lockdown20

retro

soirée

wednezday

New Music March 2019

New private playlist

mute

Carl Douglas - Kung Fu Fighting Binaural

I recorded this mix last week when I played a 4 hour set in Scheveningen . It was a nice,covered beach club tent in a rainy night but the vibe couldn't have been any better. Thanks to all of you that came to dance. I really enjoyed playing for you. See you next summer JT. 

4 Hours Dj Set @ Naturel Beach Club (Scheveningen)

These are just some of the many songs I sing in SL

Big Bopper- Chantilly Lace

Mike Metro ft Stahsi & Simon Milan - In The Dark (Kyle Watson Remix)

Bananarama - Venus OLDIES FM 90.3

Shift

Crazy P presents The Syndromes - The Hit

New fatty...

https://www.toneden.io/adam-jacklin-596666657/post/adam-jacklin-jigsaw-original-mix-1

Adam Jacklin - Jigsaw (Original Mix)

LDRU 
facebook.com/theldru
instagram.com/theldru
twitter.com/theldru

Kyle Watson
facebook.com/kylewatsonmusic
instagram.com/kylewatsonmusic
twitter.com/kylewatsonmusic

Next To You feat. Savoi (Kyle Watson Remix)

Stay Tuned on Fb > www.facebook.com/8daymtl
Follow 8day > @8day-montreal

We're happy to welcome back Maudite Machine with this killer track on free download as an addition to Endless Roads compilation.

Follow Maudite Machine> https://soundcloud.com/mauditemachine
OUT now on Grrreat Recordings > @grrreat-recordings

Next Grrreat Party > https://www.facebook.com/events/827381457404153/

The compilation features a wide range of music from deep slow sounds to inimitable hypnotic productions, while also containing a number of peak time techno tracks. Music by Microtrauma, Alessandro Diga, Micrologue, Teho, Van Did, The Gulf Stream, SinoniM and many more.

We highly appreciate your feedback and support of the label, many thanks!

Credit Photo by Yoann Robin Photography facebook.com/yoannrobinphotography
Mastering by Zame

Endless Roads

Free Download

Free Download: Maudite Machine - Montreal Calling (Original Mix) [Grrreat Recordings]

Think Up Anger - Mutiny

Full stream of D I G I T A L 2 1 + S T E F A N O L S D A L's stunning interpretation of Moderat's "Rusty Nails." The duo's debut album, 'Inside,' drops in November. 

More info: https://www.xlr8r.com/news/2017/10/premiere-hear-a-moderat-cover-from-d-i-g-i-t-a-l-2-1-s-t-e-f-a-n-o-l-s-d-a-l/

@digital-21-and-stefan-olsdal

Inside

More info

Premiere: D I G I T A L 2 1 + S T E F A N O L S D A L - Rusty Nails (Cover)

Stay Tuned on FB > www.facebook.com/8daymtl ♩ ♪ ♫ ∞ ♥
Follow 8day > @8day-montreal ↻

fter releases on Pig & Dan’s ELEVATE, FrankyEFFE’s Riot Recordings & Dani Sberts’s Psykometrik Recordings, Infaam Konijn is back with their Landed EP on Nomad! Supported by  Richie Hawtin, Pirupa, Engie, Warren Fellow and many others.

☁️ ☁️ ☁️ ☁️ Follow the artists > @nfaamonijn 
☁️ ☁️ Follow the label > https://www.beatport.com/label/nomad/66604

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
All 8day premieres:
https://soundcloud.com/8day-montreal/sets/premieres
All 8day podcasts:
https://soundcloud.com/8day-montreal/sets/8daysets
All GrrreatCasts:
https://soundcloud.com/8day-montreal/sets/grrreatcasts
All Free Download:
https://soundcloud.com/8day-montreal/sets/free-download
Releases Out now on 8day's imprint!
https://www.beatport.com/label/8day/63082
Stream on Spotify:
https://goo.gl/gGg9e9

Landed EP

PREMIERE: Infaam Konijn - Landed (Original Mix) [Nomad]

Hit de 1958 do roqueiro Eddie Cochran regravado nos anos 80 por Brian Setzer para a trilha de "La Bamba". Em 2012, foi a fez dos The Soundtrackers !

