falling,
falling,
falling...
I've seen you drown your memory.

【﻿Ｂａｎｄｃａｍｐ】
hellsweep.bandcamp.com/album/--2

【﻿Ｓｐｏｔｉｆｙ】
open.spotify.com/artist/4u40cGb052CY8wQvlD5a4Y

【﻿Ｉｎｓｔａｇｒａｍ】
www.instagram.com/hellsweepofficial/

【﻿Ｙｏｕｔｕｂｅ】 www.youtube.com/channel/UCotk2MHtZbRf6OpZAYBagzA

░▒▓█ＳＥＲＰＥＮＴ／／ＢＲＥＡＴＨ█▓▒░

Live @ Controcorrente | 02-07-2023

Spore

Crystal Swamp

You Don't Have A Choice

Spore + Ethereal Flows (Live Version)

This is a song about someone falling in love with a hologram. Or maybe about a hologram who falls in love with someone. I dedicate it to Erasmo Carlos, Louise Brooks, and The Flamingos.

Jeu de Lumières

Twelve

Taken from 'Rain Patch', out 10th April 2020. 
More on Rewilding here: https://www.hiddenshoal.com/project/rewilding

Following on from 2017’s self-titled debut album, Rain Patch continues Rewilding’s exploration of the neglected, dusty spaces found between lo-fi indie-pop, post-rock and film soundtracks. While there are the obvious recent touchstones, such as Fridge, Beak and Olivia Tremor Control, and the less obvious, such as the soundtrack to cult 1980s sci-fi movie Liquid Sky, Rain Patch mines a primitive yet mesmerising vein of instrumental music in which process and result are intimately entwined. The songs on Rain Patch are their own ecosystems, requiring the listener to step inside to fully experience their vivid details.

This ecological analogy extends to the process of the album’s creation. In 2017, Jake McFee relocated to Glacier Bay, Alaska, where much of the album was conceived and recorded. Given the limitations of not being able to transport all the studio equipment he used on previous Rewilding music, he wrote and recorded many of the original ideas using small, portable instruments such as hand percussion, glockenspiel, acoustic guitar and mini Korg synths. The summers were spent at Glacier Bay, while winters were spent back in Philadelphia, where he was able to overdub drums and electric guitars. Between 2017 and 2019, the songs evolved into the forms heard on Rain Patch, as McFee reckoned with his experience of witnessing the pristine wilderness of Glacier Bay being transformed by climate change. 

“Further Hidden Shoal loveliness... a set made up of intricately teased melodic miniatures with an affectionate nod to both Fridge and Pram... its dreamily reflective tones are teasingly sculptured in a disarmingly fragile whittling” – The Sunday Experience on Rewilding single ‘High Desert’

Rewilding is the solo project of Philadelphia-based musician and producer Jake McFee (Connected View). Jake began making music with Charlie Fieger and Kyle Pieloch in 1999 in a band called Psychic Violence, influenced by artists like Sonic Youth, Blonde Redhead, PJ Harvey, Radiohead, Mazzy Star and The Velvet Underground. Psychic Violence broke up in 2000, then reconvened as Connected View in 2008 with a fresh range of diverse new influences, including Ennio Morricone, Stereolab, Broadcast, Boards of Canada, Lali Puna, Pram, Piero Umiliani, Can and Cluster. Jake started Rewilding to creatively invest himself in a musical project in which he could assert sole control over the decision-making. Although his Connected View bandmates Charlie Fieger and Kyle Pieloch both play on the self-titled debut, released by Hidden Shoal in 2017, all of the composition, production, editing and mixing was done by Jake. Rain Patch is Rewilding’s second album, released by Hidden Shoal in 2020.

This music is available for licensing. Email Cam at Hidden Shoal for more details: cam[@]hiddenshoal.com | www.hiddenshoal.com/licensing

Rain Patch

Music Video

Rewilding - Home Shore Highlights

Counting Days

Put together for Disquiet Junto Project 0470: Calendar View
The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments.

January: Backwards piano from Further
February: Clarinet and effects from Density
March: Vocal treatments from I Saw the Skein
April: Whispers from Don’t Think of an Elephant
May: Segment from Social Distancing
June: Bass and background from Counting Days
July: Guitar from The Collective Field
August: Rehearsal phone recording
September: Synth from Vox Machina
October: Field recording of construction work
November: Rhythm from Music for Tooth Brushing (alternate version)
December: Segment from Committee of Four

Tied together with some effects and treatments

Some of the sources available here:
https://theslantedcity.bandcamp.com/
https://committeeoffour.bandcamp.com/
https://eriknilsson.bandcamp.com/

Calendar View 2020 [disquiet0470]

Hidden Shoal is an Australia-based independent label & licensing agency. All music is available for licensing across film, tv, web, games, compilations and more. Contact us at http://www.hiddenshoal.com/contact-us/

Hidden Shoal has earned a reputation for releasing exciting and engaging new independent music that is not bound by genre or style. The label was chosen as one of Textura magazine’s favourite labels, has been dubbed “This generation’s 4AD” by prominent New York radio host DJ Mojo, and has been described by The Mountain Goats’ frontman John Darnielle as “one of the great wonders of our age”.

Rewilding - Home Shore Highlights

Hidden Shoal

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