Mood

A Berlin-based contemporary classical sub-label of !K7 Music is set to release another beautifully created compilation of music. By my count this is their fifth "layers" edition: there was the Piano Layers out in 2019, followed by String Layers in 2020 (see my premiere by Hior Chronik) and Ambient Layers a bit later in the same year (I premiered a track by Roger Goula), and Wind Layers in 2021. On November 11th, 7K! imprint (yes, the inverse of their parent label) is back with Duet Layers which showcases, you guessed it, six collaborations of hand-picked artists, working together on fusing their styles. The results are often very surprising (in a good way) and in this case immediately appeal to all of my senses. Here you will find Hania Rani with Colin Stetson; Stefano Guzzetti and Neil Leiter; Niklas Paschburg and Bryan Senti; Peter Zummo with Tilman Robinson; Laura Masotto and Ryan Teague; and finally, the British-Berlin violinist Simon Goff and the Polish cellist Dobrawa Czocher, whose track I am premiering for you here today. In the piece, titled "Appearing" you are enticed by the strings to slowly enter through a secret passage, which is slightly unnerving but is also very much bewitching. The volume rises as you approach the source of the tension-filled music, and so does your heart rate, pumping with adrenaline in an excited, heightened state. What lies at the end of this tunnel, and what appears within? It's only for you to find out!

Duet Layers

Appearing

TRACK PREMIERE : Simon Goff & Dobrawa Czocher - Appearing

Mad World (arr. String Quartet)

When my wife was pregnant with our first son, a pregnancy app we used to track the progress at one point said that he was the size of a big strawberry. That little piece of information made me super happy and inspired me to make the piece Big Strawberry, which is featured on my last album. 'Raspberry' is inspired by a similar moment. When my wife got pregnant again back last winter, I decided to make a piece of music for our second son. When it was finished, I turned to the very same app to see how big he was at that point, and a raspberry showed up on the screen 💫 

These days, my wife is super pregnant( like watermelon-size-pregnant!), so the little guy might join us any day now. ❤️

Raspberry is a slow ambient piece with a soft felt piano moving through a sphere of immersive synth-pads, and calming, soft rain-sounds.

Released on @poussiererecords

Raspberry

New track recorded in March 2023 with an epic mix of electronic sounds with the electric guitar of Paul Landry. The track was inspired by the late Edgar Froese and the 80s/90s era Tangerine Dream.

East to West will featuring on an upcoming album due for release late in 2023.

Richard -
► Facebook - www.facebook.com/rabeanmusic
► Instagram - www.instagram.com/rabeanmusic
► Twitter - twitter.com/Richbeanmusic
► Bandcamp - richardanthonybean.bandcamp.com/

Paul
► www.paulssounds.com/
► itunes.apple.com/us/artist/paul-landry/id287800079
► www.youtube.com/channel/UC4oiRhX2e51zhvzHQwmVt0A
► paullandrymusic.bandcamp.com/track/fading-light

East to West (Single)

East To West

East To West | Richard Anthony Bean Ft. Paul Landry

🖤 I Can't Feel You Any More is a haunting, mesmerising, and atmospheric experience, featuring distant vocals underpinned by a slow, repeated synth sequence that gradually evolves, disappearing into the ether.
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Watch on YouTube 🧡

Antarctic Wastelands - I Can't Feel You Any More

Turtle Remix of Matt Emery's 'L For Luna' as part of 'Empire Remixes' EP

You can purchase the track here: https://injazerorecords.bandcamp.com/album/empire-remixes

For more from Matt visit:

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Soundcloud: @mattemery

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Matt Emery - L For Luna (Turtle Rework)

Godzilla Scene 7 (V2) "Confession"

N O | E X C U S E S

Taken from the album 'Coalescence of Form'.
Release date: February 20, 2020 on Hidden Vibes.

Hidden Vibes on web:
hiddenvibes.bandcamp.com
www.facebook.com/hidevibes

Visionary Hours - Time Keeps Me In Her Shadow

Today I’m premiering a title track from a self-released single by Todd Chappell, recording under his project name, The Ideal Setback. Chappel and I first connected back in 2008, when I came upon his debut, Dream Dialogue. He has later self-released a follow-up, Window Seat, and I have since had my eye [and ear] on the development of his sound. Back then, his beautiful crossover between ambient and shoegaze comfortably settled into the plush cushion of guitar-driven swells and loop-based organic textures that comforted the mind. Nearly a decade later The Ideal Setback surprised me with Farnweh (2017), on which he combined his ambient, pastoral, and guitar-driven soundscapes with string fragments, piano chords, and even a few vocals. On “Anchor,” Chappell dives even further into cinematic orchestration with a beautifully arranged modern-classical composition, showcasing fragile violins, expanding pads, and swelling bass offering up a cozy space for the piano to tell its story. This is a natural progression for his sound, and I am eager to check out a full-length when one day it hopefully appears.

Anchor

TRACK PREMIERE : The Ideal Setback - Anchor

Hidden Vibes is a small diy record label, based in Kyiv, Ukraine. We release digital albums and extremely limited physical editions of lovely music in nice packaging.

For all inquiries: hidevibes@gmail.com