Upcoming events:

09.01.26 Kauz, Zurich
07.02.26 Kulturfabrik, Wetzikon
13.06.26 tba
  
  
You might have heard me play at venues like: 

Kauz Zurich
Hive Zurich
Zukunft Zurich
Kraftfeld Winterthur
Sihl Records Zurich
Rote Fabrik Zurich
Neubad Luzern
Variété Zurich
Gisela Berlin
Salzhaus Winterthur
Kornhaus Winterthur
Albani Winterthur
Photobastei Zurich
Postsquat Zurich
Dynamo Zurich
Technorama Winterthur
Industrie45 Zug
Kultturm Schwyz
Südpol Luzern
Grabenhalle St.Gallen
Lokal Zurich
Teestube Singen
Sisyfass Berlin
Maex Zurich
Wunderbox Zurich
Space 2.0 Zurich
Douala Ravensburg
Baze Baden
Bagatelle Zurich

& many more dreamy outdoor parties like Zirkel Z, Chat:eau, Herzklang, Tanz auf dem Dach, Bunte Bande Berlin, Seefried, Sichtfeld Openair, Albanifest, Badenfahrt, Thurtanz, Gradient, Rausch or one of countless other little underground parties in and around Zurich. ;) 
Active since 2022.


🪐【３６９】🪐
Music above everything.

For all requests pls use this mail adress:

hintergrundrauschenbln [at] googlemail.com

Bookings : booking@interwave.live (DJ/Live World)
diego@analog-a.com (South America)
info@omniverse.sm (Italy)
maucleme@gmail.com (Portugal)
seiji@hitomi-pro.jp (Japan)

Satoshi Tomiie has been a pioneering and driving force within the global electronic music community since the early days of house music. Now, decades after his ‘Tears’ alongside Frankie Knuckles, the Japanese born, New York and based DJ, producer, remixer and label boss is still regular feature in the sets of many of today’s underground elite.
A student of jazz and classical piano, Satoshi is musically adept and accomplished producer who constantly evolved how he works. Experimenting with a new hybrid Modular DJ setup which sees him effortlessly fuse live analogue modular synthesis and with traditional DJ sets. Regularly playing clubs such as DC10, Rex and from South America to Tokyo while releasing music on labels such as YoY, Yoyakuza, Kaoz Theory, No19, MFR, Holic, and his own Abstract Architecture. Satoshi is as relevant as ever and continues to make waves throughout the electronic music community as only he knows how.

Hi, I'm Drew. 
Blueberry Records.


Falty@FaltyDL.com (Harassment/Tunes)

THE ACID QUEEN
Saskia Slegers, better known as Miss Djax, or as many say 'The Acid Queen', is living proof that age doesn't necessarily always brings peace. For more then 35 years now, she has stomped on the face of techno and acid with hard punishing beats and radioactive sounds. The ferocious releases on her Djax-Up-Beats label helped Chicago and Detroit sounds gain foothold in Europe, as Djax Records was one of the first European labels to put out techno in the early nineties.

Miss Djax started her DJ career at the age of sixteen. Her musical roots can be traced back to disco, funk and new wave. At the age of eighteen she formed the band 'B-System', a new wave band in which she played the bass guitar. 
Having worked in record shops for many years, Saskia met a large number of promising artists whose music never got released because, according to the Dutch record-companies, it was "not commercial" enough. That triggered her to start her own label and in 1989 Djax Records was founded. 

Miss Djax had her international breakthrough when she played at the notorious MayDay rave in Berlin 1992. One year later Germany's leading dance magazine Frontpage declared her 'DJ of the year'. In the following years her name was always in the international top 10 rankings. 
In that same year (1992) Saskia went on a 2 week trip to Chicago and Detroit to meet her favourite producers in person and to see with her own eyes were it all had started. 

