RAW BEATS vol.I

Instrumental XVIII

2020 weekly's #42

instr

Second set of remixes on Romanthony's re-vocalled classic. 

We've been a fan of Motor City Drum Ensemble since the brooding and eerie "Escape To Nowhere" in 2007 - a track that sounded like someone had listened to "French Kiss" on acid and then tried to recreate what they heard. So when we started re-issuing Romanthony's classics with fresh remixes, MCDE's Danilo Plessow was always someone we wanted to on the project. It has taken 2 years to organise this mix and now it is finally here it doesn't disappoint. 

DJ Support:
Pete Tong, Dixon, Breach, Sasha, Huxley, Lee Curtiss, Trickski, Tube & Berger, Groove Armada, Oliver $, DJ Spen, Larse, Ian Pooley, HNQO, Mark Knight, Chez Damier, Droog, Solaris Heights, Tooli (Local Talk), Bill Brewster, Funk D'Void, Harri (Sub Club), Supernova, Ray Foxx, Till Von Sein, DJ T, Ben Pearce, Kiki, Nico Stojan, Walker & Royce, Claus Casper, Behrouz, Purple Disco Machine, Sasse, Hector Romero, Marco Resmann, Justin Slow (Culprit), PBR Streetgang, Ralph Lawson, Dana Bergquist, Groove Assassin, Jamie Anderson, Mike Monday, Sam Devine, Benj (Permanent Vacation), Brodanse. Danny Krivit, Severino, Stefan (Morris Audio), Robert Owens, Anil Chawla, Viadrina, Nacho Marco. 

Romanthony - Trust (Motor City Drum Ensemble Instrumental Dub) [PREVIEW]

Second set of remixes on Romanthony's re-vocalled classic. 

We've been a fan of Motor City Drum Ensemble since the brooding and eerie "Escape To Nowhere" in 2007 - a track that sounded like someone had listened to "French Kiss" on acid and then tried to recreate what they heard. So when we started re-issuing Romanthony's classics with fresh remixes, MCDE's Danilo Plessow was always someone we wanted to on the project. It has taken 2 years to organise this mix and now it is finally here it doesn't disappoint. 

Taking on "Trust", most people would head straight for the vocal but Plessow instead eschews that idea for a warm, low slung groove reminiscent of Muzique Tropique and early Glasgow Underground releases by Studio Blue. The first 12 of the package featured his vocal flecked Deep Mix - this 12 features his completely instrumental dub mix. When Kevin McKay and Freeform Five's Anu Pillai got together earlier this year to remix "Weltareh", Freeform Five's single on Eskimo they got talking about their shared love of Romanthony. McKay was planning on remixing "Trust" but hadn't started on the project yet so invited Pillai to join in. Over the years Pillai has collected an amazing array of unusual analogue synths and vintage outboard gear. This allowed him and McKay to take "Trust", soak it in acid goodness and deliver a near-on 13 minute epic mix that provides both dub and vocal versions in one. Great one for the toilet break. 

DJ Support:
Pete Tong, Dixon, Breach, Sasha, Huxley, Lee Curtiss, Trickski, Tube & Berger, Groove Armada, Oliver $, DJ Spen, Larse, Ian Pooley, HNQO, Mark Knight, Chez Damier, Droog, Solaris Heights, Tooli (Local Talk), Bill Brewster, Funk D'Void, Harri (Sub Club), Supernova, Ray Foxx, Till Von Sein, DJ T, Ben Pearce, Kiki, Nico Stojan, Walker & Royce, Claus Casper, Behrouz, Purple Disco Machine, Sasse, Hector Romero, Marco Resmann, Justin Slow (Culprit), PBR Streetgang, Ralph Lawson, Dana Bergquist, Groove Assassin, Jamie Anderson, Mike Monday, Sam Devine, Benj (Permanent Vacation), Brodanse. Danny Krivit, Severino, Stefan (Morris Audio), Robert Owens, Anil Chawla, Viadrina, Nacho Marco. 

Romanthony - Trust (Freeform Five & Kevin McKay Reform) [PREVIEW]

On My Own (Full Version)
Consequence co-starring Kid Cudi

On My Own (Full Version)

Late Registration

Gone (feat. Consequence & Cam'Ron)

U Know My Steelo

Download https://bsta.rs/btj258
⏬║𝘿𝙤𝙬𝙣𝙡𝙤𝙖𝙙: www.DavidSanyaBeats.com
💎║𝙋𝙪𝙩 𝙈𝙪𝙨𝙞𝙘 𝙊𝙣 𝙎𝙥𝙤𝙩𝙞𝙛𝙮, 𝙀𝙩𝙘: bit.ly/DSDK_Spotify
💎║𝙁𝙧𝙚𝙚 𝙈𝙤𝙣𝙩𝙝 𝙊𝙣 𝘽𝙚𝙖𝙩𝙨𝙩𝙖𝙧𝙨: bit.ly/DSnBS