Summertime Blues

My newest single 'Lie Machine'. 

• Spotify
https://open.spotify.com/album/1HszNUElKEQaDkSkhZQGtx?si=aOomVWraQwWx_00UNXpRrw

• Support Linas Music
twitter.com/LinasMusic
www.instagram.com/itslinas
www.facebook.com/linasmusic
@linasmusic

Spotify

Linas Music - Lie Machine

🔊 YouTube Live Stream: http://aia.ag/Chill-Radio  🔊

🎧 Spotify Playlists: spotify.aia.ag/AIA_Spotify 🎧

💥Stream Here: https://fanlink.to/U6S

-> Submit Music: aia.ag/Music-Submissions
-> Feature Our Music: E@ArtistIntelligence.Agency
-> Business / Licensing Inquires: licensing@artistintelligence.agency
--------------------------------------------------------------------------------
➥ Follow PortRed :
@portred
https://facebook.com/portredmusic
https://instagram.com/portredmusic
https://youtube.com/user/UC-8hB8EPaUNH-96Qe6Nv25A

➥ Follow Leon Oak:
@leonarddavid
https://facebook.com/Leon-Oak-977020129079757
https://instagram.com/leojabidijab
https://youtube.com/user/UCHTQQRN3FWzQkgr0DMZJd0g

➥ Follow AiA:
@aiapresents
https://facebook.com/aiagency
https://twitter.com/aiagency
https://instagram.com/aiagency
--------------------------------------------------------------------------------
[Verse 1]
Let me sleep, I feel so down
When I fall I hit the ground
But my fantasies are real
In my world I disappear
 
[Pre-Chorus 1]
Going high, I still feel low
All the stories they're untold
Don't you dare to criticise
I can't stand my wasted mind
 
[Verse 2]
Cant complain, it seems all fine 
Search for hope, slipping time 
Lost the track i had to find
Changing mood, divided life
 
[Pre-Chorus 2]
Wild wild land bring me new heights
Show me what is trapped inside
Can't return to good old times
Everything you live is a lie 
 
[Chorus]
Hold me 
Hold me
Hold me back from 
Hold me back from 
Hold me back from misery
 
Hold me 
Hold me
Hold me back from 
Hold me back from 
Hold me back from misery
 
[Bridge]
Hold me back
Hold me back
Hold me back
Hold me back
Hold me back
Hold me back
Hold me back from me
 
[Chorus]
Hold me 
Hold me
Hold me back from 
Hold me back from 
Hold me back from misery

Hold Me

Stream or Download

PortRed, Leon Oak - Hold Me

Pr15m - EP

Glow

This is a Mr. Fitz remix of the song "Goodlife" by Oliver Heldens https://soundcloud.com/oliverheldens and Ida Corr https://soundcloud.com/ida-corr
New Song dropping Next Month on Krafted!!!
EP on Blvck Mvgic Records coming soon!!
Next show is Sept. 29th at the W Hotel (Headlining)

FREE DOWNLOAD

Good Life (Mr. Fitz Remix)

I love the idea of truly recognising something, someone, or even someplace that has helped you become a better version of yourself. I think everyone has some experience or relationship in their lives to which they can attribute that idea.

Buy/Stream: https://Anjunadeep.lnk.to/LOOMas
Release Date: 14th November 2018
Follow Anjunadeep New Releases on Spotify: Anjunadeep.lnk.to/NewReleasesso/spotify

Into Clouds

Out Of Me

Follow WLC:
➪ https://soundcloud.com/w-l-c
➪ https://www.facebook.com/WLCbe

Follow Mona Lee:
➪ https://soundcloud.com/monaleemusic
➪ https://www.facebook.com/monaleemusic
➪ https://monalee.be

⬇️ Free Download ⬇️

FREE DOWNLOAD: WLC Feat. Mona Lee - God Made Me Phunky [CMVF005]

Radar

First single of the year featuring @Jinadu

Listen and buy at your store: http://mdr.bnd.lc/pijama2

Follow @high-pijama
https://www.facebook.com/highpijama/
https://www.instagram.com/high_pijama/

