In My World

Original Don

Original Don (Extended Mix)

In Folge 8 geht es ans Eingemachte: Konflikte. Fritz B. Simon und Andreas Kollar analysieren, wie Konflikte entstehen, wie sie sich zuspitzen, und wie man mit systemischem Denken Auswege finden kann. Vom Apfel-Dilemma über den Ukrainekrieg bis zum Nachbarschaftsstreit entfalten sie eine Konfliktlogik, die zwischen Beobachtung, Verneinung und Eskalation unterscheidet.

Inhalte der Episode
• Konflikt = doppelte Verneinung
Wenn zwei Beobachtungen oder Zielvorstellungen sich gegenseitig ausschließen, entsteht ein Konflikt.
• Psychische vs. soziale Konflikte
Der Apfel-Konflikt als Selbstverneinung; Organisationen können sich aufspalten und beides tun.
• Paradoxien auflösen oder entfalten
Wenn beides nicht gleichzeitig geht: Entscheidung oder funktionale Differenzierung (z. B. Arbeitsteilung).
• Erklären schafft Kausalität
Konflikte entstehen nicht nur durch verschiedene Ziele, sondern auch durch konkurrierende Erklärungen: Wer ist schuld? Wer bedroht wen? Systemisch nützt es, Wirkung statt Ursache zu betrachten.
• Beziehungs- vs. Sachkonflikte
Konflikte um Ziele können produktiv sein – Beziehungskonflikte zerstören meist die Sachebene.
• Krieg als Negation des Überlebens
Warum der Krieg die radikalste Form des Konflikts ist – und warum er erst endet, wenn keiner mehr an den Sieg glaubt.
• Schützen statt siegen
Systemisch klug heißt: sich schützen, ohne weiter zu eskalieren. Eskalationslogik erkennen und durchbrechen.
• Tit for Tat – und dann?
Konfliktverhalten à la Axelrod: Vergeltung ja, aber mit Friedensangeboten koppeln.
• Konfliktmuster beobachten
Kulturen und Systeme haben unterschiedliche Konfliktstile. Von Pseudoharmonie bis zum offenen Angriff.
• Tetralemma als Konfliktnavigation
Vier Optionen statt zwei: Die Denkfigur als erkenntnistheoretischer Airbag (oder Kompass).
• Beratung in Konflikten
Simon’s Prinzip: Zukunftsorientiert, konkret, ohne Schuldfragen. Was erhält den Konflikt – und wie kann man es lassen?

Takeaways
• Jeder Konflikt beginnt mit einer Unterscheidung, die sich nicht auflösen lässt.
• Eskalation ist verführerisch, aber langfristig mit hohem Preis verbunden.
• Konflikte lassen sich manchmal nicht lösen, aber transformieren.
• Wer die Konfliktlogik versteht, kann sich schützen, ohne weiter zu verletzen.
• Systemisches Denken heißt: Beobachten – und bewusst entscheiden, wann und wie bewertet und erklärt wird.

Markante Zitate
• „Vor jeder Entscheidung steht ein Konflikt.“
• „Ein Konflikt ist kein Zeichen von Pathologie.“
• „Ein Konflikt beginnt mit der Verneinung der Verneinung.“
• „Wenn beide glauben, sie können noch gewinnen, geht der Konflikt weiter.“
• „Zukunftsorientierung heißt: Ich arbeite nicht mit Schuld, sondern mit Wirkung.“
• „Nichtverstehen ist das Kriterium für Verrücktheit.“

Literatur / Erwähnte Bezugspunkte
Fritz B. Simon (2025): Formen. Zur Kopplung von Psyche, Organismus und sozialen Systemen. Carl-Auer.
Fritz B. Simon, Fritz Glasl u. a.: YouTube-Video zum Ukraine-Konflikt
Anatol Rapoport / Robert Axelrod: Tit for Tat (Spieltheorie & Konfliktstrategien)
Friedrich Glasl: Konfliktmanagement (9-Stufenmodell)

_____________
Folgt auch den anderen Podcasts von Carl-Auer:
autobahnuniversität
https://www.carl-auer.de/magazin/autobahnuniversitat

