Name: horror prod.byjale by DaggerdickQ
Duration: 2 min 26 s
Description: this is the one night of the year where nothing else matters except for halloween happy halloween

shit had me on cloud 9 twin you really one of my favorites when it come to this music shit

i love listening to your music around this time of the year. It’s cold where i live rn and walking home in the snow from school listening to your music always gives me comfort

A raw energy with dubstep elements and a dash of the electro genre, all while maintaining a melodious and atmospheric backbone driven by synthesizers. This track is a thrilling auditory adventure, embodying the spirit of innovation and excitement.
https://christiankrauter.com/release/sonic-groove-glitch/
Thanks for listening and I hope you enjoy the track, my best wishes Christian

Sonic Groove Glitch

insomnia prod.byjale

this is the one night of the year where nothing else matters except for halloween happy halloween

horror prod.byjale

prod. sakki

i dont got shit to be proud of
tryna give me top im at the bottom
used to hit that bitch with no condom

put in a cup yeah i do it anyway
life is a game i don't even wanna play
leave that shit behind imma let that shit decay
smile on my face but i never been okay

tryna quit smokin but im poppin pills again
used to have no money now i'm laughin to the bank
used to have no money now this bitch trynna bag
always been on 10 toes watch out for a rat

prada

Video:
https://www.tiktok.com/@luvirasolis/video/7489589865911422210

The Devil will take me

pilgrim prod.sir leo

“Zero Clark’s”

Still one of the best dubsteps on the net

Dude Where's My Xbox Card.mp3

ibiza

The Hard Earth Hexology moves through pressure rather than release. Its songs are built around what people learn to hide—history, grief, complicity, desire for control—and the way those forces continue to act even when they are denied. The writing treats emotion as a physical condition: weight in the body, tension in the jaw, ground underfoot that refuses to shift. Rather than offering confession or resolution, the voice in these songs observes how systems of belief, authority, and intimacy operate quietly, often through tone, silence, and habit. What is suppressed does not disappear; it adapts, resurfaces, and follows. Memory behaves less like narrative and more like geology—layered, compacted, and capable of breaking through without warning.

Sonically, the album sits at the intersection of propulsion and restraint. Rhythmic drive borrowed from electronic music pushes forward while guitars carry grit, twang, and abrasion, grounding the sound in land, motion, and human friction. The genre blend is not decorative but structural: surf and psychobilly tension, blues and country endurance, and techno repetition all serve the same purpose—momentum under pressure. These songs are less about rebellion as spectacle than resistance as posture: staying upright, refusing erasure, and choosing rough edges over polish. The series does not argue or persuade. It stands, listens, and waits, trusting that what holds its shape long enough will eventually be felt.

horror prod.byjale

DaggerdickQ

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