Follow@Jinadu
https://www.facebook.com/JinaduOfficial/
----------------------------------------------------------------------------------

LYRICS:


Separation from decay
When the spectre of fear is far away
All i ever want to be 
Will be channeled through the dreams inside of me

Something’s gonna break inside 
I can beat the fear if I want this 

Gonna tear the walls right down
Ive got my head high in the clouds
Hoping that a change will come
When the rhythms of the past will be undone

And i wanted you to know got my feeling in control

Something’s gonna break inside 
I can beat the fear if I want this
----------------------------------------------------------------------------------

All Platforms

High Pijama - Break Inside (feat. Jinadu)

Follow Anjunadeep New Releases on Spotify: Anjunadeep.lnk.to/NewReleasesso/spotify
Bookmark Anjunadeep 24/7 Radio: https://www.youtube.com/watch?v=cQ95DvShk0s
Buy Tickets to Anjunadeep Open Air 2019: anjunadeep.lnk.to/OALdn2019CC

An hour of James Grant & Jody Wisternoff, recorded at the London launch of Anjunadeep 10 (out tomorrow!)

Follow Anjunadeep:
Website: anjunadeep.com
Facebook: facebook.com/anjunadeep
Twitter: twitter.com/anjunadeep
Spotify: Anjunadeep.lnk.to/NewReleasesso/spotify
Instagram: instagram.com/anjunadeep
SoundCloud: soundcloud.com/anjunadeep
Youtube: Anjunadeep.lnk.to/DeepSubyo

1. Blancah ‘Learning To Fly’ (Kris Davis Groove Remix)
2. Kyson ‘Flightless’ (Jody Wisternoff & James Grant Remix)
3. BAILE ‘Soft Light’
4. Ole Biege ‘All The Time’ (Jody Wisternoff & James Grant Extended Rework)
5. Downtown Party Network ‘Space Me Out’ (Jody Wisternoff & James Grant Remix)
6. Para One ‘Opium’
7. Zone+ & M.O.S. ‘Native Therapy’
8. Jamie Stevens & Joe Miller ‘Wanderjahr’
9. GRAZZE ‘Querencia’
10. Nox Vahn & Marsh ‘Serena’s Garden’
11. Spencer Brown & Qrion ‘Sapporo’
12. Modd & Hosini ‘Swallow’s Nest’
13. RY X ‘Deliverance’ (Fake Mood 'Savannah at Dawn' Remix)
14. Ryan Davis ‘Brun’

The Anjunadeep Edition 240 With James Grant And Jody Wisternoff (Live From Phonox, London)

Artist: Diass (Sofia, Bulgaria)
Name: DHM Podcast #630 (February 2019)
Genre: Electronic
Release Date: 22.02.2019
Exclusive: Deep House Moscow

Diass: https://www.facebook.com/DjDiass
Soundcloud: https://soundcloud.com/djdiass
Instagram: https://www.instagram.com/diass_music

CONTACT (DHM): 
Email — deephousemoscow@hotmail.com

Follow us:
www.facebook.com/deephousemsk/
www.instagram.com/deephousemoscow/
vk.com/deephousemsk
https://deephousemsk.tumblr.com/

https://soundcloud.com/deephousemsk

Diass — DHM Podcast #630 (February 2019)

Artist: Vooz Brothers
Label: Lump Records
Genre: Deep House / Afro House
Release Date: 28.02.2019
Beatport: https://www.beatport.com/release/jungle-juice/2505319

Lump Records: https://www.facebook.com/lump.records
Soundcloud: https://soundcloud.com/lump-rec

Vooz Brothers: https://www.facebook.com/voozbrotherspage
Soundcloud: https://soundcloud.com/voozbrothers

CONTACT (DHM): 
Email — deephousemoscow@hotmail.com

Download

PREMIERE: Vooz Brothers — Sema Sema / Jungle Juice / Let Go [Lump Records]

Fantasy

Liily - I Can Fool Anybody In This Town

Recorded at The Nave, Leeds
Produced by Alex Greaves
Written & Performed by bdrmm

heaven

https://soundcloud.com/gustavo-mota &  https://soundcloud.com/dash-groove &  https://soundcloud.com/sevenever