⏬ Download This Beat ⏬

PRETTY║Chill Piano Sad Lofi 90s Boom Bap BoomBap Old School Chill Piano Type Beat Jazz

S.I. Riders All Star Album

My Name In Yo Mouth Money Green (featuring Kam and Jayo Felony)

Don't Quit Your Day Job

The Good, The Bad, The Ugly (Explicit Album Version) [feat. Kanye West]

► Mixed by : http://www.iamsideliner.com
► Music by : http://cosmicleaf.bandcamp.com

00:00:00 Shunkan Idou - Above The Clouds
00:04:36 Stimulus Timbre - Inspired Soul
00:10:12 Zero Cult - Tangoa Master
00:16:10 Side Liner - Blindfolded (feat. Kerensa Stephens)
00:20:08 Essence Project - After All
00:25:55 Aviron - Charlatan
00:31:10 In'R'Voice - Human Recycle II
00:38:05 Side Liner & Aviron -  Analogue Paralogue
00:45:22 Cydelix - Cinnamon Insence
00:53:48 Obsqure - Hijaz
01:00:10 Omel - It's Time 
01:08:28 Stefan Torto - Pnoh
01:14:47 In'R'Voice - Love Electrocution
01:22:21 Side Liner vs Cydelix - Nightmares music box remix

Cosmicleaf at Shankra 2018 - Mix by Side Liner

Memory Full

85boom

Wakefield 2 Tottenville

this song was super fun to make, haven't made a classic lofi bop in a while, thankyou for listening! <3

thankyou all for your support on the EP i released! cant thankyou you all enough for the love you showed on that c: <3

after the ep dropped i took some time to think about what im going to upload in the future, so from now on im going to uploading a ton of different stuff in many various styles/themes c: i hope you all like the idea of that! <3

twitter : www.twitter.com/sleepybutweepy
archive account : @weepingbutsleeping

spotify link!

head empty [no thoughts]

Shuko‘s latest project is a Jazz inspired 90‘s Hip-Hop style instrumental album co-produced with likeminded friends from all over the world such as Anthony Drawn, Ruck P, Hubert Daviz, Dr. Dundiff, Origami, Keymer, Kid Tarô and F. Of Audiotreats. The foundation is always knocking drums with a golden era vibe created on his EMU SP1200. Shuko went even further and replayed classic jazz tunes with live musicians on analog gear from the 70/80s to capture that distinct sound to sample

Jazzterfield

Shuko - Jazzterfield

Debut Album Out April 26th!! https://linktr.ee/tapeheadlinks

50 Cent Remix Instrumentals: https://soundcloud.com/tapeheadloops/tapehead-remixes-50-the-instrumentals

MF DOOM Remix Instrumentals: https://soundcloud.com/tapeheadloops/doomsday-tribute-tapehead-instrumentals-full-beat-tape

Full Length Crime Side Album Out Now! https://soundcloud.com/tapeheadloops/tapehead-enter-the-crime-side-36-chambers-remixes-full-album

Full length remix over this instrumental: https://soundcloud.com/tapeheadloops/crime-side-extended-mix

Behind the scenes of how I made this beat: https://www.youtube.com/watch?v=qOv3jo2zljI

Now out on Spotify (and other streaming services):
https://open.spotify.com/track/7E7XrsH9croPa5CCiRy0DB?si=e9841bdf0b7a4d96
https://music.apple.com/us/album/crime-side-instrumental-instrumental-single/1577843527?uo=4&app=apple+music

Youtube: https://www.youtube.com/watch?v=nArcfLLPFnY
Bandcamp: https://tapehead.bandcamp.com/track/crime-side-instrumental-2019
Crime Side: https://soundcloud.com/tapeheadloops/crime-side

I made this beat in February 2019. I had just spent all night in a library to meet a university coursework deadline, and got home at 6am wide awake from all the caffeine I'd been drinking.

I thought I'd want to relax after working all night but I really felt like making a beat to celebrate I guess. There wasn't space for tons of vinyl and a turntable in my room that year, so I was sampling through YouTube. I can't remember the name of the sample sadly, but I know that these strings were at the start of the track and as soon as I heard them I went into autopilot and turned on the MPC to chop them up. 

It was still early in the morning and all my housemates were asleep, so I made the whole thing using headphones, which I remember being a really immersive experience. Using headphones actually allowed me to be more precise with my chops, and ever since I've always chopped samples this way. I must have chopped around 20 seconds of the track into 16 pieces, because every pad on the MPC was taken up, and from there I was able to just be creative and work out which parts I wanted to use for my flip. I had a couple of loops sequenced but this one was my favourite, so I added drums which I had chopped from a break a while ago.

By the time I had mixed and saved the beat it was the afternoon, so I cooked food and worked on which acapellas sounded good over the beat, narrowing it down to a couple by the end of the day. I crashed at around 10pm, and the next day I finished up the remix, choosing Raekwon's verse from C.R.E.A.M.

Hipcut & Onaxis - Never Underestimate 6 Mpc

Hipcut