Playlist

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HIDE ☣︎

Japanese Ambient/New Age/Kankyo Ongaku (環境音楽)

Visual Kei - 2

közi - Honey Vanity【retromantics club mix／live】

ステロイド

I DO NOT OWN THIS TRACK BY ANY MEANS !!! THIS TRACK RIGHTFULLY BELONGS TO KÖZI !!! I AM ONLY REPOSTING IT BECAUSE I CANNOT FIND IT ON SOUNDCLOUD !!!!!

incoherents- közi

Bara no Seidou (薔薇の聖堂) is the fourth and final album by the Japanese visual kei rock band Malice Mizer, released on August 23, 2000. The title roughly translates as "Church of Roses" or "Sanctuary of Roses".

Bara no Seidou is a major change from Malice Mizer's previous albums. The band's sound switched from an ordinary art rock sound into a dark, gothic metal one; however, they still continued to use the violins, harpsichords and other instruments present in their older works and also added in a pipe organ and a choir for a haunting, melancholic, and religious feel to the album. For example, the song "Seinaru Toki Eien no Inori" is based around an organ and choir but still includes dual guitars and drums, which gives it a gothic metal feel. Fan favorite "Kyomu no Naka de no Yuugi" is a track that uses an organ and harpsichord mixed with a synthesizer and drum machine for more of a dark wave element. This song is influenced by gothic rock/industrial music and features a different image in its video, but still retains the dark themes of the album.

After the death of Kami, it could be argued that the "funeral goth" element present in their attire is because of his death, and the song "Saikai no Chi to Bara" is a reference, and tribute, to him.

薔薇の聖堂

再会の血と薔薇

白い肌に狂う愛と哀しみの輪舞

破誡の果て

The Gazette - Filth in the Beauty

DOUBT

PSYCHOMMUNITY

MISERY

BREEDING

LEATHERFACE

SPREAD BEAVER

Shelly – SHAZNA

MALICE MIZER - ma chérie

Vinyl + tapes on Bandcamp: https://tatsuromurakami.bandcamp.com/album/mita-koyama-cho

Streaming Links: https://lnk.dmsmusic.co/tatsuromurakami_mitakoyamacho

'Mita Koyama-cho' offers a fresh perspective on today’s ambient music scene, blending acoustic and electronic elements into a rich, evocative soundscape. Murakami, a multi-instrumentalist, weaves together acoustic and jazz guitar, saxophone, fretless bass, and an array of keyboards—including vintage synthesizers, Mellotron, and acoustic piano. The result is a fusion of jazz, new age, folk, Brazilian music, and even 1970s progressive rock.

With an intuitive sense of melody and arrangement, Murakami layers warm cassette textures, vintage amp tones, and intricate string and saxophone orchestrations. 'Mita Koyama-cho' is a deeply personal tribute to the musician’s family and the Tokyo neighborhood they once called home—demolished in 2024 due to corporate redevelopment.

Sax on track 1 by Hikaru Yamada
Mastering by Chihei Hatakeyama
Design by Yudai Osawa
Obi text by Masaaki Hara
Photography by Anais-karenin
Insert photography by Tanaka Ueno

1-11-5 Mita, Minato-ku, Tokyo

Best album 1993-2000 OLDIES

PEARL (New Version)

TOPAZ (New Version)

I miss you... (New Version)

Feel the starlight shining...all the loneliness away
星の輝きを感じて...すべての寂しさは遠くに行きます

Music : Yoshino Yoshikawa
https://twitter.com/yosshibox
Lyrics : Cpnnn
https://twitter.com/cpnnn
Artwork & Vocal : Suzushiro [すずしろ]
https://twitter.com/suzumisiro


-----


I wake up from a long sleep
My body feels like heavy lead
pale fingers limp and lifeless
I still can’t make it out of bed

And here I find myself
So desolate, alone, lost in thoughts
remembering the days, that I spent with you

Feel the starlight shining
all the loneliness away
(it’s like outer space)
is it real or was it a dream

But they shine the brightest
when I’m standing by your side
(so close yet so far)
*thinking of you again and again

Look out my bedroom window
but there is nothing worthy to see
outside it's dark and lonely
only the moon keeps me company

so then I find myself
sitting here once again, on my own
remembering the days, that I spent with you

Feel the starlight shining
all the loneliness away
(it’s like outer space)
is it real or was it a dream

But they shine the brightest
when I’m standing by your side
(so close yet so far)
thinking of you again and again

Event Horizon

Buy on Bandcamp

Coldsleep (with Suzushiro) [[コールドスリープ]]

やどりぎくん( https://soundcloud.com/yadrigg )と合作させて頂きました！ｲｪｲｲｲｪｲ！
前々からやどりぎくんの曲が大好きで大好きで、いつか機会があれば合作したいなーと思っていたので感無量って感じです。
やどりぎくんの曲ホント最高なので皆さん聴きましょ聴きましょ！

[14:51:22] やどりぎ: 夏の終わりくらいの花火に「あ～綺麗だなぁ～」って純粋に楽しんでいる一面もありつつ、もう夏が終わっちゃうんだなという寂しさも抱えつつ揺れ動く恋心が花火のように打ちあがる感じ
[14:51:32] ああああ: ドエモい…

可愛くも切ない素敵なチップチューンに仕上がったと思います～！
何卒よろしくお願いします！

咲かせ夏空、恋の花。 【 ああああ ＋ やどりぎ 】

A Boogie Wit Da Hoodie - Timeless prod. Jaegen x Arnold x CP Dubb

TBA 10/28

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Timeless (DJ SPINKING)

Shazna's last (before the sudden reunion with Heart)single that they had made. 

Fun Fact: This was used in the Japanese release of The Rugrats Movie. Think I'm joking? Go see for yourselves.

Winter's Review

Shazna - Winter's Review

雨とネオン

SHAZNA - Raspberry Time

Hideto Matsumoto, known professionally as hide, was a Japanese rock musician, singer-songwriter and record producer. He is mostly known for being the lead guitarist of X Japan and his solo career. He is considered the one who coined the term "visual kei" after X Japan's slogan "Psychedelic Violence Crime of Visual Shock"