sg mm115_6

LIOSIU [2 gos]

https://colorsquadrecords.bandcamp.com/album/c-o-l-o-r-s-q-u-a-d-0-1-8
   "The music from the club, spilled into the alley, thick and low, like the heartbeat of the city. We had danced for hours. Now outside, the sweat shimmered and reflected like halos in the streetlights.

    We walked, As the music echoed behind us.  

We walked by night
 
   Our footsteps sketching a new rhythm on the pavement. The world felt wide and waiting, the kind of night that became our soundtrack.

   We walk by night"

Spoken word by: Green.Washer
https://soundcloud.com/greenwasher

Wanting to explore some different production styles and build elements to blend. With the goal of producing something special for the Color Squad Records compilation. 

Created in multiple Logic project sessions. Sound design and Beat building session - bpm 124. Mix and arrangement session. Final assembly in Mastering session. Midi soft synths (Vital, UA Polymax, Surge XT, Logics Retro Synth). Live percussion elements. Break beats: Dedalus - CT6 & Hilton Felton - Be Bop Boogie. Granular Re-synthesis of melody/lead using "bandlab" Audio stretch app on phone. Sonosaurus PaulXStretch app for textures.

The main lead/melody loop was created many years ago, for a part of a remix of "Kill or be killed" for my indie rock band, at the time. "Further" 
https://www.discogs.com/artist/1765210-Further-4
A track we never released or published.  One of the lyrics in this song was "When we walk by night" (More to do with taking a dark path, rather than going to an after party) 

When the melody/lead was rediscovered while randomly going through files & folders looking/listening for some inspiration. The loop manifested a memory of going to clubs and the night life around 1990 in Sydney. Friends, the sounds, the drinks, the music and the walk/journey home. Ears ringing. Reliving the night. Feeling glorious. Being out in the night with friends. 

Writing a passage with this in mind. Green.Washer was generous with his time, to read through and record the "we walk by night" passage a few times via his phone. With limited info regarding its context or the music. He sent a few versions and they were edited into arrangement session. Thanks Green.Washer!
Tom Sine https://soundcloud.com/tom-sine has a contribution, with some very subtle/barely audible beats. And supporting guidance during the arrangement. When I got lost in the process...
A big thanks also to Spoutnik https://soundcloud.com/spoutnikz And the Squad!


I hope you enjoy

We Walk by Night

We Walk by Night

CSRComp018

15 OutsiderD8Ms[sketch]-7st

DEPICT MIND 006 – playlist – 20/08/2024 – 18h - 19h30
L’émission musicale à destination des curieux, des rêveurs, des musiciens, des danseurs, des geeks, des hippies, et tous les autres ... consacrée à la braindance, l’ambient, et toutes les formes d’électro, break et techno expérimentale.
Ce mercredi, l’émission sera consacrée à l’artiste playlist, l’occasion pour moi de vous partager sa musique ainsi que des extraits de nos échanges.
« « Qu’est-ce qui est important pour toi ? (dans la musique, la vie, ...) » : difficile à dire... on ne sait jamais vraiment sur quoi il faut se concentrer par rapport à ce sur quoi on pense devoir se concentrer. donc ces choses pourraient changer. Cela dit, ce qui est important pour moi dans l’art (mais cela s’applique certainement à presque tout) c’est de « rechercher la grandeur ». »

playlist's soundcloud : https://soundcloud.com/dataphase
playlist's bandcamp : https://dataphase.bandcamp.com/music

Includes tracks from : playlist, dataphase, Forex Trading, moth, zvld, motorwrists, Robodysseus

dm006 about playlist / ... – 20/08/2024 - radio eko des garrigues, 88.5

Recorded February 2013, edited and mixed August 2025.

Keinluzt

Going through old stuff.  This is a DJ set I recorded to get a job as a DJ at the third floor bar at Fuji Mountain in Philadelphia (Chestnut and 21st).  I spent a summer lugging this shit into the city to play chillout jams to nobody every sunday.