Four years in a row, from 1995 to 1998 she took part in one of the major techno happenings: The Love Parade in Berlin. In 1998 Djax even had the privilege to start at pole position! Many people will remember the 20-metres long red/silver Djax-Up-Beats rocket with 20.000 watt of acidtechno terror on board! Miss Djax also played two times, in 1996 and 1998, at the Love Parade end manifestation at the Victory Tower in front of millions of people. 

Besides the worldwide respected releases on Djax-Up-Beats, Djax Records is also known for being the first company to release Dutch spoken rap-music, later called Nederhop. In 1991 Saskia discovered The Osdorp Posse that soon became the most popular rap-band of the Netherlands! In 1995 they won the Dutch Popprijs for being the most innovative Dutch band! Also ABN and Spookrijders were two of Djax’s successful nederhop bands. 

Not only the music but also the looks of Djax Records have always been important to Saskia. Since 1991 she is working with Alan Oldham, the famous illustrator from Detroit. Till today Alan made hundreds of beautiful illustrations and five Miss Djax comics for Djax-Up-Beats. Saskia also worked with  Zender and the famous American illustrator Ed Repka, who is well known for his Megadeth album covers.

AWARDS:

1992 – Position 1 best record label (Frontpage Magazine Germany)
1992 – Position 4 best new talent (Frontpage Magazine Germany)
1992 – DJ of the year (Frontpage Magazine Germany)
1993 – Position 3 best international DJ (Frontpage Magazine Germany)
1993 – Position 3 best record label (Frontpage Magazine Germany)
1994 – Position 1 best international record label (Frontpage Magazine Germany)
1994 – Top 10 position best international DJ (Frontpage Magazine Germany)
1995 – Position 13 best DJ (Raveline Magazine Germany)
1995 – Top 10 position best record label (Raveline Magazine Germany)
1997 – Position 6 best international DJ (Tendance Magazine Germany)
1997 – Best record label (Silver Star Award Holland)
1998 – Best record label (Silver Star Award Holland)
1998 – De Veer Award (Holland)
2009 – Gold record for 1.3 million records sold by Djax Records
2009 – Gold record for 40.000 albums sold of Afslag Osdorp

hosting @lingerforamoment
part of @zenakollektiv

upcoming:

09.01. Orangerie Neukölln, Berlin
30.01./01.02. Takeover Festival, Baden-Baden
07.02. Golden Gate, Berlin
18.02. Midi, Dresden
07.03. tba.
15.05. tba.

past (selected)

Mutant Radio (Tbilisi), TES Club (Tbilisi), Triebwerk (Erfurt), Open Ground (Wuppertal), Zentralwäscherei (Zürich), The Mudd Show, LEGAL Club (München), ://about blank (Berlin), Zur Klappe (Berlin), Club Loyal (Wiesbaden), mjut (Leipzig), Kater Blau (Berlin), Weltspiele (Hannover), Goldener Reiter (München), Balda 7 - 3 (Heidelberg), White Noise (Stuttgart), Paloma Bar (Berlin), Tresor (Berlin), Gosu (Frankfurt), Climax Institutes (Stuttgart), Institut für Zukunft (Leipzig), Artville Richtfest (Hamburg), City Club (Augsburg), Jetztmusik Festival (Mannheim), Aeden (Berlin), Bürro (Mainz), Zuflucht Festival (Wiesbaden), Corsica Studios (London), United We Stream, Jack (Amsterdam), Sleeve++ (Leipzig), Club Molli (Braunschweig), Ostend (Leipzig), Tarmac Festival (Flugplatz Allstedt), Kassablanca (Jena), Mensch Meier (Berlin), Nachtiville Festival, HÖR, Renate (Berlin), Filmwerkstatt (Düsseldorf), Klub Kegelbahn (Luzern), Le Bourg (Lausanne), objekt klein a (Dresden), DUQO (Leipzig), Blechsonne Festival, Fusion Festival, Chimaera Festival, Traumburg Festival, Enjoy Jazz, JAKI (Köln), GoldenGate (Berlin), Crack Bellmer (Berlin), Golden Pudel (Hamburg)

HGR (HinterGrundRauschen) is following