/ MIX FEED LABEL /

www.bit.ly/MixFeedLabel

/ MIX FEED AGENCY /

www.vk.com/mixfeedagency
www.facebook.com/mixfeedagency

/ FOLLOW PROMO LINKS /

https://soundcloud.com/mixfeed / https://soundcloud.com/mixfeedru / https://soundcloud.com/zer0day / https://soundcloud.com/properpr / https://soundcloud.com/featurepr

www.facebook.com/mixfeedru
www.mixcloud.com/mixfeed
www.twitter.com/mixfeedru
www.vk.com/mixfeed

[ WWW.MIXFEED.RU ]

Gustavo Mota & Dash Groove feat. SevenEver - Indiana [FEATURE114]

A label made of three key players, Berlin’s SOLIDE recently expanded their family, welcoming fond musical acquaintances into the fold with a various artists compilation; Solid(e) State Vol 1. Resuming form, one third of the core, Kalyma, returns for another solo expedition to the club with his ‘Tanger Night Drive’ EP. Berlin-via-Gran Canaria, Kalyma’s percussive style of club music wields a certain charm. Whisking us away on a pacey drive through the Morrocan night, Kalyma rolls through the deep mysticism of Tangier in the title track; ‘Tanger Night Drive’. A pulsing kick and punky bass, meet the melodious tune of steel pan chimes and whispering crickets in the low-line. Tom rhythms and arpeggios intensify, encapsulating the racey, blissful energy of a night in Tangier. Making a complete U-turn, synth-led ‘Arlequin’ brings real rave emotion. Vibey percussion underpins the experience, whilst a distinct air of grit comes through in dubbed out, euphoric keys. Heart strings tug, souls stir, a second mesmeric piano line seals the deal; all elements combine and compliment. Closing out the journey, Ancient Egyptian devotee and Budapest native, Sobek comes through on the remix adding his distinguished touch to ‘Tanger Night Drive’; subverting the flow and capitalising on the toms, before adding his own depth with moody, semi-ominous twinges. Unveiling a staunch knowledge and passion for club music, Kalyma’s ‘Tanger Night Drive’ EP promises to steer dancefloors in new, unimagined directions.

Kalyma - Arlequin (Original)

Stream // Download: https://Toolroom.lnk.to/ToolroomMiami2020TS

Toolroom's compilations have soundtracked the Winter Music Conference for more than a decade, and 'Toolroom Miami 2020' is no exception. This time, we’ve drafted in three of our key artists to compile the album. Taking us on a journey through House, Tech House & Techno, the compilation is mixed and hand-selected by Friend Within, Leftwing : Kody & Siege.

Highlights include essential cuts from Green Velvet, Nic Fanciulli, Martin Ikin, Andrea Oliva, Hannah Wants, Kevin Knapp, Danny Howard and of course Mark Knight. 'Miami 2020' also includes 20 brand new and exclusive cuts from Jaded & Anabel Englund, My Digital Enemy, Alex Preston & Rion, Hooboi, LEFTI and many more.

From certified main-room essentials to sun-kissed poolside vibes, capture the magic of Miami Music Week with 'Toolroom Miami 2020'.

Toolroom Miami 2020

Need Me

Stream // Download

Jaded & Anabel Englund - Need Me (Extended Mix)

Unveiling the label’s first VA EP, Purified Records welcomes three new producers to the imprint for Purified Spectrum. DUNE’s ‘Echo Peaks’ is a captivating creation, which navigates its way across a flowing soundscape featuring shuffling percussion and a prominent progressive synth leaving a powerful first impression. French artist Ceas crafts a spellbinding offering, combining fluctuating synths, sliced vocals and a crisp bassline to take it a level deeper with ‘Eden'. Closing out the EP, Morgin Madison’s aptly titled ‘Immerse’ pulls the listener in, binding progressive elements together with enchanting synths. This stunning three track EP perfectly encapsulates the different sounds that the Spectrum Series explores and Purified Records stands for.

