OULH N’AHAGGAR
Paroles: Danna Bay & Aneslem El Hassen,
Musique : Bay Danna
Chanté par: Danna Bay et Benkhridla Hachem
Arrangements: Moussa Melloul

Oulh nahagar iharwane ayatma
Swartilla agadam swadegh inna
Iharwane samed astar na anyalla
Oulh n’Ahaggar améra yéré tinossane
Oulh nahagar iharwane ayatma
Oulh n’Ahaggar enta estarha
Tarha douyen imagharen win ibda, waren la ahouskin seled enta
Oulh nahagar iharwane ayatma
Oulh n’Ahaggar eghriwan as tarha
as tarha…. as tarha…. as tarha

LE CŒUR DU HOGGAR
Le cœur de l’Ahaggar est grand mes frères
Tout le monde reconnaît sa grandeur par la grâce de Dieu
Le cœur de l’Ahaggar est ouvert à tous
Le cœur de l’Ahaggar est grand mes frères
Le cœur de l’Ahaggar est amour
Nos ancêtres nous ont laissé cet amour, notre plus beau trésor
Le cœur de l’Ahaggar est grand mes frères
Le cœur de l’Ahaggar appelle le monde à l’amour
à l’amour…. à l’amour….. à l’amour

Oulh N'Ahaggar par Danna Bay - Groupe IMZAD

Tinariwen Generation 13

Tinariwen Assouf

This is a love song written by Bombino. He asks his girlfriend to keep their love in her heart even after she has died. He tells her that he will keep her heart with him everywhere he goes and never forget her.
lyrics
I am telling you, my love will not leave you 
Hold up my love – everywhere you go 
Put my heart and yours together – everywhere you go 
Do not listen to the words of enemies 
They can destroy a true love
credits


Agadez

Tar Hani (My Love)

Bombino - Tar Hani

Oualahila Ar Tesninam live - Tinariwen

ⒶⓈⓈⓊⒻ Ⓓ ⒶⓁⓌⒶ - ⓇⒶⒹⒾⓄ ⓈⒺⓈⓈⒾⓄⓃⓈ

Intidaw-Tamiditin welli

Tinariwen Live in Gothenburg Sweden - 2012. All credits go to youtube user gw690ii and  svt2 in Sweden.

Tinariwen - Live - Tiffaw Etran

I know the Broken

Ousmane Tamikrest Taksera " Assakok "

taken from: Tamikrest - Kidal
Order direct:
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Streaming, iTunes & Amazon:
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All around Kidal, the Malian desert stretches in every direction. Endless horizons of rock and sand, barren and parched. This is the southwestern edge of the Sahara, the home of the Tuareg people, and the town of Kidal is one of their main cultural centres. Fought over, conquered and re-conquered, it remains the symbol of Tuareg defiance and hope, the spiritual home of a dispossessed people.

It is also the town in which Tamikrest first came together as a group, and on Kidal, Tamikrest’s fourth studio album, the band pays homage to this place that’s nurtured them and their people.

It’s a cry of suffering and the yell of rebellion. It’s power and resistance. This is pure Tuareg rock’n’roll.

“Kidal talks about dignity,” Ag Mossa says. “We consider the desert as an area of freedom to live in. But many people consider it as just a market to sell to multinational companies, and for me, that is a major threat to the survival of our nomadic people.”

The Tuareg have always been nomadic people, their lives in motion across the desert, sometimes taking with them only the bare essentials. But for one brief moment they possessed a home after the Tuaregs rose up in 2012 and declared the independent state of Azawad in the northeast of Mali. It lasted less than a year, as first al-Qaeda conduits swept in from the north, imposing Islamist rule, and then the French military arrived to liberate the area - once again leaving the Tuareg with little or no chance for self-determination. But the dream remains, still trapped between governments and the greed of global corporations.

“Kidal, the cradle of all these uprisings, continues to resist the many acts perpetrated by obscure hands against our people,” notes band associate Rhissa Ag Mohamed. “This album evokes all the suffering and manipulation of our populations caught in pincers on all sides.”
The songs on Kidal evoke a long history. And for all the electricity, as Ag Mossa observes, “It’s very traditional if you go deeply into what I’m playing.”

Everything here is focused. Everything burns. Ag Mossa punctuates his lyrics with inspired bolts of guitar. Even an acoustic song like “Tanakra” maintains a luminous edge.

With Kidal, that blaze is roaring. Recorded in Bamako, Mali in the summer of 2016, the album was produced by Mark Mulholland (Afro-Haitian Experimental Orchestra) and mixed by David Odlum, who received a Grammy for his work with Tinariwen. It’s an album that’s taken two years to make, Ag Mossa says, “because we share the same difficulties of our people.” And the songs here mirror their joys, their pain and their unwillingness to accept things as they are.

There’s a raw beauty in Tamikrest’s rock’n’roll. It’s there in the driving, insistent groove that powers the songs, the lean, snaking bass lines and the guitars that twine and twist around the melodies, and the utterly natural musical blending of Sahel Africa, the Maghreb, and the West – a reflection of influences as diverse as Pink Floyd, Rachid Taha, and flamenco. Yet the Sahara, and the people who live there, is always firmly at its heart.

“This music was founded on a very precise cause, the Tuareg cause,” Ag Mossa told journalist Andy Morgan in 2013. They might be threatened on all sides, but they won’t give up, and this album celebrates who the Tuareg are, the Kel Tamasheq (“those who speak Tamasheq”), the keepers of an ancient and endangered cultural voice.

Tamikrest’s new album is the music of defiance, of hope. It’s rock’n’roll from the Sahara, the sound of the Tuareg dream, a dream that will be renewed again, in their ancestral town: Kidal.

ⒶⓈⓈⓊⒻ Ⓓ ⒶⓁⓌⒶ - ⓇⒶⒹⒾⓄ ⓈⒺⓈⓈⒾⓄⓃⓈ

Tamasheq Generation

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