Sven Van de Kerckhove, known by his stage name SEMMER, is a seasoned Belgian DJ and producer who has been enriching the music world since 1996. With a deep passion for music and an impressive journey that includes winning the prestigious “12 Inch Lovers” DJ contest, SEMMER has established himself as a true master of the decks. As a producer at Tomorrowland radio, he knows precisely how to captivate his audience and bring the dance floor to life.

SEMMER’s style is distinctive, defined by a blend of deep, melodic, and rhythmic sounds. He doesn’t just create a set; he crafts a musical experience that not only makes his audience dance but also resonates emotionally. With a keen eye for detail and an intuitive sense of flow, he guides listeners on a journey, immersing them fully in the moment and offering a welcome escape from reality.

Currently, SEMMER is working on his own music, blending elements of afro house and progressive house to shape a unique sound that showcases his versatility and vision. With this tracks, he hopes to not only make his mark on the music scene but also to connect with and inspire a broader audience. His music stays true to the underground, yet is accessible to anyone open to deep, powerful rhythms and enchanting melodies.

With his rich experience, passionate approach, and musical finesse, SEMMER is ready to take the next step and create even more unforgettable moments for his fans. His vision? To transform the dance floor into more than just a party – a complete experience where music takes center stage and meaningful connections are made.

▀ BOOKING CONTACT ▀▀▀▀
✉ info.deejayjackk@gmail.com

https://www.facebook.com/djtomv25?fref=ts
bookings: tomvanclooster@hotmail.com


DJ antonio aka Antonio Pinelas was born in Lisbon (Portugal) in 1966. In 1988 he moved to the United States of America to where he took his first contact with DanceMusic scene working in clubs and bars as bartender and bar manager in several cities such as; Miamibeach, Seattle, New Yorkcity, Chattanooga Tennessee, and Los Angeles. 
  In 1994 he returned to Portugal where he began to participate indirectly in the Portuguese DanceScene, following his dj friends; Dj Vitamine, DJ Ppito, Dj Morgana wicctofly, DJ Vibe, in their performances and learn from them the true meaning of Dance Music ... The nice feeling from listening and dancing to music played by them. 
  In 1997 comes to live in Leuven (Belgium), and it is in 1999 that he played for the first time in Leuven in CafeGiraff. Since than he made is the place in ClubScene Leuven, being a resident dj in several clubs and playing in trendy parties. 
  His musical diversity in styles and rhythms are his trade mark. Dj Antonio quickly learned the advantages of playing in different clubs for different audience each time, melting is musical influences, for his own style. In his performances, his focus on the quality and consistency of his set's and the music Aimed at the dancefloor. 
  Listen to it and dance with the music he plays is like sipping a fine menu, "first i start with a slow groove, i call it the appetizer ... i like to take the crowd in a journey of good feelings, than i give the entrée and a dessert for last served with
  Groovy Tunes n Funky Vibes...
  I Love to play, i always imagine myself on the DanceFloor...                      Antonio Pinelas

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


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