"Los Angeles’ best-kept secret is out: Heru is one of the hardest hitting beat slingers in 
the city. With a preference for biting bass music and heavy dubstep, Heru’s stomping 
style is steely, dark and in demand wherever bodies need to be thrashed and minds 
want to be warped."
Been on 4 SouthEast Asia tours in the last couple years. Have played numerous shows in the Philippines,Vietnam, and toured the whole Island of Taiwan. 
I've played Low End Theory a handful of times.. Last time was Mr. Thom Yorke.
Held a residency at the Dubspot/Ableton workshops w/ Thavius Beck
I've had the honor to share the stage with people like Kode9, Goth-Trad, Gaslamp Killer, Ras G, Daedelus,  Quantic, D-Styles, Z Trip, 6Blocc, Tokimonsta, DnaeBeats, Kraddy, Baths, Joker, Nosaj Thing, Daddy Kev, 
Mono/Poly, and the list goes on..





“[Heru’s] talents have been recognized by some of the most respected people in 
LA and beyond, and his reputation for hard hitting and heavy mixes is growing 
exponentially.”               
                                                         Thavius Beck, LA producer & Albeton trainer 



Breakbeats and bass are the cornerstones of DLX’s music. Heavily influenced by early 90s jungle, but also taking notes from punk, hip hop, funk, and Soul. DLX’s sound is all of these but none at the same time. DLX is never one to stick to one genre or bpm, yet his sound has stayed cohesive through the years. Combining old with the new. Frantic and intense breaks cut into shards and rearranged to make collages of sounds from the past. Classic synth sounds programmed to make you feel like you are in the future. Enough Bass to shake your soul and keep you in the present.

Sub-Culture, the dark side of Shanghai’s Uprooted Sunshine Soundsystem,  was established in 2007. Originally a straight up Dubstep night, Sub-Culture has evolved and mutated into something much bigger. Joining together good, bass heavy music, art and cinema, we try and bring something different to Shanghai. We host a monthly party at The Shelter, a weekly cinema night at Dada bar, occasionally host work shops and exhibitions with guest speakers and artists, and for many of our events we cooperate with Idle Beats, Shanghai’s independent screen-printing studio, to produce something a little bit more than just an events poster.

Check our blog - www.subcultureshanghai.com - for more info

If you want to contact us with any enquiries, booking requests, recommendations, compliments or insults, please hit us up at:

subcultureshanghai@gmail.com

Follow us on Twitter: www.twitter.com/SubCultureSH

Work in Prgress:

Noel aka the Salamangkero (the Filipino for witch doctor) started DJing sometime around 1996 after discovering jungle after a trip to London.  With Manila's rave scene just taking off clearing dance floors that were just starting to understand house was not unusual.  Even though; he became part of the production crew Kinky Sphere renowned for throwing underground jungle parties in strange locations and developing a consistent following. Once the scene really took off if was not uncommon to see him playing in the "other" room alongside artists like Ken Ishii, Pure Science etc.  

Also a member of the pioneering live PA Rubber Inc (http://www.soundcloud.com/rubberinc , http://www.rubberinc.multiply.com).  After and during pushing the idea of live electronic music in the Philippines Noel became one of the owners and residents of the small but very influential club Kemistry; the only place in Manila where dj's could do whatever they wanted. Being a resident meant expanding his sound to everything from Techno, House, Breakbeats, Drum n' Bass etc.)

After moving into more serious production with Rubber Inc. doing strange experiments with Ballet Philippines and The Philippine Philharmonic Orchestra Noel became a full time record producer working on some of the most respected albums released in the country.  With the start of Sweetspot Progressive Audio Solutions"; a studio devoted to producing good but commercially questionable bands his relationship with djing lost its priority but every 2 years he would come back championing a new sound and developing new disciples.

After several trips to Koln and Berlin with Rubber Inc.  He has started to move away from the studio curse of working on other peoples music for money and back to self production, Rubber Inc., DJing and a healthy dose of experiments with custom midi controllers and max/msp programming.

These days his dj sets can vary intensely based on venues, he is as comfortable playing Acid Jazz, Funk and Rock as he is playing long techno sets.  Though always with a distinct dose of IDM, psychedelia and other tunes that always work but never seem like they should.  

• MGMT: jon@7980.co.uk
• UK/ROTW: louis.cawthorne@teamwass.com
• N.America: marissa.loil@unitedtalent.com

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