Seen G4

MY WEBSITE: https://ramoninc.xyz
LISTEN ON STREAMING PLATFORMS: https://push.fm/fl/when-you-die

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"When You Die" is a melancholic dive into the ruins of memory. On this album, Ramon Inc. explores the weight of nostalgia, longing, and regret—the ghosts of bad decisions, of loves that could have been different, of people we left behind or who left us broken. An ode to the past that, while seemingly brilliant compared to today's cold reality, is merely a comforting illusion.

Throughout the tracks, genres intertwine in an emotional and sonic narrative that ranges from ethereal synth-pop to vibrant hyperpop, passing through IDM pop, pop and alternative rock, neo-soul/jazz, and cinematic ambient. The journey begins danceably, almost hopeful, but soon delves into introspective, somber, and sensitive atmospheres—like someone looking at old photos trying to understand where everything began to fall apart.

Inspired by artists like Princess Chelsea, MGMT (more specifically, the album Little Dark Age), LA Priest, Sabrina Carpenter (current era), Jungle, TV Girl, CHVRCHES, Roosevelt, Grimes, and Loaded Honey, Ramon builds a universe where the brilliance of the past meets the weight of the present. Violins, pianos, synths, and broken beats serve as the soundtrack to an emotional, intimate, and visceral diary.

Audiovisual producer Kevin Loryan defined it: "When You Die is an incredible IDM album, but people aren't ready for it."
Maybe he's right—maybe this is one of those albums that will only be fully understood in the future.

When You Die isn't about literal death, but about everything that dies inside us over time—and what we do with what's left.

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I got surrounded by all the noises in my head
I felt my heart in the floor
I told to myself: it's not fair
Then I understood how poor
You were

Because you used to shine
And you used to be mine
Now you're just someone
Lacking of good inside

Watching me lose myself
In these rhymes
And forgetting who I was
Before you being in my mind

I hate the nights I spent awake
It was just me losing my time
That's enough, girl
I have my own demons to fight.

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THANK U ALL ♡

When You Die

My Own Demons (with Lici)

I-Dentity by Rider Shafique is the first release on Young Echo Records. Rider draws on his own experiences of alienation growing up in British society to create two tracks of spoken meditations on racial identity. 
Production on the A side is handled by Sam Kidel (El Kid) whilst Amos Childs (of Jabu) takes care of the B side.

Release:
 
Vinyl: 05/11/16
Digital: 11/11/16

A. I-Dentity
B. Freedom Cry


http://youngecho.co.uk
https://soundcloud.com/youngecho
http://www.facebook.com/youngechosound/

Rider Shafique - I-dentity

HEK032

Ploy - Lost Hours

HEK029
Mastered by Sam @ Precise
Pressed at Optimal

HEK029

Untold - Tear Up The Club

Head-mess

Out now on Loose Squares.

As part of the "Escape From Chicago" compilation 

http://www.loosesquares.com

Mumdance & LV - Steak Night

Miss Red - Shut In Your Head

Music by: Actapulgite (BE)
Mastering/cutting: Beau @ Ten Eight Seven (UK)
Distribution: Rubadub (SCO)
Manufacturing: Handle With Care & Pallas (GER)
Design: Studio Taquin (BE)
Release date: September 12th 2019

Le Piège

Actapulgite - Le Piège (Out Sep 12th)

http://smarturl.it/patten-FLEX // New album out now via 555-5555

Buy/Stream

Flame

Farsight - Not Here, But Somewhere is OUT on Maloca
Preorder (Vinyl/digital) : maloca.bandcamp.com/album/not-here-but-somewhere

“There’s a space for each artist...
Kandinsky said it very good — Not here, not there, but somewhere.” -Willem De Kooning

For Farsight, California’s bucolic San Geronimo Valley was the space that allowed for the creation of this handpicked selection of artistic output. Following a period of deep interest in abstract painting and its relationship to music, the artist found this lush and sparsely populated region to be an ideal location for contemplation and composition. Although the majority of the work was executed in the first two months of 2020 in this forested setting, some of the pieces were based upon drafts created as early as Summer 2017.

United in their eclecticism, the six cuts that comprise “Not Here, But Somewhere'' reveal a broad spectrum of musical influences. They are statements in an age in which influence is omni-directional, and in which the pace of artistic invention outstrips the ability of observers to identify and reify sub-genres. Although each track presents a unique approach, “Cadena,” “Sans Titre,” and “Door to the River'' reflect the continuing global suffusion of Latin American and Carribean styles such as reggaeton and dancehall.

Simultaneously, the duo of “While” and “Hot Half” suggest the ongoing dialogue of techno, electro, and industrial music and the interstices between them. “Mid-Winter Burning Sun” invokes the intensity of American trap music with its booming bass while touching equally upon the feel of early dubstep.
Ultimately, the idea that there is a “space for each artist” can be taken both in a literal sense— One’s physical environment— And also in the figurative sense that there is room enough for the ideas of all artists, who are kindred spirits in the endeavor of radical self-expression. In this way, “Not Here, But Somewhere” exists as an acknowledgement and gesture of goodwill towards every artist daring enough to explore the unknown.

Farsight - Mid - Winter Burning Sun

An independent record label based in Hertfordshire, UK. 

For press, licensing and general enquiries: info@hemlockrecordings.co.uk

Ploy - Lost Hours

Hemlockrecordings