Singer, songwriter, producer and multi instrumentalist of the Wondaland Arts Society.

Singer/songwriter Misha Fair is a product of a musical family that hails from Atlanta, GA. From  RCA to Atlantic Records, Misha's mother, father and grandparents all have had major label success. As a result, she spent most of her early childhood development in the same studios as Jimmy Jam and Terry Lewis, the SOS Band, Isaac Hayes and many other music legends. As a child, Misha Fair trained as a classical vocalist but found her passion in jazz, hip hop and the gritty alternative sound of the mid 90s.
In 2004, Misha Fair heard an independent demo of Janelle Monae and became determined to work with her team. By 2008, 
       Misha became a part of the Wondaland Arts Society "family". While working there, Misha sang vocals on a collaborative single of David Bowie’s “Moonage Daydream”, which starred Janelle Monae and alt-experimental band, Of Montreal and also featured vocals by Roman Gian Arthur, and indie Afropunk bands Deep Cotton and Tendaberry. After departing from the team, Misha went on to manage several studios in her hometown of Atlanta, while simultaneously maintaining a career as Vocal Coach, Singer-songwriter and Performance Artist.
       Misha Fair is a diverse performance artist with live performance and studio experience ranging from singing in the Netherlands with Natalie “The Floacist" Stewart of the group Floetry to writing and recording records with Case, Bad Boy’s Mason Betha, Jazze Pha, and David Banner. Currently, Misha Fair is working with super producer Mark “Chop Diesel” Curry of 3KingzEmpire (formerly Tha Dream Team) along with a team of incredible artists and producers on her widely anticipated EP, "Venus in Retro".
       The eclectic influences surrounding Misha Fair have molded her into an extremely well rounded artist. Misha balances bold, nostalgic vocal arrangements and honest lyrical content which is described as a soulful blend of folk, hip hop, alternative and pop.

ONE MARTISON MOISE THERE IS NO OTHER BORN WITH MUSICAL NOTES IN MY DNA (NEW STYLE ,FLOW,BLOODLINE AND SO UNIQUE )............NEVER BORN TO FOLLOW xxxxxxx .......BORN FI CREATE

A fixture in Atlanta's music community since the age of 15 , this gifted East Point singer / songwriter has shared the stage with some amazing musical legends such as Prince, Stevie Wonder, Outkast, Beyonce, Katy Perry, Bruno Mars and many more.

From ATL to DUBAI, The White House to Pepsi commercials, Good Morning America to Saturday Night Live  - RAE has gained priceless experience touring the world and appearing on TV as a background vocalist for Janelle Monae.

RAE exudes beauty, soul, incisive lyricism and range. Confidence is key in an industry where only the strong survive and RAE is unapologetic in her approach to this craft we call music . Click on the links below and subscribe to RAE's YOUTUBE channel and visit the official website for updates on new music, videos and all things RAE.

Meshell has changed. So has her music. It’s more peaceful, freer. Her new album, Weather, cloaks itself in the colours of autumn, full of in-between shades and hues and with a certain mildness to it. The singer has let her feelings carry her along. Meshell has never been scared of sharing her most intimate thoughts in explicit or colourful terms that always come from the heart. As ever, she is true to herself. But Weather’s folk sensibility and pregnant acoustic melodies make this a supremely accessible album.

“For a long time I was at war with everyone else. I dug my heels in, I fought hard. That’s all over now. I have my opinions, but they’re no longer a source of conflict with the rest of the world.” On Weather Meshell’s usually deep vocals slip into a register more like a whisper, sharing secrets about subjects that are straightforward, almost light-hearted. She has pared down her style to something like pop. “I started to write this album on the guitar and you can hear it. The final atmosphere’s gentler.”

And then the singer agreed without fuss to put her fate in the hands of a producer. Joe Henry (Ani DiFranco, Bettye Lavette, Allen Toussaint, etc.) helped her reveal a different side to herself. And Meshell went along with this. “I’ve known him since the Bitter album; Craig Street introduced us. I hadn’t called on someone from outside for several albums. But contrary to what everyone thinks, I love getting other opinions, hearing a different point of view and allowing myself to be led by someone with strong ideas. It’s a dialogue. This kind of experience really motivates me.” One might well have imagined her bent protectively over her compositions, her own personal, contradictory and profound world. But she says that she wants to continue this experience in future projects with other musicians. She mentions Brian Eno and Lee Scratch Perry.

She worked the way she likes to with Joe Henry - just two or three takes to capture the spontaneity and freshness of the moment. She is accompanied by Chris Bruce (guitar), Deantoni Parks (drums), Keefus Ciancia (keyboards), Gabe Noel (cello) and guests Jay Bellerose (drums) and Benji Hughes (backing vocals). Meshell recently did some producing herself – for jazz singer Laïka Fatien and rising star Selah Sue. Despite the pop-folk sound of Weather, jazz remains a major source of inspiration. “I love jazz musicians. They’re free; they have no fear. I’ve done pop and there are lots of barriers, lots of holding back. You have to stick to the conventions. Jazz musicians embrace uncertainty and adventure, even in their private lives. They’re more open and often more skilled, both in the studio and on stage.”

On Weather, Meshell sings of the ups and downs of love, one of her favourite subjects. Her heroines are marked by the void left by the loved one (“Object”) or else, like a game of mirrors, pour out their heart about the hurt they have caused others. She does a cover of Leonard Cohen’s “Chelsea Hotel”, dedicated to Janis Joplin, an extremely sad and somewhat sexist song, as well as “Don’t Take My Kindness for Weakness” by Soul Children, a sixties soul band, whose message she has made her own. Her own lyrics are always concise, precise or allusive, full of images and poetry (“I want to be your answer”). “They’re like mantras, some phrases cast to the wind, images that pop into my mind. Then I add the music.” She also talks about the wider world on a few tracks. ‘Oysters’ is about “the change that everyone talks about but never comes”. Meshell explains that “Consumerism is gaining ground all the time. We all live to get a new car or a new computer, but what’s the point?” So, join the great world party? “Not for me,” she replies in Dirty World. “I live two hours from New York. I ran away from all the dirt. There’s a farm where I live, and healthy food. I love cooking – it’s not all that different from making music. You need ingredients, and the greatest pleasure is when you share it share it with others.”

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