Following a first vinyl appearance on You And Your Hippie Friends’ “A Very Nice Combinado Volume Dos” (YAYHF 03) earlier this year, Mexican producer PAULOR aka Paulo Rodriguez gets ready for his first solo outing with Hippie Dance’s sister label.

Curated by Rebolledo, the imprint has established an impressive talent pool within only three releases, including both veteran and upcoming talent such as Sebastien Bouchet, El Güero, Zombies In Miami, Beyou, Roman Flügel and more. It’s a testament to the label’s chiselled vision that an idiosyncratic and diverse group such as this is able to sustain individual approaches to electronic music while weaving a coherent sonic tapestry from all its ingredients, the whole quite organically being more than the sum of its parts.

Now, it’s up to PAULOR to flesh out his own sound cosmos on You And Your Hippie Dance’s latest 12” drop, presenting a concoction of salt-caked beats, riffing guitars and flexing bass that evokes a sense for space and untouched, psychedelic landscapes not unlike Rebolledo’s very own desert funk vignettes. After “La Race” (his contribution to “A Very Nice Combinado Volume Dos”) and the “Discótico Desértico” remix for Rebolledo’s “Mondo Re-Alterado” (HIPPIE DANCE 10 LP) started making the rounds in tastemaker DJ sets, PAULOR caught a major moment of inspiration while performing at Monterrey’s TOPAZdeluxe - which lead to the husky, hypnotic cut PAULOR’S BLUES, pièce de résistance and headstone in one, as it set the scene and also birthed enough follow-up tracks to naturally grow into a cohesive, full-blown EP.

From echo-drenched, beatless opener NEBLINA to the percussion-infused intrigue of DELIRIO EN CARRETERA, the athletic pop minimalism of AMIGOS or the slow burn of brooding mystery shuffle LUCES CALLING, PAULOR creates a unique, atmospheric sound panorama that excites minds and bodies alike. Adorned with a starry night sky, the record’s cover artwork couldn’t be more fitting – it’s a dominant musical vista in PAULOR’s work, whose vantage point is not necessarily a specific place (although all tracks were recorded in Xalapa), but a feeling of exquisite duality: the feeling of being lost between the stars, lonely and connected at the same time, a speck of dust and the center of the universe.

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Paulor

Paulor - A2. Paulor's Blues (SNIPPET)

Tech Entrepreneur I IronMan Triathlete | Adrenaline addict I Toil lover

Lofty, piercingly deep synth and electronic sounds and matching accompanying moments for those deep or deep house sounds harshly nestling within me while exploring and mentally capturing this world, exercising or expressing myself, a merging of circumstances I have a dogged affinity for. The depths of the emotions rolling in my sombre heart escape to the outside world only out of this spooky, floaty medium, the outputs of synthesisers... I guess my SoundCloud is to simply make a note of as well as share music I love, music I find wonderful and music important to me, my memories in a city environment and my approaches to life at the times or during the phases when I would listen on repeat to certain songs... And I wish I had never deleted my old or original SoundCloud, which was richer with playlists and songs I didn't make a note of and have now forgotten and ran from spring 2014 to early 2018. I mainly am into deep house and melodic ambient and minimal or melodic techno music, or music with associated sounds provoking the thought of a heavy journey unique to yourself or the progress of groundbreaking work or merely a speedy late night stride or ramble in solitude, but I like to classify or refer to my taste in music as me simply loving deep, wistful, melodic percussive sounds without any genre titles acknowledged. I would like to think I have a reasonable eye (or ear) for picking out/noticing when I hear what I’m aiming for, memory-inducing, beautiful or more endearing music very much in the specific realm of the shade of deep house and melodic IDM I am most into as the auditory material from which a range of heartfelt visualisations, feelings and reminiscences spring in me. As we all may do over time, I would think I sort of have developed an individual, intricate sense for music which evokes a sense of there being something deeply felt, sombreness, seriousness, complexity or overwhelmment. I’ve looked out for beautiful deep-sounding music since I began to listen to deep house in 2010 through 'pirate' UK radio stations back then like Unknown FM, Passion FM, Select FM and Point Blank FM. I have a real enthusiasm in me for such music, along with any clear mergers between it and classical musical instruments, and especially an enthusiasm in the ideas I get within myself and in the back of my mind of relating the sounds I am hearing and used to in the deep house music genre to sceneries or landscapes or visual moments around me in life. For instance, I relate and associate music with viewpoints, memorably distinct lines of sight I randomly come across, specific locations with a bubble of buildings of a certain form of architecture to them, and varying urban or less urban places within the city and countryside settings I've hugely explored the wide-ranging sights and suburbs of, and landscapes beyond. In honesty, I'd only love to better capture the basic concept I'm getting at by recreating exactly it in audiovisual ways... The deeper, the ever darker, and unwaveringly starker.

Also on: @wistfuldeep

Welcome to Hippie Dance. Independent record label founded in 2011 by two boys.