Management: Moe Shalizi
Moe@TheShaliziGroup.com

Bookings: 
shunt@teamwass.com
mdiamond@teamwass.com
sgoodgold@teamwass.com
Europe:
obi.asika@unitedtalent.com

♬ @joytimecollective

Midsommar LA Palladium, Jan 9 & 10 - On-sale NOW!
https://www.ticketmaster.com/venueartist/73794/1967888

'Stay A Little Longer' with Joel Corry and Izzy Bizu - OUT NOW!!!!!
Buy/Stream: https://sndo.ffm.to/stayalittlelonger

New album 'Rx' out NOW 💊
https://galantis.komi.io

Galantis is the dance music project of Christian Karlsson (aka Bloodshy). RIAA gold-certified debut
album Pharmacy reached No. 1 on the Billboard Dance album chart on the strength of gold-certified
single “Peanut Butter Jelly” and 3x platinum certified smash “Runaway (U &amp; I)” – the latter of which
earned a GRAMMY nomination for “Best Dance Recording” – while 2017’s sophomore album The Aviary
(featuring platinum-certified single “No Money”) saw a top 10 debut in 23 countries. The third Galantis
album, 2020’s Church, featured the chart-topping gold-certified single “Faith” with country music icon
Dolly Parton featuring Mr. Probz, which saw a #1 debut on Billboard’s Dance/Electronic Chart before
quickly reaching #1 on the Dance/Mix Show Airplay Chart where it remained for 5 weeks. Meanwhile,
gold-certified collaborative single “Heartbreak Anthem” with David Guetta &amp; Little Mix proved a global
sensation, spending 10 weeks on the Billboard Global 200 chart and 13 consecutive weeks in the top 10
on the UK Official Chart. Latest album, Rx, is Karlsson’s most deeply personal creation to date – featuring
pop banger “Lighter” with Guetta and 5 Seconds of Summer which landed No.1 on the US Dance Radio
chart. Galantis has received over 7.3 billion cumulative worldwide streams and over 1.9 billion video
views to date.
Karlsson has been at the helm of Galantis since 2009 before officially debuting the project at 2014’s
Coachella Valley Music and Arts Festival. His career has spanned across the musical genres of punk-
rock, hip-hop and pop – including work as one half of acclaimed production duo Bloodshy &amp; Avant and
one third of indie pop band Miike Snow. Karlsson’s songwriting/production credits have included the
likes of Madonna, Kylie Minogue, Katy Perry and extensive work with Britney Spears (including “Toxic”
which earned a GRAMMY for “Best Dance Recording” and her widely acclaimed 2007 album Blackout).
As Galantis, he has crafted remixes for the likes of Coldplay, Selena Gomez, Ed Sheeran, Sam Smith &amp;
more. Declared “pop’s mastermind producer” by UPROXX, “eternally effervescent” by Billboard and
“one of the most influential and untamed voices in modern music” by GRAMMY.com, the Swedish-born
artist continues to evolve and push the boundaries of songwriting within the world of dance music and
beyond.

In 1998, Congress passed the Digital Millennium Copyright Act (DMCA), which amended U.S. copyright law to address important parts of the relationship between copyright and the internet. The three main updates were (1) establishing protections for online service providers in certain situations if their users engage in copyright infringement, including by creating the notice-and-takedown system, which allows copyright owners to inform online service providers about infringing material so it can be taken down; (2) encouraging copyright owners to give greater access to their works in digital formats by providing them with legal protections against unauthorized access to their works (for example, hacking passwords or circumventing encryption); and (3) making it unlawful to provide false copyright management information (for example, names of authors and copyright owners, titles of works) or to remove or alter that type of information in certain circumstances.

In 2020, Congress passed the Copyright Alternative in Small-Claims Enforcement (CASE) Act of 2020, which established the Copyright Claims Board (CCB) within the U.S. Copyright Office. The CCB is a voluntary, alternative forum to federal court designed for all types of creators and users of copyrighted materials. Eligible claims include those for misrepresentations in notices or counter-notices under section 512 of the DMCA, as well as for copyright infringement and declarations of noninfringement.

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