Blackout, Bauchweh und kein` Bock
https://www.carl-auer.de/magazin/blackout-bauchweh-und-kein-bock

Cybernetics of Cybernetics
https://www.carl-auer.de/magazin/cybernetics-of-cybernetics

Genau Geschaut:
https://www.carl-auer.de/magazin/genau-geschaut

Frauen führen besser
https://www.carl-auer.de/magazin/frauen-fuhren-besser

Formen (reloaded) Podcast
https://www.carl-auer.de/magazin/formen-reloaded-podcast

Heidelberger Systemische Interviews
https://www.carl-auer.de/magazin/heidelberger-systemische-interviews

Zum Wachstum inspirieren
https://www.carl-auer.de/magazin/zum-wachstum-inspirieren

Zusammen entscheiden
https://www.carl-auer.de/magazin/zusammen-entscheiden-2

www.carl-auer.de

#8 Erkenntnistheoretischer Führerschein | Konflikte navigieren statt eskalieren

This set was recorded live at Max & Rachel’s festival wedding — a one-of-a-kind weekend where friends and family came together with their art, music, and energy to throw a celebration that felt bigger than any club. Huge love and congratulations to Max & Rachel for creating something so special. ❤️✨

We started the day with a full Light the Path performance, with Alisa Galper on live vocals. Then Alisa switched hats and officiated the wedding itself — sealing the love that the whole gathering was built around. 💍🎤

By nightfall, it was my turn to close it all out. This mix is that final set: late-night house bangers with Light the Path moments woven throughout, plus a finale where the last 30 minutes go back-to-back with SCEND (Alan). We pushed the dance floor deep into after hours — all the way until the generator finally gave out. ⛽💤

I got to bookend the entire festival: opening the day, closing the night. It was wild, heartfelt, and an absolute honor. 🙏🔥

Live @ M+R's Festival Wedding - AFTERHOURS HOUSE BANGERS - ft. Alisa Galper & SCEND - Sept 2025

brainrotkore

Message to SoundCloud:
I own all of my music. When I use a producer’s beat, I always have permission to use it and profit from it. Most of my tracks are fully self-produced, so any copyright claims against my work are false.

bleood,zatru,st47ic,glosuka.axxturel type beat, type beat, jewelxxet, hyperpop type beat, axxturel, xaviersobased, 4jay, hi-c, diamondsonmydick, sickboyrari type beat, sickboyrari, sigilcore, lungskull, sigilkore, dark trap, xhris2eazy type beat 
#jerktypebeat #nettspend #yhapojj #nyli #tenkaytypebeat #xaviersobasedtypebeat #phreshboyswag #glosuka
#1c34 #tenkay #st47ic #st47ictypebeat #difficiletypebeat #p6nktypebeat #bleood #bleoodtypebeat #ss3bbytypebeat #percositstypebeat #idkcaptypebeat #kashpainttypebeat #chaosysltypebeat
xaviersobased type beat, tenkay type beat, phreshboyswag type beat, jerk type beat, hoodtrap type beat, st47ic type beat, ss3bby type beat, kashpaint type beat, yuri online type beat, djlougy47 type beat, deejaysammy type beat, nyli type beat, cranes type beat, defficile type beat, ssh1be type beat, jtxpo type beat, airforcecrew type beat, chaosysl type beat, clay10 type beat, kenocide type beat, bleood type beat, iyïri hin type beat, p6nk type beat, percosits type beat,
xion orion, cranes, ss3bby, chaosysl, prettyboyjerk, viyah, mxsui, symels, kynlary, violet, chaosysl, prettyboyjerk, twilight, jovan, diary, 1c34, 444jet, based, beat, jerk, kashpaint, ksuuvi, nyli, phreshboyswag, playboicarti, soevilboyz, ss3bby, st47ic, symels, tenkay, xaviersobased, nettspend type beat, ksuuvi type beat
rave type beat #ravetypebeat
jerk experimental TikTok viral xaviersobased bleood zatru xoly xul distorted 4lukk sur6ery try1 ocelot sigilkore slung glixkz rico heymylan prettyboy2008 hoodtrap lungskull underground blimeydog luckykretek

water ice salt prod me

We Rise Together” is a cinematic rock anthem that fuses post-punk energy with poetic rebellion. The lyrics explore themes of unity, resistance, and emotional defiance in a dystopian world. Each verse introduces mythic characters—prophets, warriors, believers—who rise against systems of control. The chorus becomes a rallying cry, urging collective action and the burning of old hierarchies. With chant-like repetition and vivid metaphors, the song builds toward catharsis, ending in a communal echo of strength and solidarity.