https://purifiedrecords.lnk.to/Spectrum01

www.purifiedrecords.com
www.facebook.com/purifiedrecords
www.youtube.com/purifiedrecords
www.instagram.com/purifiedrecords
www.twitter.com/purifiedrec

DUNE - Echo Peaks (Original Mix)

Foals - Late Night (Solomun Remix)

Excerpts from the album 'THE ULTIMATE BEE GEES'.
BUY THE DELUXE DOUBLE CD & DVD SET from Amazon <a href="http://amzn.to/1brkEjR">USA</a>, <a href="http://amzn.to/13m2yuv">Canada</a>, <a href="http://amzn.to/1aT2W9B">UK</a>, <a href="http://amzn.to/1auhjNU">France</a>, <a href="http://amzn.to/12yro7t">Germany</a>, <a href="http://amzn.to/12XkhoT">Italy</a>, <a href="http://amzn.to/12NLidu">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
BUY THE DOUBLE CD from Amazon <a href="http://amzn.to/1brikth">USA</a>, <a href="http://amzn.to/13m1yqh">Canada</a>, <a href="http://amzn.to/11ZpOAr">UK</a>, <a href="http://amzn.to/194C3hv">France</a>, <a href="http://amzn.to/13zPNZf">Germany</a>, <a href="http://amzn.to/13Qm59C">Italy</a>, <a href="http://amzn.to/12JOv2f">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
DOWNLOAD THE ALBUM from <a href="http://bit.ly/11ZocXv">iTunes</a>, or Amazon <a href="http://amzn.to/15oILcH">USA</a>, <a href="http://amzn.to/17ngCEb">UK</a>, <a href="http://amzn.to/15K92lE">France</a>, <a href="http://amzn.to/18pBX4E">Italy</a>,<a href="http://amzn.to/18mu506">Germany</a>, <a href="http://amzn.to/12XiWOL">Spain</a>, <a href="http://amzn.to/13zLJrN">Japan</a>.
LISTEN ONLINE on <a href="http://www.deezer.com/en/album/422914">Deezer</a>, <a href="http://grooveshark.com/#!/album/The+Ultimate+Bee+Gees/4657434">Grooveshark</a>, <a href="http://www.last.fm/music/Bee+Gees/The+Ultimate+Bee+Gees">Last.FM</a>, <a href="https://myspace.com/beegees/music/album/the-ultimate-bee-gees-14023661">MySpace</a>, <a href="http://www.rdio.com/artist/Bee_Gees/album/The_Ultimate_Bee_Gees/">Rdio</a>, <a href="http://www.rhapsody.com/artist/bee-gees/album/the-ultimate-bee-gees">Rhapsody</a>, <a href="http://slacker.com/r/lLHTB">Slacker</a>, <a href="http://open.spotify.com/album/3JXTUy5Ccdpe79HUgUiMF9">Spotify</a>.


ABOUT THE BEE GEES
Formed: 1958 in Brisbane, Queensland, Australia
Years Active: '60s, '70s, '80s, '90s, '00s

No popular music act of the '60s, '70s, '80s, or '90s attracted a more varied audience than the Bee Gees. Beginning in the mid- to late '60s as a Beatlesque ensemble, they quickly developed as songwriters and singers to create a style of their own that carried them from psychedelia to progressive pop. Then, after hitting a popular trough, they reinvented themselves as perhaps the most successful white soul act of all time. What remained a constant throughout their history is their extraordinary singing, rooted in three voices that were appealing individually and melded together perfectly.

The group was also music's most successful brother act. Barry Gibb, born on September 1, 1946, in Manchester, England, and his fraternal twin brothers Robin Gibb and Maurice Gibb, born on December 22, 1949, on the Isle of Man, were three of five children. The three of them gravitated toward music, encouraged by their father, who saw his sons at first as a diminutive version of the Mills Brothers. The three Gibb brothers made their earliest performances at local movie theaters in Manchester in 1955, singing between shows. The family moved to Australia in 1958, resettling in Brisbane. Now known as the Brothers Gibb — with Barry writing songs — they attracted the attention of a local DJ, and eventually got their own local television show. It was around this time that they took on the name the Bee Gees (for Brothers Gibb). The trio was astoundingly popular in the press and on television, but actual hit records eluded them.

