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#019 Hubble - MMXII

Zzzzra - La Crapaudine Ep + rmxs by Sonitus Eco and Fabio Scalabroni
(digital)

tracklist:
La Crapaudine (original)
La Crapaudine (Sonitus Eco remix)
La Crapaudine (Fabio Scalabroni remix)

mastered @ biorecordings studio
photography by Musik Fortsetzen

Buy on Bandcamp

Zzzzra - La Crapaudine Ep + rmxs by Sonitus Eco and Fabio Scalabroni

Henrik Schwarz and Bugge Wesseltoft LIVE @ RFH RBMA London 2010

Stay the Same

Deep Session Dub Club, Part 1

Urban Shadows

hello , it's our first EP from strange

thanks for support , our friends

special thanks to :
Heavenchord [ soundcloud.com/nirgoona ] 
Mastering by Kimi [ soundcloud.com/kimimusic ] 
Art by Anna Belyakova [ vk.com/vaniabelyakova ] 
Desigh by Elena M [ vk.com/ka_mer_ton ]

Buy Bandcamp

Heavenchord - Echo On THe Empty Street

Initial listens to Inre Rymden (Swedish for “Inner Space”) reveal it to be a curious combination of slow-motion house music and salubrious New Age funk. In this case, first impressions are accurate, and they should intrigue you enough to dive deeper into the paradisiacal vistas Tommy Awards paint here. The opening track “Prometheus” introduces that feeling of sundown deliquescence that very few musicians can summon, as it locks into a laid-back groove that induces utmost serene, buoyed by sublimely mellow guitar vibes that should make fans of Manuel Göttsching's Ashra and Phil Manzanera's solo output spring to attention. “Draget” conjures the sort of exquisite elegance and preternatural chill last heard on Roxy Music's 1982 LP Avalon — but somehow it's even more blissed out than that boudoir classic. And so it goes for most of Inre Rymden: Among the six tracks, only “Rexy” hints at tension, courtesy of a bass line that sounds like it should score a prisoner's walk to the electric chair. But that's tempered by guitar sighs
of radiant melancholy, not unlike those looped by Popol Vuh's Daniel Fichelscher. Even when Inre Rymden gets relatively uptempo, as on “Hans Logan,” it still glides like gilded, glazed, Balearic house jams, urged on by subliminal bongos and dappled with pastel guitar shimmers far out on the horizon. “Music is love and love is our music,” runs Tommy Awards' slogan (a sentiment beautifully echoed by David Crosby on his revered 1971 album If I Could Only Remember My Name), but one could also argue that it is medicine — a balmy ear massage that spreads healing frissons to all areas of your body and mind. Tommy Awards continue their miraculous act as Scandinavians channeling the tropics with stunning audio verisimilitude. Someone should notify the Nobel Prize committee.

Pre-Order here : https://shop.originpeoples.com/collections/new-releases/products/tommy-awards-inre-rymden

LISTEN ON YOUTUBE

PREMIERE : Tommy Awards - Prometheus

TAKEN FROM HIS UPCOMING ALBUM "TRIVIAL OCCUPATIONS"
OUT ON OCTOBER 19 VIA SCISSOR AND THREAD

**
www.facebook.com/francisscissor/
www.facebook.com/scissor.and.thread.nyc/

**

Trivial Occupations' is the third LP released under the Kingdoms and Scissor and Thread founder’s own name - and continues in the traditions of those landmark records. Having scaled to heights within the club scene and released almost a hundred records under different monikers, Francis Harris embarked on an altogether more personal journey as a composer of intimate, atmospheric pieces removed from the dancefloor.

Here, with 'Trivial Occupations', Harris dives deep into a new sound pallette - bringing the listener on a journey through various states over the almost one hour run time. The album was made over the course of four years in various studios with an array of notable players, bringing a diversity of perspectives and approaches encompassed within Harris stunning artistic studio approach. It was also mixed at Jack White’s Third Man Studios again with the help of long time collaborator and friend, Bill Skibbe.