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🎵 Lyrics: “We Rise Together”  
© Martin Oliver Beinersdorf / MOBest 2025. All rights reserved.

`
All together now…  
All together now…

He’s got a mask like a prophet,  
She’s got a flame in her eyes.  
We walk the line between silence and riot,  
Trading truth for disguise.  

They said “fall in,” we said “never,”  
They drew maps, we burned the sky.  
We’re the ghosts of failed endeavors,  
But we still learn to fly.  

One by one, we break the tether,  
Ash to ash, but light as feathers.  

Come together, we rise together,  
All together now—no kings, no crowns.  
Come together, we fight forever,  
All together now—burn it down.  

He’s got a code in his heartbeat,  
She’s got a war in her song.  
We built a church out of concrete and heartbeat,  
Where the broken belong.  

They said “kneel,” we said “never,”  
They sold peace, we bought the storm.  
We’re the ink on every letter  
That was never sent, but born.  

One by one, we break the tether,  
Ash to ash, but light as feathers.  

Come together, we rise together,  
All together now—no kings, no crowns.  
Come together, we fight forever,  
All together now—burn it down.  

Raise your fists like flags of fire,  
Sing your name into the wire.  
We are not the ones they own—  
We are thunder, we are stone.  

She’s got scars like constellations,  
He’s got thunder in his veins.  
We carved truth into the pavement,  
Singing vows in acid rain.  

They said “wait,” we said “never,”  
They drew lines, we crossed the flame.  
We’re the choir of lost believers,  
Screaming love without a name.  

Come together, we rise together,  
All together now—no kings, no crowns.  
Come together, we fight forever,  
All together now—burn it down.  
Burn it down.  
Burn it down.  
All together now.

All together now…  
All together now…
`

We Rise Together

https://www.vice.com/en/article/giantess-gigantic-woman-fetish-porn-most-searched-kink/
https://en.wikipedia.org/wiki/Macrophilia
https://knowyourmeme.com/memes/i-hope-senpai-will-notice-me
https://en.wikipedia.org/wiki/Ahegao

Mad Honey Mandi - Giantess Mommy Lyrics:

(You all look like bugs from up here)
(Worship me and fear me)

(Chorus)
My head is in the clouds, 
You’re mesmerized by my massive body
You’re an ant, but uplifted upon seeing me
(Notice me)
Rivers of honey flow over my plush crease
I stand tall at over 2,000 feet
Entire countries goon over my giant body
Look up to me forever, I’m your Giantess Mommy
Look up to me forever, I’m your Giantess Mommy
(My sexual desires are even larger than me)

(Verse 1)
One day something strange happened to me,
I grew to the size of mountains after eating magical beans
My sexy body is enormous and sweet (mhmm)
There were millions of eyes on me
All fearful and lusting (so weak)
I was appointed giantess mommy (Mommy)
My worshippers are fawning, sobbing, slobbering
Mesmerized by my heavy breasts with ease
They worship the path of my bare feet,
Obey my bratty commands like a hobby
I’m your whole world, I’ve far surpassed just domming
My pretty soles level everything, its humbling
Don’t dare anger me, keep your princess sunny!
Look up to me forever, I’m your Giantess Mommy
(Giantess Mommy)
(Giantess Mommy)

(Chorus)
My head is in the clouds, 
You’re mesmerized by my massive body
You’re an ant, but uplifted upon seeing me
(Notice me)
Rivers of honey flow over my plush crease
I stand tall at over 2,000 feet
Entire countries goon over my giant body
Look up to me forever, I’m your Giantess Mommy
Look up to me forever, I’m your Giantess Mommy
Look up to me forever, I’m your Giantess Mommy

