@herhangi-3: What a sound mixture! DL/Buy? :)

as always brothers makes life easy,  all is one all is peace......😎✌️. @ImageSmithy

Personal Injury? Lonely hot attorneys Looking for Boyfriends! He gonna check out your tarot reading!

The Internets Best Kept Secret - Find out Now

How does a mother feels who sees her playlist the first time on stage?(#068)

Jocelyn Pook - Romeo And Juliet (Flood)

Bon Voyage (Live Audimax Hamburg 1981)

Kreisreise

used songs:

Ry Cooder & V.M. Bhatt - Ganges Delta Blues
Dhafer Youssef - Blending Souls & Shades (to Shiraz)

Sounds start like a journey of the flesh walking on a desert, feeling a caustic desert soil on his feet, and purple energy of the earth follows him. Then, the purple energy of the earth appears and ask the reason of his journey. He talks about percussions of his brain orchestra, contrabass on his heart (8:59). He says that he want to find his unique and perfect love on this longest route. The energy lets him to go to find "unlimited tolerance, goodness, charity and awareness through love"(9:20). After the scream of truth(9.52), the flesh starts to purify from some of body pieces and continue to follow the unfinished route of mountain. Hence, this route hosts a white plume, heavy and viscous clouds, unexpected fire on tiny dessert sands, sand spout in daylight. Black and white together.

The "energy" whispers behind the passenger:
"I'm glad that God has chosen me to be your host,
I'm glad to see you again."

The passenger smiles and whisper by himself: "It's rude to whisper in front of others. You look behind my body, i'm in front of you. I will be quiet. It's early to talk like it's just last coincidence"

Ry Cooder & V.M. Bhatt & Dhafer Youssef

I Know A Place

Samantha Nelsen's Album

Memory

Swimming In China - Armand Amar Mix By David Mears

Transglobal Underground - Ali Mullah(Herhangi/Touch)
original by Transglobal Underground & Natacha Atlas

Transglobal Underground - Ali Mullah(Herhangi/Touch)

Oscar Key Sung 'Shallow' out now via Good Manners Records

Spotify: http://spoti.fi/2kBLiyx
iTunes: http://apple.co/2lABhFU
Apple Music: http://apple.co/2kBVJ4Q
Bandcamp: http://bit.ly/2lAOWwF

'When you want to be with someone, up ahead there is the idea of the two of you and how you will be together. But it is often a mirage that does not exist the way it looked in the distance when you arrive there. Patterns emerge of a closed circuit, for instance the other pulling away as you reach out, You try and become self contained as a protection mechanism because when you tried to share everything it was too much, but as soon as you become independent that's when they want you. Then the same thing happens in reverse. This song is about a type of love that even though it is constantly bringing up adversity, you simply can't turn away from it. Some absurd force draws you to each other. I am interested in this because its so perplexing, I want to understand but rationally I can't.'

Shallow

Gold Connections - "Faith In Anyone"
Off the self-titled debut EP out March 31st on Fat Possum

Pre-order: smarturl.it/GC.EP

Gold Connections - Faith In Anyone

Hasan is Loco 

11_Ahavat Hinam ft Quarter To Africa

A new composition, rough mix from studio recording, due for release 2018/2019. Recorded at Peace of Eden Studios 2018.

Lountang - Constantinople & Ablaye Cissoko

Ry Cooder

Circadian

Ground-breaking percussive ambient recordings to induce altered states of consciousness through ecstatic dance. Gabrielle Roth & The Mirrors were a world unto themselves.

Despite featuring an extraordinary cast of musicians (with credits including Sun Ra, Pharoah Sanders, Miles Davis, Santana, Stevie Wonder, Milton Nascimento and much more) and selling hundreds of thousands of albums, the music of Gabrielle Roth & The Mirrors remains largely unheard beyond their sphere. Conceived as live, improvised soundtracks to Roth’s transcendental dance workshops, musical acclaim was never on the agenda.

Instead, for a passionate dancer and spiritual polyglot like Gabrielle Roth, movement was a means through which to channel a wide spectrum of teaching, from experimental psychology to psychedelic counter-culture. It was from this heady mix that she devised a movement meditation known as 5Rhythms, which came to define her life’s work.

As “guide and catalyst”, Roth would dance to inspire the percussion-led instrumentals that would in turn fuel her 5Rhythms workshops, stimulating a secular form of ecstatic dance with roots in Native American shamanic traditions, Afro-Brazilian Candomblé and Yoruba drumming.

Using anything from a Sioux pony drum to East African kihembe and Japanese Kabuki drums, Gabrielle’s lawyer-turned-drummer husband Robert Ansell set the foundational rhythms for The Mirrors’ recordings, each of which would then feature a rotating cast of friends and professional musicians.

“The secret of everything we’ve done is that we never told anybody what to play,” Robert shares. “Instead of our albums being a musical vision of one person like me or Gabrielle, they were the musical vision of a whole bunch of people.”

At times the recordings have a Middle Eastern flair, at others, West African and spiritual jazz modes come to the fore. Hints of kosmische musik, proto-house and electronic ambience are laced like LSD through the organic rhythmic structures. This was kaleidoscopic ambient music to stir the body and free the mind.

In practice, the task of synthesising these different elements fell to Scott Ansell, Robert’s son and a recording engineer whose credits now include Nile Rogers, Duran Duran, Grace Jones. With meticulous attention to detail he captured and translated the dynamic energy of each drum onto record. Their sessions became legendary, and with access to the best studios in the NYC, The Mirrors sparkled.

Despite being initially overlooked by the burgeoning ‘80s New Age market, which preferred pipes and gongs to The Mirrors’ heavy-grooving drums, Robert Ansell set up Raven Recording to self-release the music, creating a vast sonic archive of sixteen albums over almost forty years.

The breadth of Raven’s catalogue is such that curator Pol Valls had to cut an initial selection of sixty-six tracks down to the eleven featured here. What crystallises is a stunning, mind-altering collection which spans, in Pol’s words, “a variety of genres, styles, and vibes within their catalogue, whether it is emotional, esoteric, spiritual, melancholic, hypnotic, dark, or at times a combination of these elements together.”

Music for immersive and intimate environments, Gabrielle Roth & The Mirrors were born from the dance. In the hands of the right DJ, at the right time, in the right place, they might just return there.

Selected Works 1985 - 2005

Nomad

Mainpage:@herhangi
contact: herhangisound@gmail.com
contact: www.facebook.com/herhangisound
contact: www.instagram.com/herhangisound

Adem KURT:
Being a story-teller who encapsulates noises throughout a shared-universal narration of culture is the main sound concept behind of Herhangi's perspective. Since 2012, under the name "Herhangi", Adem Kurt has been producing and giving live performances by capturing emotional depth sounds. Based in Istanbul and Tokyo, Adem also works as a music director which gives him access to create instances of creation/alteration/cancellation in a multi-disciplinary art.

Transglobal Underground - Ali Mullah(Herhangi/Touch)

herhangi-3

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