and yet so Far

This piece was inspired by listening to a piece of music by my good friend Jean-Pierre Dubois (JiPé)....he allowed me to use his theme, for which I'm very grateful....

I hope you will enjoy listening...

Art picture is by Larisa-K on Pixabay.....

Une Fantaisie Poétique

How to cope with a grave personal loss ?
This concert tells the stirring story.

First, you go through pain and despair. Then follows a rebellion and call for encouragement, repeatedly interrupted by flashbacks and sweet but painful memories.
In the finale, you accept the new reality and you move boldly to new horizons.

The 1st movement "Keys of Letting Go" begins with deep sadness, melancholy and dejection.
Slowly, note by note, chord by chord, the piano rises from the vast valley of sadness.
It throws itself into a wild dialogue with the orchestra. Angry interjections interrupt the flow several times, but the piano and orchestra always manage to pick up harmonic motives.
The movement ends powerfully, but in a minor key.

Keys for New Horizons

Keys for New Horizons - 1. Letting Go

Keys for New Horizons - 1. Keys of Letting Go

Here's a new (synth)pop track that I did with my lovely Annie!
Our Passion Arcade page has run out of space so we're uploading this new one on our personal pages :)

Check out Passion Arcade for more tracks like this :
@user-949559825

And of course check out Annie's page for more lovely music : @annie-smart-1   <3 <3 <3

Passion Arcade - No Hesitation

Composition & Piano: Debra Buesking ("Where Are You Now"
Vocal & Lyric: Finn Eces

Written to the beautiful Debra Buesking piece ‘Where are you’, 

The song that resulted is a scene of an older couple, enjoying their own company, a sunset and moonrise, and the silence and easy conversation that comes with time, age and peace.

I Do

Till You Appeared

East Meets West. Composer/performer Ad van Nederpelt

Maybe Tomorrow

It's not that sad like the title might suggest - this is the life we have and we should live it as good as possible

At the End of Time Nothing Will Ever Have Been

Light was a gift

Notte di Malinconia I

Violinist, pianist, chamber and orchestral musician, devoted to composing neo-classical music. 

I want to weave a gentle, emotional orchestral language, that speaks about live and touches the heart. I try to capture these ephemeral, timeless, and moving moments, transcribing them with devotion to sound and recording them in the sound studio.

The music creations are a testament to the value of retreat,
where silence gives birth to the most profound expressions, contrapuncting the noise of our world.

Thanks for your kind listening and commenting !
Helmut / HELMUTunes