This months episode features an artist that has been part of the scene for a longer time:
Berlin based dj, producer and label owner Florian Meindl.

Florian runs his own label FLASH Recordings since 2006, released countless singles and EPs, remixed artists like Hot Chip or Röyksopp and runs his own highly successful loops & sample label “Riemann Kollektion”.

The Grasshopper Warbler is distributed by syndicast.co.uk.

www.florianmeindl.com
www.heron-music.com
www.facebook.com/thegrasshopperwarbler
www.mixcloud.com/Heron



Heron presents: The Grasshopper Warbler 013 w/ Florian Meindl

Jon Hussey is hailed as a pioneer of the Irish Techno scene, kick-starting the infamous Planet Dub night in ’94 at Columbia Mills / Waterfront, Dublin. Since then Jon has promoted and resided at many Techno clubs throughout Ireland as well as playing in many Techno havens across Europe including Amsterdam, Bratislava, Berlin, London, Leeds, Exeter, Turin and New York. 

In 1999 Jon was among the first group from Ireland to qualify for the Red Bull Music Academy held in Berlin where he showcased his Irish Techno skills. 

In 2001 he helped electronic music maestro and lecturer Kenneth Harte to setup and establish the first DJ techniques and electronic music production course in the ‘Bray Institute for Further Education’ BIFE which is still to this day the only full time course DJ & Music Technology courses in Ireland. 

A quote from the national Irish radio station 2FM in their Late-Night Sessions Blog stated “Jon Hussey is one of the longest serving true purveyors of Techno in Ireland, running nights in the early days of Dublin's dance scene, when techno to most people meant U96 or 2 Unlimited. Consistently one of the best DJs around, Jon never lets the side down” giving a rare insight into Jon's personality as a DJ! Jon Hussey is now playing Techno for 3 decades and is regarded as one of the longest if not the longest DJ solely playing Techno on the Irish scene. 

Jon Hussey has previously released with fellow Techno DJ Sunil Sharpe as part of a joint project under the moniker 'Tricaustic' with “the Caustophobic Pressure EP” on Komisch records, Jon has also released his productions on RLSD Records, Earwiggle, Ceili tracks, Circuit Structure Records and on the Netherlands based label R3volution Records for the Viktims Vol.1 EP alongside some excellent current producers like Linear System and Mattias Fridell. One of Jons most well received collaboration track Saol Fórsa a title he gave the posthumous work with dear friend Stuey Lyons (RIP) on Deliquent Delivery in ’22 was championed by many industry favourites including Ben Sims, Freddy K and Blasha & Alatt. Jons latest track ‘What if’ has just been released on a new Delinquent Delivery VA and he has also created recent remixes for Dublin band ‘Dumb Posh Hippies’ album track ‘Ego Ripper’ and also for Swiss based producer Maeksll for his ‘Staub 02’ album track have received excellent feedback from the Techno community. 

Further releases are planned for this year on Delinquent Delivery records and new Dublin based record label SCART

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#SlamRadio - 660 - Jon Hussey

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Live DJ set recorded at a 2025 afterparty in Detroit.

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Guest Mix: Raw Planet

Next up on the GROOVE Podcast is DEAS (@deasdj). Go to bit.ly/DEASPod for interview and track list.

GROOVE Podcast 474 – DEAS

The middle part of my closing set from 06.09.2025 at Tresor.

MAEDON Closing Set @ Tresor 06.09.2025

Three hours of incendiary techno, as two veterans go head-to-head.

When Speedy J described his studio dynamic with Chris Liebing back in 2014, he put it bluntly: "I try to piss him off a little." The result? Dance music that's as functional and precise as Liebing demands, with just enough chaos to keep it interesting. That tension has defined the duo's partnership, Collabs 3000, since their first releases, and it's alive and well on their debut RA Mix. 

Both artists are techno heavyweights in their own right. Jochem Paap, AKA Speedy J, helped Europe slow down after the breakneck '90s, proving that techno could chug as well as pummel. Liebing, meanwhile, commanded his popular label CLR and went from transforming schranz into the hard techno sound that recently swept up a younger generation of ravers. 

As a pair, Collabs 3000 undeniably has its ear trained on the big room. Paap and Liebing are both former Berghain regulars, and the Berlin club's influence is clear across RA.1006: taut, muscular techno, or "effective and structured" in Liebing's words, with Paap injecting the right amount of unpredictability. Their 2005 full-length, Metalism, remains a landmark: polished, uncompromising and dynamite for any large sound system. 

With the album now remastered for its 20th anniversary, Collabs 3000's RA Mix brings that same ferocious energy into sharp focus: smouldering textures, peak-time pressure and three unrelenting hours of classic techno.

@chris-liebing
@jochempaap
Read the interview at ra.co/podcast/1025

RA.1006 Collabs 3000

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Locus Error - Awakenings Festival 2025

!!!.fm Mix by Risa Taniguchi @risataniguchi 

Tokyo’s Risa Taniguchi returns to Chris Liebing’s CLR with the ‘Break It’ EP 29th August 2025. The two-tracker follows her previous outings on the label, 2024’s ‘Wakes From Coma’ and ‘So Loud’, which earned support from Dave Clarke, Kelly Lee Owens, and Luke Slater, and 2022’s ‘Acid Flesh’, in collaboration with Black Asteroid.

