Certified heat keep dropping bro dis so fire

the atmosphere is so clean in this. the use of live drums and guitar works perfectly

This is trippy.  Great cool melty atmosphere.

Es un ambient agrdable. Ya me tiene un poco harto el techno que se escuhca tanto aqui

Very nice kind of glam rock. Nicely special vibes and sound.

i somehow like this so good job on this one man fr :3

cool drums, i really love this snare, sounds like a real drum set

Guitar 🎸 is great and I found it mixed like every instrument mixed the same

What Is This?  SoundCloud Pre-release (released to rest of streaming on March 26, 21)
• Tim Graves: guitar, synths, programming, vocals
• Brad Palmer: drums
• Ryan Anderson: bass
• Charlie Blu: vocals
• Chad Bell: trumpet
• Recorded in Oakland, Akron, Chicago and Nashville 
• Mastered by Stephen Marcussen

What is This

What Is This?

Skim Milky Way

This track is celebrating a 20 year birthday today.  I wrote it on a lonely weekend in 2005 while missing my old friends.  Later on, I had some new friends sit in and help me finish it.  It's old news to anyone who knows me, but I still love the vibe of this track.

Free download

Supernova Lifestyle

Just a little fun instrumental to hopefully make you smile.

Ron Snyder - Coronavirus Conundrum (Instrumental)

This is a FreeStyle/Remix To Sweater Weather Brought to you by: 
$Laughter

Sweater Weather (Free$tyle)

Crowd Goin Crazy

This is One Kin's second album. This is a collection of many genres telling many stories. Times are fresh, exotic, dramatic, sad, happy, frustrating, melancholy, growing, moving and evolving. Let this album move you through these Fresh Times and hopefully bring you closer to yourself. We Are 💓

Daydream

Ｇｅｍｉｎｉ Ｔｗｉｎｓ                         Ｒ🥀ＳＥ/Trap

Sun Trio for Violin, Cello and Piano
Duration: ca. 35'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=908
For More Info: http://robertpaterson.com/sun-trio

PROGRAM NOTE
Sun Trio originated when I first started the film score for a documentary entitled Journey Into Courage. After writing opening music to the film, director Bess O’Brien and I concluded that it was best to change some parts in order to properly compliment the film. The theme was kept, but some of the other sections were changed and/or edited. I never discarded the original sketches, even though much of it remained on the cutting room floor. Thankfully, it came to good use later in this work.

The first movement, Sun Day, begins with the theme from the Journey Into Courage introduction. This movement is meant to evoke the feelings you get when summer, mid-day sunbeams appear from between the clouds and warm your skin.

Sunset, the second movement, was inspired by Lake Champlain in Burlington, Vermont and my wife Victoria. I envisioned us embraced, doing a Tango–like dance under a multi–colored sunset—at times, to themes from Stravinsky’s L’Histoire du soldat. Victoria is a much better dancer than I, and in this movement, she teaches me the steps. I fumble around and finally get it right, and then the sun sets.

The third movement, Absence of Sun, is connected from beginning to end by one long melodic line. The cello melody is modeled after a classical Indian Sitar raga, specifically the traditional, slow introductory section of a classical Indian composition. The bass piano part supplies the drone while a high-pitched tone row supplies a "starry night" texture. This texture gradually melds into a wind chime accompaniment. The movement peaks in the middle with an intense cello line. At this point, the violin intervallically supports the cello line. Each instrument—and in the case of the piano, each stave—represents a specific, individual texture. This movement intended to sound somewhat improvised.

Sunrise, is meant to evoke the feeling you get when watching the sun rise. There is a "Sun" peak of an octave, a bright yellow ‘E’, symbolizing the first, intense, bright sunbeam peaking over the horizon. In the middle of the movement, a string of rising chords mimics a "fast-forward" of the sun rising in the sky. Later in the movement, the violin and cello play decelerated bird motives. I wrote the bird songs down on the morning of April 17, 1995, while watching the sun rise behind the University of Vermont music building. I use the "mystic chord" by Alexander Skryabin as melodic and chordal material for the anticipation of the rising of the sun. While I was waiting for the sun to rise, I watched the mountains intensely. I finally was about to give up, thinking that the sun tricked me and rose behind some clouds when I wasn’t looking. As soon as I turned around to walk away, I felt an intense heat hit the back of my neck. I turned around and there it was! The sun was there, in all of its glory and splendor, lighting up the mountains. As well as evoking a sunrise, this movement also uses themes from the previous three movements.

The sprightly Sun Dance is a closure movement written to provide a vibrant contrast to the other four. The initial piano motive is taken from Five Movements for string quartet by Anton Webern. The first section introduces the themes, motives and patterns which are then used in subsequent sections. The second and fourth sections are percussive, while the third section is more placid and melodic. The finale is hard and driving, utilizing both snap pizzicati (plucking the string so it bounces against the fingerboard) and loud four-note chords in the strings.

Sun Trio was commissioned by Dennis O’Brien to commemorate the 98th birthday.

Skim Milky Way

HighMcFly

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