By late 1966, they'd decided to return to England — which, thanks to the Beatles, was now the center of the world for rock and popular music. The group had sent demo recordings ahead of them, and "Spicks & Specks" — which became their first Australian hit while they were in mid-ocean — had attracted the interest of manager Robert Stigwood. The trio was signed by Stigwood upon their arrival, and began shaping their sound in the environment of Swinging London. Barry and Robin Gibb alternated the lead vocal spot, harmonizing together and with Maurice. Barry played rhythm guitar, while Maurice played bass, piano, organ, and Mellotron, among other instruments. Their first English recording, "New York Mining Disaster 1941," an original by the group with a haunting melody and a strangely surreal, almost psychedelic ambience, was released in mid-1967 and made the Top 20 in England and America. They had successful follow-ups with "Holiday" and "To Love Somebody," the latter actually written for Otis Redding to record, and "Massachusetts," which topped the U.K. charts.

After Bee Gees' 1st, the Gibb brothers took over producing their own records. It was easy, amid the sheer beauty of their recordings, to overlook the range of influences that went into their sound, which came from a multitude of sources, including American country music and soul music. At this point in their history, they were most comfortable deconstructing elements in the singing and harmonies of black American music and rebuilding them in their style.

In 1969, the trio split up in a dispute involving the Odessa album. A lushly orchestrated double LP, it was their most ambitious recording to date, but they were unable to agree on which song would be the single, and Robin walked out. Barry and Maurice held on to the Bee Gees name for one LP, Cucumber Castle, while Robin released Robin's Reign. Without a group to promote it, the Odessa album never sold the way it might have, even with a hit, "First of May." Cucumber Castle generated several successful singles in England and Germany, including the gorgeous, African-influenced "I.O.I.O.," while Robin had a hit with "Saved by the Bell."

In 1970, almost two years older and a good deal wiser, they decided to get back together. They related to each other better and had also evolved musically, now creating a progressive pop/rock sound similar to the Moody Blues. They came back on a high note with two dazzling songs: the soulful "Lonely Days," the group's first number one hit in America; and the achingly lyrical "Morning of My Life," which proved so popular with fans that the group was still doing it in concert decades later.

Their success began to ebb, however, after another huge international hit with "How Can You Mend a Broken Heart" in 1971. The single "Run to Me" made the Top 20 in 1972, but the album To Whom It May Concern was forgotten almost instantly after a brief chart run. Their fortunes continued in reverse during 1973 withLife in a Tin Can and the single "Saw a New Morning" — despite a move to America and a heavy promotional push, the song never made the Top 40 and the album stalled out.

The trio was falling into a deep creative and commercial hole. Rescue came from a suggestion by Eric Clapton, that they try recording at Criteria Studios in Miami, Florida, where he had just cut an album. The Bee Gees took his advice and came back with Mr. Natural (1974), produced by Arif Mardin. This record was a departure with its heavily Americanized R&B sound, and the following year they plunged headfirst into the new sound with Main Course — the emphasis was now on dance rhythms, high harmonies, and a funk beat. And spearheading the new sound was Barry Gibb, who, for the first time, sang falsetto and discovered that he could delight audiences in that register. "Jive Talkin'," the first single off the album, became their second American number one single, and was followed up with "Nights on Broadway" and then the album Children of the World, which yielded the hits "You Should Be Dancing" and "Love So Right." Then, in 1977, their featured numbers on the soundtrack to the Robert Stigwood-produced Saturday Night Fever, "Stayin' Alive," "How Deep Is Your Love," and "Night Fever," each topped the charts, even as the soundtrack album stayed in the top spot for 24 weeks. In the process, the disco era in America was born — Saturday Night Fever, as an album and a film, supercharged the phenomenon and broadened its audience by tens of millions, with the Bee Gees at the forefront of the music.

