between listening and dance music. Stemming from Hell Yeah’s initial graphic identity formed by Neverending’s Rocco “the Boghe” Pezzella, new mind-bending web and label artworks from Italian artist Andrea Amaducci and the Berlin-based Ice Cream For Free collective promises complete visual as well as aural stimulation.

info/bookings: 
marco@pplayground.com

Tempelhof & Gigi Masin - The Flying Man

Hell Yeah Recordings

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