(Verse 2)
My Ahegoa face unleashes a horny sea of seed 
Alien tentacles explore my thicc body,
We both have cosmic sexual needs
Yeah, I’m careful when I squat or get on my knees
Cities buckle and sway when I’m careless on my feet
I’m thousands of times taller yet you still pray to date me
My hands form a barrier around you,
Your giant mommy can protect from anything, baby
Be nurtured by me and do whatever I say
You and I are hentai lovers, 
So we’re on the same page
My ass eclipses moon rays
You don’t need to look hard to see
Mad Honey Hive right between my knees
(Baby you’re like an ant to me)

(I’m your protector)
(Your Giantess Mommy)
Look up to me forever, I’m your Giantess Mommy
Look up to me forever, I'm your Giantess Mommy

Giantess Mommy

District 216 held their 10th Marquee event under the Santa Barbara stars on September 27, 2025. The topic was on Death and Psychedelics for the education portion of the event then shifted into a celebration of life and epic dance party! Enjoy ✨

Kat's Meow - District 216 Death and Psychedelics Event - 1 Hr House, Disco & Funk Set

I am so excited to say that my guest on the GWA podcast is one of the most influential artists working in the world right now, TANIA BRUGUERA!

Hailed for her installation and participatory performance works that blur the boundaries between art and reality, Bruguera has dedicated her life to making work that explores freedom of expression, immigration, totalitarianism, and human rights. 

She has brought attention to the strict control of Cuban authorities by confronting visitors at Tate Modern with performer police officers on horseback, to setting up an open debate on an official-looking stage at the Havana Biennale to give people license to say what they want for one minute… 

Her work – often set in the framework of the theatre – has continued to push art to its limits and grant space for important and difficult conversations to take place. As she has said: 

“In a way, when you talk about politics, there is a lot of theatre involved. And what I’m trying to do with my art is how can we break the classic theatre where everything has already been decided, into a place where people can add something to the discourse”.

Born in Cuba in 1968, Bruguera was raised during the era of Fidel Castro by a diplomat and minister father in the Castro government. She moved three times – to Paris, Lebanon, and Panama – before returning to Havana, where she graduated from the Escuela de Arte San Alejandro, and would go onto complete MFAs in painting and performance in Havana and Chicago. 

Since then, Bruguera has researched both the promise and failings of the Cuban Revolution, in performance pieces that allow her audience to unite and gather together and see and experience what lies behind governmental propaganda. Not only do these works speak universally, transcending time and place, but they are a great comment on the promises and failings of institutions and governments today. 

The founder of the first performance studies programme in Latin America, known as the Behaviour Art School, Bruguera is also Senior Lecturer in Media & Performance, Theater, Dance & Media at Harvard University, where we are recording with her today, and, as an artist I have admired for a very young age, I really can’t wait to find out more.

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My new book, How To Live An Artful Life: https://www.waterstones.com/book/how-to-live-an-artful-life/katy-hessel/9781529155204

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THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION:

https://www.famm.com/en/
https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037

Follow us:
Katy Hessel: @thegreatwomenartists / @katy.hessel
Sound editing by Nada Smiljanic
Music by Ben Wetherfield

Tania Bruguera

Driving and percussive, this Progressive House track features big chords that elevate anything. An exhilarating blend of energy and melody, it captivates from the first beat. „Code Sonic“ ist ein elektronisches Statement – klar strukturiert, rhythmisch präzise und dennoch voller Tiefe.
#hinterwelt entfaltet hier eine futuristische Klangwelt aus pulsierenden Patterns, synthetischen Texturen und subtilen Harmonien. Der Track wirkt wie ein digitaler Organismus – lebendig, kontrolliert, emotional aufgeladen.
Perfekt für Sets, die zwischen Techno-Ästhetik und cineastischer Erzählung oszillieren.

“Where code becomes rhythm. And sound becomes system.”

Code Sonic

🎧 Sonic Architect of Tomorrow 🎧
Minimal sound. Maximum depth. 
Electronic Music for the Now and Beyond.

Started in the early 90s without Drops.
Lived and played Music in the golden Era 🎧
Bora Bora | Robert Johnson | Airport | m>1

remember where you lost it...

https://www.hinterwelt.live/