I found a couple of lovely old 1960s Gibbs spring reverb tanks I'd rescued years ago in the workshop and had a go wiring them up as a stereo pair - the setup grew on the bench adding an old TEAC RA-41 tape preamp as the recovery amp and my experimental tube vox-box oscillator along with the workshop's trusty Alesis Micron (supposedly only in here for test purposes but somehow ending up on so many recordings!) feeding my old prototype tube BPF box.. high voltage and cables aplenty - it was really quite inspiring... :)

Composition & Recording Copyright D.A.Wilson, Hideaway Studio, 2021.

A Spring Thing: Having Fun With 1960s Gibbs Spring Reverbs..

jamming with my friend in Baires, i play drums, KA on max msp
released on CREWQ <3

https://www.ninaprotocol.com/releases/music-for-various-artists-works

yeko_2 (feat KA)

A life without dreams is as dry as a life without tears...

5 years of Amulet of Tears

TEARS025

Amulet of Tears

ϙue - gravity-flayed skin (delicately)

with love.
the summer goes on, as does life.

c42 limited 50 copies.
physical available - https://imprinteyes.bandcamp.com/album/various-artists-eternal-bliss

endless thanks to all involved.

@corellmusic
@infaant
@zhuravkovasophia
@xtclvr
@utrippin1
@990x
@y-u-sk
@ebilen
@nasor_oh
@lyc0psid
@mystictearz


2025
imprinteye001
mastered by @specialguest-dj

Sophia Zhuravkova - Flower Shop

XENIA REAPER - spinblurr

lagyo

@oh-mr-james makes a powerful debut on Analogical Force with I'm Not Here, a six-track EP of intense dancefloor anthems forged from years of live performance. Capturing the tension of modern disconnection—always online, never present—this release cuts through the noise as a bold statement from the Cornish Braindance scene. Out on Madrid’s leading label for braindance, breakcore, acid, and experimental electronics, it marks a fearless new chapter in electronic music.

Amidst a sea of mediocrity and plagiarism, I'm Not Here stands as a testament to the uniqueness of the Cornish Braindance scene, which has given rise to some of the greatest producers in electronic dance music. Here, Benjamin James demonstrates that he is the torchbearer of that legacy, delivering anthems for a world spiraling in self-alienation—where identity flickers between screens and silence.
—
PREORDER 12" YELLOW VINYL + DIGITAL: https://tinyurl.com/3pxhs5pb
—
A1   SOMETIMES                                 02:34  
A2   I’M NOT HERE                              04:59
A3   THE BISHOP                                04:09

B1   GROUND CONTROL ACID                       03:27
B2   PARASYMPATHETIC                           03:42
B3   DESK ACID TWO                             03:54
—
C+P Analogical Force 2025. All rights reserved. 
Written and produced by Benjamin James Wood,Wales / Cornwall
Mastering by Carlos Koschitzky at Koschitzky Studio, Gijón
Design by Geometric Love, UK
Distributed by Clone, Rotterdam 
—
www.analogicalforce.com

Buy Now

[AF063] OH MR JAMES 'I'M NOT HERE EP' [2025]

~ LAAPS 047 ~ [SEQ.06 - LP47]

artist : Seabuckthorn
album : A Path Within A Path
duration : 42.03 mn
date : October 03rd, 2025

edition :
-  vinyl : limited to 200 copies / red (oxblood) LP / selective UV varnish (front+back) / hand numbered 
- cd : limited to 150 copies / pantone / hand numbered + handcrafted, sealed

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pre-order : September 11th, 2025 / official release : October 03rd, 2025
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All music composed by Andy Cartwright, except the guest parts on tracks 2, 5, 6 ( Dean McPhee, Claire Deak, Loscil)
Recorded in Saint-Pierre-d'Argençon, France between July 2024 and January 2025.

Mastered by James Plotkin
Cover photo by Andy Cartwright
Design by Sprflxgrfzm
 
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Links :
https://laaps-records.com/
https://www.instagram.com/iikki_laaps/
https://seabuckthorn.bandcamp.com/music
----------------------------------------------------------------
℗ & © 2 0 2 5 - L A A P S - L A A P S 0 4 7

Seabuckthorn - Black Boar

From the video https://youtu.be/duQuEerjcfE

Word Acid

A woven fabric of ambient, experimental, idm, and glitch.


Life as Collage w/ yusk: 26th October '25

https://power-plant.bandcamp.com/album/liquidtone-ep

Liquidtone

D.A.Wilson is an Electronic Engineer, Sound Designer & Vintage Synth Specialist with a particular interest in combining vintage tube, classic analog and modern digital technologies working as a synth engineer looking after a very considerable amount of vintage studio equipment for Will Gregory (Goldfrapp / Moog Ensemble) and a number of other internationally celebrated electronic musicians and producers.  Having undertaken several major restorations and produced custom electronic designs for a number of major artists including Jean-Michel Jarre, Dani is also known for fully restoring two out of the world's four remaining 1979 Crumar GDS and partially restoring 1938 Novachord 346 (the only known operational Novachord in the UK) to playable order along with developing and producing the new Elfin family of 8-bit polysynths and the popular MIDI Front Panel Animator (FPA), Filter Defeat Module (FDM) and XD-280 Drive Emulator upgrades for the AKAI S612 sampler.

Demos of the S612 Upgrades in Action: 

https://soundcloud.com/hideaway-studio/sets/hideaway-studios-s612-front


Hideaway Studio Kontakt Sound libraries may be purchased directly from: 
https://www.lootaudio.com/category/kontakt-instruments/hideaway-studios
 

..and a nice introduction by Cory Pelizzari to the Hideaway Studio Kontakt Libraries:
https://www.youtube.com/watch?v=k-C7a3ChC9U&feature=emb_title


For more on releases from Hideaway Studio for Kontakt please visit the blog at:  www.hideawaystudio.net