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http://techno.cz/rubrika/26/nove-alba-a-singly

Techno.cz News about new releases for 2021

Psychedelic Healing🍄 |Chill trip music| Mushroom | LSD | - 3

The Kempe Stone Portal is the long awaited debut album from long time musical adventurer @Vendetta-Suite. It arrives on Hell Yeah Recordings on June 25th, and spans over 20 years of diverse musical experiments. In the words of label boss Marco, "it's a nice ride."

Gary Irwin started dancing in 1990, when he was drawn to the dubbed out and psychedelic sounds of Andrew Weatherall and The Orb, at the same time falling for the forward looking house and techno played by David Holmes and Iain McCready at their regular nights at Belfast's Art College. After studying music technology and performing arts, Irwin gave Holmes a cassette of bedroom produced techno and it started a long and fruitful relationship that has continued to this day.

In the intervening years, Irwin has been the in-house engineer at Holmes' Exploding Plastic Inevitable studio and label, has engineered and remixed with him, released on his labels and written music for his Holy Pictures album, all while picking up credits on labels like NovaMute, Sabrettes, 13Amp and many more. As time passed, Irwin explored non-dance sounds such as krautrock, library music, synth and 80s b-sides before more recently circling back to acid house, downtempo and Balearic. All of this and more informs this panoramic 12 track album, which is a testament to a life spent submerged in many different sound worlds.

The Kempe Stone Portal opens on the ‘Neon Secrets’, which along with tracks like ‘Morning Star’ and ‘I Am The Ghost In My House’ betray Irwin’s love of wonky, shimmering experimental synth-pop musik. They are glistening tracks with heavenly harmonies that are truly life-affirming in their richness. Elsewhere, ‘Purple Haze, Yellow Sunrise’ is an homage to his early experiences of Balearic acid house music from the late eighties and early nineties with a not too subtle reference to the narcotics of the time. ‘Who Do You Love’ was Irwin’s first non-dance music production in 1998, a cover of The Jesus and Mary Chain's version of the Bo Diddly classic, with guitar feedback and distortion drawing you into a murky world of fuzzy sonics.

‘Della Notte’ came 10 years after, with rumbling toms, bubbling synths and phased Rhodes making for a psyched-out post punk dub. Seasonal sleigh bells and obvious krautrock influences abound on ‘Christmas in Cologne’ while ‘Maybe Tomorrow’ is Air meets Phil Spector on a beach at sunset. ‘Warehouse Rock’ is a dubby acid track that follows on from where 2017 track ‘Shut Up Ya Dub!’ left off, but with a more experimental approach that found the artist limiting himself to a 303, drum machine, dub effects and samples. If King Tubby were to release on Acid Trax, this is how it would sound. Shorter tracks ‘Spring Blues’ and ‘The Adult Section’ were originally made for a modern library music side project and are brilliantly suspensory pieces of lush electronics, yawning chords and gentle rhythms that empty your mind of any tension.

This is a storied album that traverses different musical worlds with style and skill. Some are old, some are new, but they add up to a long player that is both fascinating and timeless.

The Kempe Stone Portal

pre-order

The Vendetta Suite - The Kempe Stone Portal - ALBUM SNIPPETS

The Water Poem

Pink Dolphins ~ Bird Tribe

This track is a fragment of the last part of the 'Hovering the Realms', 20 minutes soundjourney. In this part we call upon the spirits of the plants, to help us with our healling.  The Soundjourneys are only for sale through our bandcamp-page.

lyrics
Medicina Ora yamo (strong powerful incantation of medicines)
Camalonga Ora yamoyni (strong powerful incantation of Camalonga plant-spirit)
Chullachaqui Ora yamoyni (strong powerful incantation of Chullachaqui plant-spirit)
Kamarampi Ora yamoyni (strong powerful incantation of Kamarampi plant-spirit)
Tahuarita Ora yamoyni (strong powerful incantation of Tahuari plant-spirit)
Came renaco Ora yamoyni (strong powerful incantation of Came Renaco plant-spirit)
Tamamuri Ora yamoyni (strong powerful incantation of Tamamuri plant-spirit)
Plantas curanderita ya remo (swirling energies of the healing plants)