It was a profound moment although, ironically, there wasn't that much difference in their sound. Amid the dance numbers, the Bee Gees still did a healthy portion of romantic ballads that each offered memorable hooks. They'd simply decided, at Arif Mardin's urging, to forget the fact that they were white Englishmen and plunged into soul music, emulating, in their own terms, the funkier Philadelphia soul sounds that all three brothers knew and loved. In one fell swoop, the group had managed to meld every influence they'd ever embraced, from the Mills Brothers and the Beatles to early-'70s soul, into something of their own that was virtually irresistible. Spirits Having Flown was their crowning commercial triumph, topping 30 million in sales and yielding three more number one singles.

By the end of the '70s, however, the disco era was waning from a combination of the bad economy, political chaos domestically and internationally (leading to the election of Ronald Reagan), and a general burnout of the participants from too many drugs and profligate sex (which would precipitate an epidemic of sexually transmitted diseases and herald the outbreak of AIDS in the United States). There had already been an ad hoc reaction against the group's dominance of the airwaves, with mass burnings of Bee Gees posters and albums organized by DJs. The group itself helped contribute to the end of the party with their participation (at Stigwood's insistence) in the film Sgt. Pepper's Lonely Hearts Club Band, "inspired" (if that's the word) by the Beatles' album. The movie was a commercial and critical disaster, and an embarrassment to all concerned.

In America, the Bee Gees were virtually invisible for most of the '80s. Instead, Barry Gibb pursued work as a producer for other artists, creating hits for Barbra Streisand and Diana Ross. By 1987 and the E.S.P. album, their sales had rebounded everywhere but the United States, yielding a number one single (outside of the U.S.) in "You Win Again." Their 1989 album One got a good reception around the world and generated a Top Ten U.S. single. And in the '90s, Polygram Records released the four-CD anthology Tales from the Brothers Gibb, which sold well around the world. The trio's 1997 induction into the Rock & Roll Hall of Fame led to a resurgence of interest, which heralded the release of the live album One Night Only (1998), cut at their first American concert in almost a decade.

The Bee Gees remained active until the death of Maurice in January 2003, from cardiac arrest during surgery. Following his death, Robin and Barry decided to cease performing as the Bee Gees. Their recorded legacy, however, subsequently became more visible than it had been in decades with the move of their catalog to Warner/Reprise. The latter company began the long-awaited upgraded CD reissue of the Bee Gees' post-1966 library, including the first-ever release of outtakes and rehearsal versions of songs. Robin was diagnosed with and underwent treatment for cancer in 2011. He died in London in May 2012 due to complications from cancer and intestinal surgery; he was 62 years old. Given the previous deaths of Andy (who had several number one hits and who died of an inflammatory heart virus in 1988) and Maurice Gibb, Robin was the third Gibb brother and second member of the Bee Gees to pass away.


Music ℗ & © 2009 Barry Gibb, Robin Gibb and The Estate of Robin Gibb under exclusive license to Warner Strategic Marketing Inc. a Warner Music Group Company.


Buy CD at Amazon USA

Bee Gees - Stayin' Alive (excerpt)

Our new EP "Extended To Play" is out now. 
Available on digital and streaming services:
 http://band.link/HPEP 
~~~
booking and mngmnt: highpijama_at_gmail.com
production and remixes:  highpijama at gmail.com
~~~
producer/songwriter/dj duo based in Barcelona

High Pijama is a project of two old friends and a collaboration of different music beginnings: Freska worked for a long time as a house and letfield producer and DJ. Having received his share of recognition in the club world, and after being released at quite significant music labels, he later reformed into a music curator, famous for his work with the Red Bull Music Academy in Russia. Dj Cros came from the world of hip-hop and was a resident of a main venue Milo in Nizhny Novgorod where he was responsible for booking top international artists.  Both guys never supported stylistic frameworks and believed that music can be either close to a person or not. Hip-hop, house, disco, rock, reggae and high-quality pop, all this and more in different ways and at different times influenced their work, and as is already obvious, fully reflected the situation in the music industry of the present. Now the guys live in Barcelona, where they are much more comfortable working on musical material.
High Pijama project constantly involves other artists in collaborations. A variety of styles allow vocalists to find a new sound for themselves and take part in the experiment.

High Pijama - Break Inside (feat. Jinadu)

HiGH PiJAMA