Gordon's Ascension

stutter melancholy (redux) [C O L O R S Q U A D 0 1 7]

IAM1

https://mnlth.bandcamp.com/album/music-off-the-telly 

Dave Monolith - Music off the Telly - Good Friday

https://mnlth.bandcamp.com/album/the-ridge

Foxcall (Blue sky days)

Going through old stuff.  This is a DJ set I recorded to get a job as a DJ at the third floor bar at Fuji Mountain in Philadelphia (Chestnut and 21st).  I spent a summer lugging this shit into the city to play chillout jams to nobody every sunday.

Tom Croke - Fuji Mountain demo (2006 DJ Set)

From the video https://youtu.be/oOiUZx2BPHs?t=705
--------------------
Sixteen bands
Are at my hands
I can make them freeze
Or carry on as I please

All under control
With the ultimate goal
Of making them ring
With a voice that can sing

I achieve full freeze
I achieve full freeze
I achieve full freeze
I achieve full freeze
I achieve full freeze
I achieve full freeze

Every frequency is mine
To let alone or reassign
To another neighbour
To increase the flavour

Should the occasion arise
To harmonise
I can take every channel
On the instrument panel

And achieve full freeze
And achieve full freeze
I achieve full freeze
I achieve full freeze
I achieve full freeze
I achieve full freeze
I achieve full freeze
I achieve full freeze

I Achieve Full Freeze

hello! is anyone somewhere currently reading/listening this? would like to know! anyway, thank you so much. love, J.

2021-10-07 - enumeración de percepciones 2.8.2vozeq demo

jidlo [wip]

Made when WATMM shut down
There isn't much personality from forums like there used to be, forums are mostly centralised on reddit now.

R.I.P WATMM

goodbyeWATMM

Another absolutely bonkers Klockwerks system is born!

Every time I play with Klockwerks the hours seem to melt away in a bizarre world of twisted and mangled lo-fi digital audio processing.....

Hideaway Studio's Klockwerks realtime DDS Clocked FX System draws upon the concept that many have experimented with in providing a digital signal processor with an externally generated variable CPU clock in place of its original fixed frequency source. This method of modification opens up a very interesting world as time is no longer periodic and linear. Since most digitally generated acoustic effects rely on clocking audio into a buffer at a regular rate all manner of interesting effects are realised when the clock rate is modulated in realtime. Such effects were discovered a long time ago when the first BBD based chorus and delay units were developed. These early devices relied on variable clocking to achieve realtime pitch shifting effects effectively due to the sample rate at the point the audio was loaded into the front of the memory buffer being different by the time it arrived at the end of the buffer. This causes a stretching and compressing effect on the timing of the samples which can result in some very curious effects – especially if the memory is forming the basis of a complex effect such as a reverse reverb or a multi-tapped delay. Almost all current retrofitable modifications offered to enable such effects tend to be manually or voltage controlled with little in the way of sanity checking and often the effect can be rather random/uncontrollable with high potential for causing the modified FX unit to crash.

Klockwerks overcomes this by offering a much more controlled environment for CPU clock modulation using an advanced computer controlled DDS subsystem (Direct Digital Synthesis) operating within parameters tested to be within acceptable working limits for the Donor FX Unit. The system goes several stages further by then offering a number of modulator programs that modify the CPU clock frequency and offer a significant number of realtime parameter sources via 4 MIDI CC controllers (MIDI CC20 thru 23), MIDI Clock, Note On and Note Velocity as well as an analog CV input. All patches created on the Klockwerks system can then be attributed to a patch on the Donor FX Unit and stored in non-volatile memory as a named patch for instant recall via program changes.

Recording Copyright D.A.Wilson, Hideaway Studio, 2020.

Klockwerks: Another system is born!....

D.A.Wilson is an Electronic Engineer, Sound Designer & Vintage Synth Specialist with a particular interest in combining vintage tube, classic analog and modern digital technologies working as a synth engineer looking after a very considerable amount of vintage studio equipment for Will Gregory (Goldfrapp / Moog Ensemble) and a number of other internationally celebrated electronic musicians and producers.  Having undertaken several major restorations and produced custom electronic designs for a number of major artists including Jean-Michel Jarre, Dani is also known for fully restoring two out of the world's four remaining 1979 Crumar GDS and partially restoring 1938 Novachord 346 (the only known operational Novachord in the UK) to playable order along with developing and producing the new Elfin family of 8-bit polysynths and the popular MIDI Front Panel Animator (FPA), Filter Defeat Module (FDM) and XD-280 Drive Emulator upgrades for the AKAI S612 sampler.

Demos of the S612 Upgrades in Action: 

https://soundcloud.com/hideaway-studio/sets/hideaway-studios-s612-front


Hideaway Studio Kontakt Sound libraries may be purchased directly from: 
https://www.lootaudio.com/category/kontakt-instruments/hideaway-studios
 

..and a nice introduction by Cory Pelizzari to the Hideaway Studio Kontakt Libraries:
https://www.youtube.com/watch?v=k-C7a3ChC9U&feature=emb_title


For more on releases from Hideaway Studio for Kontakt please visit the blog at:  www.hideawaystudio.net