Medicina ora yamo (strong powerful incantation of medicines)
Picaflores mayayay (the hummingbird starts to sing)
Medicina ora yay (strong powerful incantation of medicines)
Mayaremo cayayay (strong powerful singing and breathing)
Aguilito mayayay (Adelaar, hover on the air/breath/singing)
Suenariri raidaday (circulation of energy to create shape, space or dimension)
Puro maririririri (to create pure and clean essence of energy)
Vuelta vuela runa sita (fly and spiral spirit)
Toutoy cuerpo sitay runa (let this energy enter your body)

Da da day da

Enderere enderere
Enderere enderere
Enderere enderere
Enderere enderere

Medicina ora yamo (strong powerful incantation of medicines)
Picaflores mayayay (the hummingbird starts to sing)
Medicina ora yay (strong powerful incantation of medicines)
Mayaremo cayayay (strong powerful singing and breathing)
Aguilito mayayay (Adelaar, hover on the air/breath/singing)
Suenariri raidaday (circulation of energy to create shape, space or dimension)
Puro maririririri (to create pure and clean essence of energy)
Vuelta vuela runa sita (fly and spiral spirit)
Toutoy cuerpo sitay runa (let this energy enter your body)

Da da day da

Enderere enderere
Enderere enderere
Enderere enderere
Enderere enderere

Check out all our music and videos on www.thewhitearrow.music

Hovering the realms

Calling the plants

Buy this song

Calling The Plants (Hovering The Realms)

Echoes of Silence

Voice of Eternity

The Weigh In

Last Hope

Touted as the next Lindstrom, Third Attempt is the production moniker of Torje Fagertun Spilde, a 22 year old artist and DJ based in Tromsø. A natural fit for Beatservice' left-field take on cosmic disco and wonky house, Third Attempt's album 'World Is Too Loud' continues with his signature style of funk and disco, jazz and deep house . Here we feature 'Transit'; an organic slice of downbeat jazzy grooves. Shuffling drums and slick live elements combine for a smokey, bluesy affair. Unmistakable in its Nordic style, and reminiscent of early Paper Recordings and Svek Records.

World Is Too Loud

PREMIERE: Third Attempt - Transit [Beatservice Records]

Low Khey - Never Trust A Cyborg
Release Date : January 2021 
Label : Comic Sans Records
Cat # : COMICSANS10

Graphic Design by Virgile Flores & Cestainsi
Mastering by Saif Bari
Distribution by Bigwax

Tracklist :
A1 Never Trust A Cyborg
A2 Control X
A3 Huta Vibz
A4 Click Of Death
A5 Proteus
B1 Homos Estivus
B2 Cyborgs Faking Emotions
B3 Ying Yang 
B4 Avaton Anomias
B5 Mauvaises Herbes

After a small digital break, here is new record from the Comic Sans' vaults. First world appearance for Low Khey with 10 tracks exploring the 90-100 bpm side of experimental bass music. Call it mutant dancehall, deconstructed dub or industrial riddims, it's difficult to describe precisely in which genre the release falls. Let's just imagine that Vybz Cartels' beats met Adrian Sherwood's punk dub sound design and that the whole thing was supervised by the evil twin of DJ Python. The big space left to the drums and the precise use of robotic sound-effects give a hyper-mechanical aspect to the riddim tracks which are aired by several interludes made of weird FX making it sound like futuristic commercials for spaceships or intergalactic bitcoin exchange. The whole project has hidden references to artificial intelligence and problems that human are facing regarding the technology. The world in wich Low Khey lives is dominated by machines, and mankind is having a rough time to say the least! But there is hope for our Homo Sapien friend... If only he kept in mind this simple advice : Never. Trust. A. Cyborg.

Low Khey - Never Trust A Cyborg [COMICSANS10 PREVIEW]

Taken from the forthcoming album 'Loose Gears', out on Hypercolour from 26th February 2021.

Pre-order >> https://fanlink.to/LooseGears

Self-styled ‘house husband, record producer’, 
DMX Krew, continues his effortless stretch of releases that date back to the early 90s, with a new album for Hypercolour.  

