No ja zaczęłam wychodzić nawet do dentysty co mam ogromny strach przed. samym wyjście z domu mnie przeraża ale warto. tak jak mówisz trzeba zacząć żyć i to jest moim celem!  I uświadomiłam sobie że to zależy tylko od nas.

Dopiero zaczynam przygodęz Panem mam paniczny lęk przed wyjsciem

KNIFELIKE

a sweet little break-up, heartbreak tune from the 1989 ep, statik 1. satie-esque piano and melodic reverb-guitar

more info:
http://www.jh0st.com/statik-1/

buy on bandcamp

in november she said (1989)

outHEAR New Music Week: Sophie Schafleitner - violin, Dimitrios Polisoidis - viola, Gregory Chalier - flute, Elena Arbonies Jauregui - bass clarinet

tres glosas - Klangforum Wien and PPCM Graz - Live

Taka Moja Rada Odc.22 - Zaburzenie traktuj całościowo i dostrzegaj zależności

The Hunt

Disquiet Junto Project 0585: F9

The Assignment: Fast forward an old track to make a new one.

Step 1: Many media playback apps for laptops (among other devices) include the option to fast forward through a track manually. Some apps have settings that allow you to adjust the length of the gap that will be jumped. Find a tool that can do this. VLC (videolan.org/vlc 2) is recommended. In VLC you can jump forward in set lengths of time by repeatedly pressing (not holding, but repeatedly pressing) the right arrow on your keyboard.

Step 2: Try this process with a few of your own recordings: hitting the right arrow at a steady pace (as quickly as every split second, as slowly as every two or three seconds).

Step 3: Locate a track of your own where doing what is described in Step 2 yields a result you find pleasing.

Step 4: Record what the result of Step 3 sounds like for one of your pre-existing tracks. (This may be old hat, if you have used Loopback or similar software. You could also just record the output from your laptop’s speaker.)

Step 5: Use the result of Step 4 as the foundation for a new piece of music. You can add as little or as much as you would like to it.

Notes: (1) You may find you can simulate this effect. (2) You can loop the result of Step 4 if what it yields is too short.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0585” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0585” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0585-f9/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. Just because it’s fast forwarded doesn’t mean it needs to be short.

Deadline: This project’s deadline is the end of the day Monday, March 20, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, March 16, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 585th weekly Disquiet Junto project, Generations (The Assignment: Fast forward an old track to make a new one), at: https://disquiet.com/0585/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0585-f9/

Summer forms - disquiet0585 Video here - https://youtu.be/cEbYttvD58g

From a few seconds of a "Surabaya Johnny" vinyl recording from the 1930s.

Akward Dance 4

Disquiet Junto Project 0628: Alchemical Brothers
The Assignment: Explore an aspect of the ancient occult science using music.

Ugh… I had a lot of ideas about alchemy, sound, music, art these last few days. Many thoughts that refuse — as I now try to put them to paper — te gel into some sort of coherent whole. 
Thoughts about how contemporary electronic music is the most ‘alchemic’ of musical traditions - focussed as it is on mutation and transformation of timbres, rather than on combining various unchanging parts -- as someone composing for orchestra would do. About timbral transformation as rather fundamental for how I approach many of the things I make. About how sound has this ‘Proustian' quality of making us remember places, people, events, in fundamentally different ways than the way that for example telling a story triggers memories. About how art can use sounds and their effect on memory to transform our attention in our (daily) lives, separating our perception from the many layers of thought, expectation, ideas, stories, meanings we attach to them. About how filter coffee machines can sound like a fairytale alchemist’s laboratory…

Anyway, here’s the piece. It uses a software audio device I programmed to remove/separate the first 8 partials of a sound. Basically, what it does is use pitch detection to set the frequencies of a series of notch filters. It’s rather crude and far from perfect, especially if you use it with polyphonic material. This leads to some interesting sonic results. Playing zither into it will make it sometimes sound like a cymbal. And mixing the transformed and dry sound of a piano, produces some quite interesting sounds: a bit like the instrument was run through a bandpass filter, but with some unusual timbral effects.
I combined these processed instruments with processed (granular delayed) field recordings from my usual morning routine: making coffee. It’s a bit of a gift to future me (and my housemates), perhaps hearing this little sketch some years into the future and remembering the house, and these mornings when all is still (and these days cold and dark).

More on this 628th weekly Disquiet Junto project, Alchemical Brothers — The Assignment: Explore an aspect of the ancient occult science using music — at: https://disquiet.com/0628/

Coffee ritual (disquiet0628)

Jukka-Pekka Kervinen_guitar, Matthias Boss_violin

snow's soundpainting (Kervinen_guitar, Boss_violin, Snow_conducting)

Znajdziecie tutaj całą serię Pogadanek. Mój pierwszy solowy projekt który stworzyłem pod Stowarzyszenie Zaburzeni.pl

2. Taka Moja Rada - Agorafobia cz.2

Hewad Sani

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