The Garden of Gods and Monsters (Birds in Flight)

Der Kern
Hum Hustler
Dj Gammino
Do.01. September 2022

TASCAM DR-07 

Dj Gammino.mp3

from the album Little Pink Fluffy Clouds A
released August 11, 2022
Mixed/Produced by Karen Vogt
Mastered by Mark Beazley/Trace Recordings
Artwork by Caro Mikalef (Cabina)
Physical and digital items can be purchased from my Bandcamp: https://karenvogt.bandcamp.com/album/little-pink-fluffy-clouds-a

cloud one Karen Vogt

#PizzaBoyRemix

KAOSS PAD programs in use:
- Flanger Manual
- Chorus Phaser
- Sine Round Pan
- LPF Slicer
- Super Vibrato
- Jet Reverb

KAOSS PAD - Modulation Category

Extrait d'une performance live improvisée pour violoncelle et électroniques

Live Set Casa Del Popolo 9/11/2022 Extrait

Recording of the recital by Samuel Vriezen (Erard piano) at the Amsterdam Wandelweiserfestival 2022, Orgelpark, Amsterdam.

Five pieces, played attacca:

0'00":
Chop. (Samuel Vriezen, 2019)

ca. 5'30":
2. Stück 2004-1 (Manfred Werder, 2004)

ca. 13'55":
3. Ballade nr. 4 in f minor (Frédéric Chopin, 1842)

ca. 25'50"
4. Stück 2004-2 (Manfred Werder, 2004)

32'22":
5. Frédéric Chopin (Samuel Vriezen, 2019. First performance)

Recital 30 Oktober 11.00

Notes:

For this song, I challenged myself to use a looper and incorporate Teenage Engineering OP1 in symbiosis with Moog Mother and Moog Subharmonicon. In my mind: my voice and instruments created petioles.

In botany, the petiole is the stalk that attaches the leaf blade to the stem and can twist the leaf to face the sun.

Connecting all the feelings and words for this song to express and define my heart in 3 minutes 33 seconds became my petiole. I twist my heart to you all listening.

Working on this song has taken the walls down within the songwriting process for me. It opened a portal to expressing myself with total trust and flow, where I allow sound to take me, and what I want to say pours out with no pressure from anyone or anything. It is a particular song to me. It sets a clear direction for the LP to come. It is my therapy.

This is also the first time I address and sing about my eye disease, gently letting go of the pain that has caused me every day since I was born. The art cover represents double vision, as this is how I sometimes experience the world. I chose to live looping and looper as a technique many years ago because It helped me to create with eyes closed most of the time so that I could rest them as much as possible. My eyes get quickly tired, and I have a limit on how long I can read and spend time in front of the screens so my vision does not drastically worsen. It took me so many years to accept this song.

Szukam na stole morza oczu
Może nie widzę, a czuję wszystko

On a table, I am searching for a sea of eyes
Maybe I can't see, but I feel everything

Petioles

Kevin Ochieng Okoth joins PTO to discuss his new book, Red Africa: Reclaiming Revolutionary Black Politics. We talked about the concept of Afropessimism and why Kevin believes it relies on a fundamentally parochial, US-centric understanding of Blackness and we discussed how it's leading theorists mischaracterise the work of thinkers such as Frantz Fanon, to advance the idea of the impossibility of solidarity between Black and non-black people. We went on to discuss Kevin's idea of Red Africa - a notion inspired by the second wave of radical African liberation movements and thinkers, that were sceptical of the first wave of African socialists, many of whom who had taken the view that traditional communal elements of African culture were inherently socialist. Recorded before the escalation of the Israel-Palestine crisis, we do touch on the question of Palestine regarding Frank B Wilderson III - the most prominent advocate of Afropessimism - and his extraordinary claim that Palestinians have more in common with their Israeli oppressors than they do with black people.

Red Africa w/ Kevin Ochieng Okoth

I mixed these.
★MinamiHaruo (1923 - 2001 Japanese traditional,ROU-KYOKU singer) "KONNICHIWA"1970 and 
★GOOD LUCK HEIWA "宇宙の犬"2008
=========================
●「世界の国からこんにちは」(三波春夫)×「宇宙の犬」(グッドラックヘイワ)をむりくりMIXしてみました。
●この２曲、、、、混ぜられるんじゃないか？と１か月前にひらめき、正月に混ぜた結果こうなりました。
●歌詞では「♪こんにちはこんにちは地球を飛び出す」とか急にスペーシーな事言い出すのですが、１９７０年といえば月に人間が発射されたとかで、全人類が若干間違っていようが未来は「進歩と調和」　しかありえない時代だったと思われます。。。　

●※「宇宙の犬」(グッドラックヘイワ)は『Patchwork』(2008年)っていうアルバムに入っててitunes storeでも1曲から買えます。
今回のMIXに使ったのは、YOUTUBEのライブ版を短くしたものです。
https://youtu.be/Ay9rX4xyi8Q

「世界の国からこんにちは」×「宇宙の犬」REMIX "KONNICHIWA" ☆2016

Agate

Daydream

●aloittelija
●「現実が見えないの？」がキャッチコピー。普段はトーク番組の放送作家をしています。テレビ好き、テーマ曲好き、テクノも好き。
こじれた心を、音楽でリハビリしていこうと思います。
●癒される音は楽譜がないような、伝統継承っぽいバイオリンなど。あと、電子音。
●基本鍵盤。2015年の夏にギター買ったけど、神経痛になっちゃって・・・！
●2011年ころは替え歌ボカロなどしていましたが、2017年から独学で歌も始めました。へっぽこテクノ、テクノ歌謡好きなひと応援おねがいします。

●Hi 
my name is Hime Hajime.
 Japanese scriptwriter

「世界の国からこんにちは」×「宇宙の犬」REMIX "KONNICHIWA" ☆2016

HIMEHAJIME

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