Tom Croke - Fuji Mountain demo (2006 DJ Set)

Track started Aug 13, 2016, finished Sep 14, 2025.
Photo by Learda Shkurti @ pexels.
------------------
Look at the little king
He found out all he wanted to know
It doesn’t change a thing
No-one is near to cushion the blow

I found my tribe
If I survive remains to be seen
I feel the need to hide
What does it mean, the end of a dream

I found my tribe
If I survive remains to be seen
I feel the need to hide
What does it mean, the end of a dream

We came so far
To meet the raging breakers on the bar
They leave their mark on the sand
But where is the helping hand

We came so far
To meet the raging breakers on the bar
They leave their mark on the sand
But where is the helping hand

Where is the helping hand
 
We must not separate
Over the sea, the crescent is gone
Time to accept our fate
Whether we lost, or whether we won

I found my tribe
If I survive remains to be seen
I feel the need to hide
What does it mean, the end of a dream 

I found my tribe
If I survive remains to be seen
I feel the need to hide
What does it mean

I Found My Tribe

Demonstrating the stock Windy.+# patch on a Hideaway Studio Klockwerks handset in this case driving a old ART MultiVerb LT modified for Klockwerks..

In this demo the MultiVerb is being modulated with a random LFO program.  The Klockwerks system is being fed from a Roland JX-8P (factory patch ArcoString) - first you hear the 8P directly into a conventional reverb - then the output from the Klockwerks system is brought into the mix.  Although lo-fi in nature, the effect can be really quite beautiful when used with care...

This is one of all manner of interesting effects the Klockwerks system can create.

Klockwerks draws upon the concept that many have experimented with in providing a digital signal processor with an externally generated variable CPU clock in place of its original fixed frequency source. This method of modification opens up a very interesting world as time is no longer periodic and linear. Since most digitally generated acoustic effects rely on clocking audio into a buffer at a regular rate all manner of interesting effects are realised when the clock rate is modulated in realtime. Such effects were discovered a long time ago when the first BBD based chorus and delay units were developed. These early devices relied on variable clocking to achieve realtime pitch shifting effects effectively due to the sample rate at the point the audio was loaded into the front of the memory buffer being different by the time it arrived at the end of the buffer. This causes a stretching and compressing effect on the timing of the samples which can result in some very curious effects – especially if the memory is forming the basis of a complex effect such as a reverse reverb or a multi-tapped delay. Almost all current retrofitable modifications offered to enable such effects tend to be manually or voltage controlled with little in the way of sanity checking and often the effect can be rather random/uncontrollable with high potential for causing the modified FX unit to crash.

Klockwerks overcomes this by offering a much more controlled environment for CPU clock modulation using an advanced computer controlled DDS subsystem (Direct Digital Synthesis) operating within parameters tested to be within acceptable working limits for the Donor FX Unit. The system goes several stages further by then offering a number of modulator programs that modify the CPU clock frequency and offer a significant number of realtime parameter sources via 4 MIDI CC controllers (MIDI CC20 thru 23), MIDI Clock, Note On and Note Velocity as well as an analog CV input. All patches created on the Klockwerks system can then be attributed to a patch on the Donor FX Unit and stored in non-volatile memory as a named patch for instant recall via program changes.

More demos of Klockwerks in action here:

https://soundcloud.com/hideaway-studio/klockwerks-sneak-preview-ii

Composition & Recording Copyright D.A.Wilson 2019.

Klockwerks: Windy.+# (Mangling the Roland JX-8P)

Dd Fnk Hw Th

D.A.Wilson is an Electronic Engineer, Sound Designer & Vintage Synth Specialist with a particular interest in combining vintage tube, classic analog and modern digital technologies working as a synth engineer looking after a very considerable amount of vintage studio equipment for Will Gregory (Goldfrapp / Moog Ensemble) and a number of other internationally celebrated electronic musicians and producers.  Having undertaken several major restorations and produced custom electronic designs for a number of major artists including Jean-Michel Jarre, Dani is also known for fully restoring two out of the world's four remaining 1979 Crumar GDS and partially restoring 1938 Novachord 346 (the only known operational Novachord in the UK) to playable order along with developing and producing the new Elfin family of 8-bit polysynths and the popular MIDI Front Panel Animator (FPA), Filter Defeat Module (FDM) and XD-280 Drive Emulator upgrades for the AKAI S612 sampler.

Demos of the S612 Upgrades in Action: 

https://soundcloud.com/hideaway-studio/sets/hideaway-studios-s612-front


Hideaway Studio Kontakt Sound libraries may be purchased directly from: 
https://www.lootaudio.com/category/kontakt-instruments/hideaway-studios
 

..and a nice introduction by Cory Pelizzari to the Hideaway Studio Kontakt Libraries:
https://www.youtube.com/watch?v=k-C7a3ChC9U&feature=emb_title


For more on releases from Hideaway Studio for Kontakt please visit the blog at:  www.hideawaystudio.net