BlurringRadio - part 2

Oppenheimer Analysis - Subterrenean Desire

Deux - Sex And Trouble

nightschoolrecords.bigcartel.com/artist/m…-nilsson

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

MOLLY NILSSON: Mountain Time (from Zenith)

Anatomical heart.mp3

lyrics
and they force me, pills
my therapist told me, im ill
arent we all?
hope youre looking for me in hell
lay me to rest 
in that rugged quilt
im a no one, youre calling me what you will
im a vagabond
call me what you will
days feel the same, why am i still here
im accomplishing nothing, i dont feel real
you wish me out, dont tell me you wish me well
oh, oh the world is evil
ill be here smokin on my sativa
oh, need to buy me a new fuckin beamer
speed down the road in a blacked out 2 seater

#jealousbastards
prod michael harrison




call me what u will

Taken from their self-titled debut album 'Exploded View', Out Now!

 New band from Berlin & Mexico City fronted by Anika. 

Download Orlando instantly: https://explodedview.bandcamp.com
Order the LP/CD: http://hyperurl.co/EVAMZ

Facebook: www.facebook.com/explodedviewband/
Instagram: www.instagram.com/explodedviewband/
Twitter: twitter.com/ExplodedViewBnd
Tumblr: explodedviewband.tumblr.com/

Tour dates: bit.ly/1R1m34M

Exploded View

Orlando

Exploded View – Orlando

Soft Cell cover from The End Of All Things (Downwards 2011) 

http://boomkat.com/cds/461820-tropic-of-cancer-the-end-of-all-things


L.O.V.E. Feelings

Happy new year happy new you 

new collab 

we love floor cry please listen to all of her tunes on repeat 

please play this on repeat 

please have a good year, we'll catch you in a year 
just kidding

cheers

Nice to See You (feat. Floor Cry)

Longwave

A Lotta Things

John Maus 'No Title (Molly)' is available on a limited edition transparent orange Flexi Disc as part of Smugglers Way, Ribbon Music and Domino's first ever FlexiDisc Zine available exclusively on Record Store Day, April 21st.

Smugglers Way features unreleased songs by Dirty Projectors, Real Estate, Cass McCombs, Villagers and John Maus on FIVE individual, multi-colored Flexi Discs.

The 24pg zine is comprised of contributions by Domino & Ribbon artists including Alison Mosshart (The Kills), Laura Marling, Owen Pallett, Bjorn Copeland (Black Dice), Alex Bleeker (Real Estate), Andrea Estella (Twin Sister), Orange Juice, James Yorkston, Jon Hopkins, Ade Blackburn (Clinic), Jana Hunter (Lower Dens), Conor O'Brien (Villagers), King Creosote & Tom Fleming (Wild Beasts).

Smugglers Way is a limited, one of kind item, conceived and designed exclusively for Record Store Day. We couldn't be more proud of this and we hope you find Smugglers Way as exciting to read and listen to as it was for us to put together.

For more information visit: http://smugglersway.tumblr.com/

John Maus - No Title (Molly) (Smugglers Way FlexiZine)

Solid Space - Destination Moon (1982)

PRE-ORDER OUR NEW ALBUM "THE WEIGHT" 
https://KompaktRecords.lnk.to/TheWeightAR

#SCfirst

The Weight

Heaven, Listen

Lux Prima

Woman

Molly nilsson - truth

Released May 27th. Night School Records.
CD/LP/Digital.
Pre-Order: http://nightschoolrecords.bigcartel.com/product/lssn016-terror-bird-all-this-time-lp

“All This Time” is the 3rd full length LP from Terror Bird - aka Nikki Nevver - and is by far the most personal, emotionally affecting and musically developed. Recorded at home over a period of 5 months, the 10 songs on “All This Time” document a period of intense emotional upheaval, a period wherein Nevver underwent major shifts in her personal life, rediscovered the solo recording process (previous albums having used live drumming and studio production) and married a raw, personal music with a straight-to-tape aesthetic most in-tune with her early recording experiences. The difference this time is that Nevver’s unique voice - at turns operatic and fragile, untutored and wearing its heart on its sleeve - serves as the perfect conduit for the emotional turmoil in the songs.

Nevver’s voice has grown into a formidable instrument, a towering, unabashed vocal whose resonance curls around the synth and drum machine production, at times duetting with itself, at times scaling the vocal register to reach new dramatic heights. Brought up on the music of the 80s “studio” - The Smiths, Kate Bush, The Cure - Nevver’s music exists beyond modern zeitgeists or considerations, subverting “big production” music into a personal DIY aesthetic. It’s a pure songwriting that outgrows genre and thrives purely on the merits of direct communication between songwriter and listener. 

Each song on “All This Time” serves as a chapter in a narrative that is universal; from the self-doubt and loneliness of opener “The Wrong Way,” to the doomed bedroom romance of “Try To Break Me,” from the masochistic guilt of “Locket” to the near-anthemic “Lust & Violence.” Each song speaks directly, plainly, to the listener, dispensing as much as possible with the unnecessary augmentation of modern pop music; “All This Time” is simply the deeply romantic, part-doomed / part-hopeful songs of a singular, unique talent.

The Wrong Way (From LSSN016 - "All This Time" CD/LP/Digital)

The Rover

The Rover (DJDS Remix)

Minimal wave - Oriental groove (vynil&K7 dj set) - Chicago House - Italian funk - french boogie - synth punk - ghetto tech and many more...

Booking: ssadkine@gmail.com



Solid Space - Destination Moon (1982)

Herve Teckel

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