@kiwikrusada: Thanks Kev, I've had a few questions of what the genre actually is, its kind of interesting how it derived, but yeah, I suppose I have coined a Genre. Maybe its time to make a new group. ;)

@acdemis: Thank you Mi Re La, glad you enjoyed it. :)

￼￼🔥🔥🔥🔥🔥🔥🔥🔥 i just wanna see you move

See You Move (prod. by Its Nhile On The Beat)

I’m Incomplete

Follow Me On IG @ TheRealDudja

CHECK OUT MY MUSIC AND FOLLOW ME ON #SPOTIFY https://open.spotify.com/artist/6eZ4wMPiOBjFoDeWxGabGx?si=jrrsbEy1RBenhx8FLkEIig

Album available everywhere ffm.to/blunt

Check out my Debut Album https://ffm.to/myfirstalbum and please share it up :) 

https://open.spotify.com/track/0DjkAQW3PRKgwOCeYMPjNm?si=C_hPtbrmS8K8wtYlA55n5w

Youtube.Com/user/reddragonfirespitter

please go and like my #facebook page to stay updated with my music #Dudja  facebook.com/TheRealDudja

Incomplete (prod by Isaac James Beats)

BUY: https://fanu.bandcamp.com/album/old-tracker-stuff

2022 marks the 30th anniversary of Fanu making music.
These songs were made around 1997–1998.
They are the oldest Fanu songs that exist, thanks to the then early-stage internet.
To celebrate the long road of music-making, these old songs from somewhat formative years are finally released to the public.

Songs were originally made with Fasttracker 2 in '97/'98, imported with Renoise in 2022, and then very slightly retouched with Ableton Live.
They are, however, largely in their original state, with very minor mixing/mastering applied, to respect the older aesthetics.

05 - Silent Resistance

• BUY: https://fanu.bandcamp.com/album/biscuits-and-breakbeats
• SPOTIFY: https://tinyurl.com/biscuitsbreaksspotify

Fanu teams with UK-based producer Larson Whiled to 
1) discuss the importance of good tea in studio, 
2) talk about the importance of good biscuits, 
3) praise Luke Vibert's discography, 
4) get epic Bitwig collabos going, and 
5) make some bassy breakbeat music as the result!

Biscuits and Breakbeats

2. Fanu & Larson Whiled - Shaken By The Seas [Lightless Recordings]

BUY at…

• Fanu Bandcamp: http://bit.ly/2D4AgOp
• Phatventures Bandcamp: http://bit.ly/2D5yf5o 
• Spotify: http://spoti.fi/2qXNiZm
• Google Play: http://bit.ly/2CTBTLC
• Tidal: http://bit.ly/2mwcHVe
 • Beatport: http://bit.ly/2DmJVhb
• iTunes / Apple Music: https://apple.co/2D5xLfA

This is the fourth FatGyver release so far. All these works are my testament to what hip hop is to me. It all leans towards nineties US east coast vibes, but I'm adding my own spice to it. I guess you don't hip hop out of Finland every day!
I've always loved sample-based music, and to me, hip hop has always been about working with samples.
And samplers. On this album, you'll hear the SP 1200, MPC 60, as well as various other devices.

This is a beat tape (or a record!) that I'm very proud of and think it does make its own small statement in today's hip hop world.

-Fanu aka FatGyver

14 Dead Air

09 Shak

Ashes We All Fall Down

SAKIMA - Daddy (Official Music Video)

Reverie is an acousmatic composition that leads the listener through an immersive fantasy centered around deconstructed music boxes. The work comprises eight sections that alternate between explorations of the music boxes’ gears and chimes. In the work, the music boxes’ sounds are pulled apart, exaggerated, expanded, and combined with other sounds whose timbres and textures are reminiscent of the original. As the piece unfolds, the timbres increase in spectral and textural density, and the associations become more and more fantastical. Gears are transformed into zippers, coins, chainsaws, motorcycles, and fireworks, and the chimes morph into rainstorms, all sizes of bells, pianos, and more. 

Reid composed the work during residencies at the Ucross Foundation and the Virginia Center for the Creative Arts. 

Reverie won First Prizes in the 6th International “New Vision” Composition Competition “Galaxies” in memory of Nicolaus Copernicus, the 8th KLANG! International Electroacoustic Composition Competition, and Musicworks' Electronic Music Composition Contest; Sound of the Year's “Composed with Sound Award”; and Second Prizes in both the Xenakis International Electronic Music Competition and the XIII° International Destellos Competition.

Reverie

I have been longing to trying my hand at Trance genre. I had fun making this one. It is so chill. so vibesy. so tranquil. 

I hope you guys like this one as much as I do.

Artwork: Shauna-Kay Hamilton

Quarantine Tapes

Cloud'n

My music free for EVERYONE to use on any social media content with zero risk of copyright claims/demonetization as long as you copy the following text to your description:

---------------------------------------------------------------------------------------------------
"Free Range" by Mona Wonderlick — http://bit.ly/youtube-monawonderlick
Creative Commons — Attribution 3.0 Unported — CC BY 3.0
Free download: http://bit.ly/free-range-download
---------------------------------------------------------------------------------------------------

Free download: http://bit.ly/free-range-download

Support My Music:
- Patreon: http://bit.ly/patreon-monawonderlick
- Donate (via Paypal): http://bit.ly/paypal-monawonderlick

Stream My Music
- Spotify: http://bit.ly/spotify-mona-wonderlick
- Apple Music: http://bit.ly/applemusic-monawonderlick

My Social Media: 
- YouTube: http://bit.ly/youtube-monawonderlick
- Soundcloud: http://bit.ly/soundcloud-mona-wonderlick
- Instagram: http://bit.ly/instagram-monawonderlick

BIG thanks to my Patreons:
Hugo Cremer
Kayona Ebony Brown
littlejazzyfox
Rob Wengritzky

Model Credit: @littlejazzyfox - https://www.instagram.com/littlejazzy...
Photographer Credit: Mark Scott: https://www.markscott.com.au/

Free Download

Free Range

It is truly hard to believe some of the posts on this site are from 10 years ago! What an interesting journey it has been looking back and listening to some archaic digital sound files, and seeing wayward youth.
Sharing with others through Soundcloud is certainly a creative medium to share with others some of my experience with sounds both locally and abroad,  I hope everyone can still find joy in continually bridging their experience and expression through the common outlet of Sound, despite a rather rough past couple of years. 
My best wishes to all who have been going through a particularly tough set of years (2020 to 2021). I know it has not been particularly easy for anyone, readily adapting to the circumstance of global pandemic, and to those who may have also lost loved ones during this time, my sincere condolences.  Keep smiling, producing and finding joy in creative expression, 
If you would like to collaborate on a project let me know. 
R/,
Zac

Ashes We All Fall Down

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