Throughout 2025, Tresor Records will reactivate Detroit house and techno originator Blake Baxter's vast Tresor catalogue digitally in chronological order, starting with 1992's Dream Sequence, closely followed by his 1995 album, Endless Reflection. 
To inaugurate and celebrate this retrospective of one the genre's true founders, an artist whose connections to Tresor go back to the very beginning, the label announces a special 12" release, Dream Sequence X, featuring remastered tracks from the early days and highlighting the harder side of his output.

Initially inspired by post-punk and funk, Baxter started making music as early as 1985. By 1991 he had already released several seminal records on classic labels like Underground Resistance, KMS, and Incognito, as well as providing multiple tracks to the groundbreaking UK compilation Techno! The New Dance Sound of Detroit, which was many European listeners' introduction to the genre, solidifying the term techno, and launching the international careers of many of the contributors.

1992 saw Baxter make the first trip to play Tresor, on the first UR Europe tour ever, thereby pioneering the now legendary Berlin-Detroit Connection. This visit led to a long and fruitful partnership with the club's new-fledged label beginning with Mills', Banks' & Hood's X-101 and Baxter's Dream Sequence, from which the first four tracks on the new 12" come.

Whilst he would become more renowned for his signature seductive vocals and a smoother music style closer to house music, these early tracks are heavier, classic 90s techno, revealing the influence of industrial, post-punk and pop of the time. 
Indeed the collection is something of a time capsule: jacking 909 drums, intense, ravey synth stabs, samples from classic soul breakbeat and the Speak & Spell voice synthesizer; classic sounds and styles of the era all make appearances on the record.
All tracks have been remastered by Manmade Mastering breathing a new vitality and sharpness for the modern dancefloor.

In a world where longevity is difficult and superlatives are too easily deployed, it is still difficult to overstate the long-lasting influence that Blake Baxter has had on modern music. His visionary output can be heard across modern electronic and pop to this day and with this series of remasters, there has never been a better time for the world to hear it at source.

BANDCAMP

PREMIERE: Blake Baxter - Ex- (Remastered)

PREMIERE: Blake Baxter - Dark Bässe (Remastered)

Blake Baxter - Luv Is Blind (Remastered)

On June 27, 2025, a long-dormant signal reactivates from Hamburg's hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.

Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn't invoked through distortion alone, but through method; in the album's breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).

Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro's danceability, acid house's corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.

In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants "things to fit together properly, but on another level, I really want them to make sense together." That principle animates R4: The album's form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.

From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it's clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.

PREMIERE: Black Sites - 707

PREMIERE: Black Sites - II

ona:v - CROP Radio - 13/06/25

After 20 years of incessant and persistent work-in clubs all over the world, Victor M- -has become one of Spain’s top DJs and producers -whose influences have been hip-hop, funk and the house, among other styles. Pushmann, delivers techno for the mind body and soul.

PUSHMANN produces a Detroitesque sound with clear and strong influence of European sound, Berlin and Birmingham. His imaginary sound is based on the fast-paced, industrial and mechanical high-octane techno. In his classic genre he delivers raw goodness to intrigue the listener and take him or her to a higher level. Power, darkness and fierceness serving the dance floor. His special attention and taste for metallic percussion and steel cavernous drums well located in front of everything, almost martia, or warlike. Also draw attention to their surgical and haunting melodies, looped and accelerated to paroxysm. Sophisticated bestiality that stuns and spreads like wildfire.
As a DJ, this self-confessed lover of vinyl-and three deck performances- enjoys a refined technique after many years of selecting only the best techno, house and ghetto-techno- sessions defined as strong, energetic and vibrant.

PUSHMANN is label owner on N&N Records and cuarator on Lila Session at Höhle club.

PUSHMANN is working for labels like Axis, Hardgroove, Symbolism, KMS Records, Be As One, End Of Dayz, SOMA.. colaborating with artists like Ben Sims, Ken Ishii, Alexander Kowalski, Anne, Paula Cazenave, Cravo, Ritzi Lee, Jeroen Search, Head Front Panel, Dj Rush..

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DELIVERANCE: GOTHFEST III 26/10/24

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