STUNTS is the first mix series of Guerrilla Bizarre.

www.guerrillabizarre.com/

Phil Evans:
SC: @philevans_sc
IG: www.instagram.com/philevans_ig/

STUNTS 005 - Phil Evans

mix by @ae-ida
streamed at Radio 80000, munich

Andrea Ida — Takeover @ Radio 80000

Obre isn’t one to beat around the bush. Join us on this one hour journey through carefully selected stomping beats and dense basslines and let the groove take control of your eardrums.

See all shows at https://bit.ly/3o0hdMz

BeatCast w/ Misbits & Obre - 16th November 2023

Step into a rhythmic journey curated by K.pal (@kpal_hooked), a dedicated digger from Kyiv, as he blends discogs gems into an entrancing sonic experience. Known for his captivating YouTube channel showcasing obscure beats, K.pal also hosts the Hooked series podcast, offering listeners a deeper dive into the underground soundscape. Let the pulsating rhythms of this mix transport you to the vibrant realm of freaky electro-ish grooves.

BSM051 K.pal

here 3rd ━━ Bumpy Jones

Balamii regular Meg Paine returns to the booth for two house of trance and early tech-house vinyl selects.

Meg Paine - July 2024.

Time to rediscover some old pearls

@tomhas

Plan Bee 05 - Tomhas

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission II

Awakening

a nighttime walk in the music forest

Magic mix lucky number thirteen comes from the Mighty Estimulo!

We're huge fan's of the Estimuloshow that has been filling the underground radio waves for many years in one form or another. His shows are always filled with quality unknown (to us) dance fodder causing us to go digging. Also, be sure to check out his monthly Cashmere Radio broadcast on his page for more deep diamonds.

Once again Esti doesn't disappoint with this mix as he brings his deep trademark of bleeps, breaks and old school with devastating effect, make your ears happy and check it out! Enjoy :)

@Estimulo
http://www.mixomat.org/estimuloshow/

here 3rd ━━ Bumpy Jones

Here