His deft melodies and mechanical, electro-tinged beats have made for some classic albums in his repertoire, from his incredible run of albums for Rephlex Records, up to 2020’s ’Ghost Bubbles’ long player for Terrestrial Funk.  And so ‘Loose Gears’ marks DMX Krew’s fourth album for British stalwarts, Hypercolour, and fans will not be disappointed.

Armed with an arsenal of hardware, and a head full of futuristic visions, ‘Loose Gears’ collects eleven tracks of the customary quality we have come to expect from DMX Krew.

From the funk laden ‘Solar Transit’ to bleepy chugger ‘Dejected Ambient Twerp’, the vibrant synths and spongy rhythms of ‘Torpedo Tube’ to the beatless wiggle of ‘Xpansion 2’, there’s much in store to be savoured on ‘Loose Gears’, as DMX Krew serves up another fine selection of electronic goodies.

Loose Gears

Pre-order

DMX Krew - Unconnected (Hypercolour)

Taken from 'Yu Su - Yellow River Blue' (MFM052, bié-1)
Buy Vinyl: https://www.musicfrommemory.com/
Buy Digital: https://yusu.bandcamp.com/album/yellow-river-blue
© 2021 Music From Memory
© 2021 bié Records

Yellow River Blue

A4. Yu Su - Gleam (3:09)

Preorder: http://asip.me/asipv027

https://soundcloud.com/ludvigcimbrelius is an artist of many expressions. Whilst all are deeply rooted in a spiritual and ethereal sound, his most majestic output has arguably come to life through the https://soundcloud.com/illuvia alias. After capping off a debut, self-titled album in 2017 with an atmospheric Drum and Bass track, it quickly sparked a two-year conversation between Ludvig and A Strangely Isolated Place to pursue a full record in this style. 

Focusing on the far reaches of both the Ambient and Drum and Bass spectrums, Iridescence Of Clouds, combines the two extremities. Soaring, euphoric Ambient textures overlay distant echoes of driving Drum and Bass, before subtly transitioning to drums at the forefront, once again.

Typically atmospheric Drum and Bass song structures become blurred, as half-step kick patterns sit amongst more recognizable Amen breaks; or reverb-heavy drums; often echoing the worlds of Ludvig’s other aliases - his fingerprint instantly recognizable. The expected breakdowns are often ephemeral; teased slowly into existence and then faded into the background as each track weaves in and out of the two musical spectrums and the progressive emotion of the album unfolds at a glorious, soaring pace.

Illuvia / Iridescence Of Clouds (ASIPV027) [Previews]

"If you didn't know, Hell Yeah is the Italian label hell-bent on releasing the best modern disco(ish) you can find. Sometimes it's blissed out and Balearic, sometimes it's squelchy and down-right weird and sometimes it's the sort of elongated, tribal stuff that works dancefloors into a salacious frenzy" (Kristan J Caryl - DJ MAG January 2014)


Hell Yeah Recordings, a descendent of leading Italian dance label Mantra Vibes is an Italian-based electronic music label active since 2006. Releasing from Ferrara, Bologna, and Amsterdam and led by Marco Gallerani “peeDoo” (A&R), the label bases its philosophy on a diversity of artists and recording experiences tied together by a common vision of what defines quality progressive recording. 

With a sound as diverse as the artists it represents, Hell Yeah does not limit itself to the constraints of genre but packs a complex palette of sounds ranging from techno to minimal-nu-rave to electro-funk and tech house.  Artists as varied as Radio Slave, Santos, Umek, Oliver Koletzki, Congorock, 3iO, Crimea X and the mighty Balearic Gabba Sound System have helped establish Hell Yeah’s eclectic sound, a distinct take on party music loaded with a sonic Balearic feel good vibe that has made press around the world hail Hell Yeah as a label to watch, always

Hell Yeah aims to build upon its current reputation as a leading Italian Electronic Music play, overseeing the release of a series of progressive productions that straddle genres, defy conventions and blur barriers between listening and dance music. Stemming from Hell Yeah’s initial graphic identity formed by Neverending’s Rocco “the Boghe” Pezzella, new mind-bending web and label artworks from Italian artist Andrea Amaducci and the Berlin-based Ice Cream For Free collective promises complete visual as well as aural stimulation.

info/bookings: 
marco@pplayground.com