'At First A Wide Space' opens up the album, setting the tone with a vista of soundscapes, merging synths, live strings by Kingdom’s artist Emil Abramyan. It sets the stage for what is perhaps the album’s (first) opus, 'St Catherine And The Calm'. Spanning over 12 minutes, drifting through ambient textures, shuffling beats and beautifully arpeggiated melodies and found recordings, it gives the listener a widescreen intimacy, not unlike the enveloping sensation of a cinematic experience. 'Song For Aguirre' is a more mournful affair, built around Abramyan’s cello, Leah Lazonick's Piano, deep bass tones, pad washes and distant sounding horns from Greg Paulus, adding to the noir-ish 70’s soundtrack feel. 'Trivial Occupations' the album's title track and perhaps the centerpiece in terms of mood and tone, is a dizzying off kilter Jazz trip featuring a cast of remarkable jazz players, including vocalist Genevieve Marentette, Robb Reddy (tenor sax), Darkside member Dave Harrington on guitar and Will Shore (vibes).

Breaking up the album nicely, 'Dalloway', perhaps Harris’ most unique production to date, moves into Dancehall territory with a collaboration with Cameroon born but NY based singer, Kaïssa.

'Recital Of Facts' , one of the only beat driven songs on the LP, harkens back to the sound of Harris' last two albums with a melancholic groove paired with melodic bass fragments and the ever-present pad washes. 'Parklife' follows a similar vibe with the return of Greg Paulus’ mournful horns, but without any rhythmic underpinning, before the previous single 'Minor Forms' appears with its shuffling percussion and the singular sound of Will Shore’s Vibraphone, bringing about a climatic moment listening moment.

The final two tracks - 'Beaumont' and 'No Useless Leniency' both further explore the sense of space with which Harris has become so enamoured - creating textures and backdrops for piano by Leah Lazonick (Beaumont) and horns (Useless Leniency).

It’s an album that is easy to get lost in - a structure suggesting no real beginning or end. Listening to it on loop offers the listener a chance to be fully immersed in the rich, melancholic tonalities of Harris’ sound universe..

Trivial Occupations

Pre-order album

Francis Harris - Song For Aguirre

The 4th and last Winter Mix for 2018 was done by our hero The Field. He released his sixth album with us this year, called "Infinite Moment".

@garmonbozia-2

Kompakt wishes you a merry christmas and a happy new year!

Kompakt Winter Mix 4 - The Field

The belgian composer and producer Reinhard Vanbergen releases his debut album 'Presents For Friends' on Music For Dreams. An amazing journey through modern classical music.

The album is soon available in all digital stores: https://music-for-dreams.lnk.to/presentsforfriends

Connect with Reinhard Vanbergen
Spotify: https://open.spotify.com/artist/6uvyWuE7z8Rv93plqNWniu?si=4ATmpwB4R3m9haesYKh7-Q
FB : https://www.facebook.com/reinhardvanbergenartist/
YT : https://www.youtube.com/channel/UCkWx-jIAft8Xynkfa3_SJ9Q

Connect with Music For Dreams
FB : https://bit.ly/2MEexC2
SC : https://bit.ly/2w0qOqR
YT : https://bit.ly/2bIaezU
IG : https://bit.ly/2Le2u9s
TW : https://bit.ly/2L9HyjX
BC : https://bit.ly/2MRzxGj
Home : https://bit.ly/2Psgksm

Connect with Kenneth Bager
FB : https://bit.ly/2N58gfy
SC : https://bit.ly/2mgVZsd
YT : https://bit.ly/2bIaezU
IG : https://bit.ly/2w0p8NY
TW : https://bit.ly/2nTndX1
BC : https://bit.ly/2MRzxGj
Home : https://bit.ly/2Psgksm

Reinhard Vanbergen - Voor Altijd - 0206

mnml dub techno  ▼  space dub ambient

hello ▼ strangers!
if you interested in collab with us, send yours tracks for releases on our label & for our podcast series here (private sc link) or e-mail : ruslan.shihuan@gmail.com ( google disc please )

For tracks - 24 bit 48 kHz peak -6 dB (headroom)
Name your track correctly with your artist name.
Only unreleased tracks are accepted , please.

artists:
soundcloud.com/nirgoona
soundcloud.com/mark-ward
soundcloud.com/schulz_audio
soundcloud.com/sage-taylor
soundcloud.com/midub
soundcloud.com/overcast-sound 
soundcloud.com/versilov
soundcloud.com/volunteer_seb
soundcloud.com/vinyl-richie-1
soundcloud.com/dustcraft

Heavenchord - Echo On THe Empty Street

hello▼strange | secret domain | sedubtive | 20:21