Title track ‘Break It’ sees Kneaded Pains, Second State, Mind Medizin, and core CLR artist Risa Taniguchi open with high-intensity built around pounding kicks and a searing synth stab. The tension is palpable as icy hats and bold low-end drive forward beneath evocative spoken vocals culminating in a dark, strobe-lit roller primed to lock in peak-time floors. There’s no respite with ‘Give Me Up’, a tense and relentless follow-up laced with razor-sharp percussion, unresolved loops, and a monstrous, rumbling bottom end. It’s precision-tooled Techno, designed to hit hard, both physically and mentally.

Founded by influential techno lynchpin Chris Liebing in 1999 and reemerging in 2021 after a five-year hiatus, Create Learn Repeat (CLR) has hosted a range of artists like Shlomi Aber, Dubfire, Flug, Bjarki, DJ Dextro and more while also focusing on developing newer acts in the scene such as The Southern, and Klint.

from Release "Risa Taniguchi ‘Break It’"

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Risa Taniguchi: Mix 251003

Recorded live @ Unknown Perception campout festival, August 17th 2025 in California

https://www.instagram.com/unknown_perception/

Truncate Live @ Unknown Perception August 2025

This episode of Slam Radio is a live recording taken from our residency Return To Mono at the Sub Club in Glasgow, last month.

It was a fantastic night with our brilliant guest Phil Berg and RTM resident Kairogen down in that historic cellar 

We hope you enjoy !

#SlamRadio - 666 - Slam

This is the CLR Podcast 448 with a set by Ken Ishii. Enjoy!

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Tracklist CLR Podcast 448 I Ken Ishii

Human Safari - Trap Door [Analytic Trail]
Hertz - 1979 [Sway]
Hertz - Old School [Sway]
KLBR - Thunder Drums [Analytic Trail]
Ken Ishii - Supergravity [Iturnem]
Lucas Aguilera - Convergencia [Unrilis] 
Ron S. - Hissing Fumaroles [Chicago Jaxx]
K.E.N.Y.U. - Devotion [UKR]
Terence Fixmer - Electrostatic 2025 [Planet Rouge]
Coolorblind - A Thousand And One Reasons [Devotion]
Invexis - Nordic Noise [Scrap & Delete]
Collabs 3000 - Strum [Novamute] 
D.J. Grant - Ride My Rhythm [UKR Special Series]
D.J. Grant - Train Tracks 1 [UKR Special Series]
Ken Ishii - Antigravity [Iturnem]
SYM - C’mon Boy [Combine Audio]
Agent Orange DJ - Freaks On The Streets [Tronic]
Gunjack - Devil’s Pawn (Angel Alanis & Maria Goetz Remix) [Slap Jaxx]
Marcelo Demarco - The Concept [Suraw]

CLR Podcast 448 I Ken Ishii

Many times, biographies of techno acts start by singing their praise of an extremely early,
extraordinary talent on synthesizers and other electronic devices.

In Heron’s case, things are different. Because Martin Spittel has been shaped musically since his childhood, the influences were as diverse as music can be.

On one side, there was his grandfather, who played various instruments, and to whom young Martin related closest to and whose influence still lasts until today. On the other side there were his cousins who were not much older than himself, enthusiastic about AC/DC, and band members themselves. Over the course of the following years, he explored the diversity of Black, Death and Trash Metal, EBM and Industrial, right up to Detroit Techno.

Ever since then, Heron's environment served as compensation to ferce parties and expanding his musical horizon. This symbiosis from the love of nature and the musical influences from his early childhood are a direct reflection of Heron’s entire life.

Following the scream of the waders (limicoline birds), he moved to picturesque island Norderney in 2003. There, exploring the island’s national park, he decided to live up to his enthusiasm about nature by going to study landscape ecology at the University of Münster. It turned out: The relocation to Münster was the initial spark for his career; the months in Norderney were inspiration for the name of his label “Limikola” which was founded in late 2008 and enjoyed enormous support by both DJs and fans.

After launching his now very successful °Schaltkreis-parties with four friends in mid-2007, everything went quickly: His first own radio show “The Grasshopper Warbler”, contacts to prominent players like Someone Else and Heartthrob, and finally the moment in early 2008 during the season’s opening at Time Warp, when Richie Hawtin played all three tracks from Heron’s Retro EP. It was merely his second EP, released on a netlabel (Minisome), and it became immediately successful. A knightly accolade.

The journey that Heron started lead to his bombshell track “Welcome to the Adventure Club” that charted in the Beatport charts in 2008, and continued with remixes and releases for Synewave, Supdub, Swap, micro.fon, Prosthetic Pressings and Sleaze Records. In 2010, it culminated with a tour across North America during the summer.

Two years later he released his very first EP on the legendary Detroit label KMS Records, owned by Kevin Saunderson, followed by remixes for Drumcomplex, P-Ben and Chris Gekä, one collaboration project with Inner City's Ann Saunderson and his second solo release „Ride The Pride“. Furthermore he made the step into the Soma family by publishing three solo EPs and an EP with Kevin's son Dantiez Saunderson, as well as he started to release on Florian Meindl's FLASH Recordings.

Bookings: hello@heron-music.com

https://linktr.ee/heronmusic