Absolutely fantastic atmosphere lives in a new episode called '' On My Way '' that has collected a summer mood of melodious deep-house tracks with beautiful vocals in each of them! We hope you like the new design of covers, whose faces are our listeners, and today the charming Alina on the cover of the new podcast "On My Way". We have selected super exclusive tracks for you, we are also proud to present to you two very talented producers from Russia: Andrew Krivushkin and Andrey Kravtsov, according to Hipstercast, one of the best in the Russian scene who knows how to make high-quality and melodic Deep and Nu-Disco! Here and now, we suggest that you enjoy the best deep-house sound for a perfect summer mood! You get 100% positive feedback!

Tracklist

Hipstercast - On My Way

Hi, I'm Navacky and I make Electronic music. I like to experiment with synthetic sounds. The most important thing for me is to create music that I feel, not to stick to a certain style.

If you like my music, you can also follow me on my website and various social networks.

LIVE!! on Radiovalencia.fm
LP Lounge Tues 10am-noon(PDT)
I grew up a drummer in a death metal band, this is something I always wanted to do😎follow, like…all that crap🤣

Never any AI in my music, just the pictures 😆🤷🏻‍♂️i can’t draw, but i can play just about anything 🤘🏻😎🤘🏻

https://open.spotify.com/album/3AJW2Z9Y1535vT9Adldd26?si=iXEIAC0ARcS1s5_-Dw1sQQ

http://itunes.apple.com/album/id/1792559626

https://music.amazon.com/artists/B0DTK23TK4?ref=dm_sh_iff5hslqCAMDYZmdRuamn7R8l

Candle lightened for sacred music, vibrational experience! Kuan Yin of the waters for the flow of my creations! Saint Francis of Assisi for my latest connection to the birds and nature through my music.... Thank you for your feedback and talent!
With love and resonance, Crystalline Celestine Voice of the Celestial Void.

https://youtube.com/@crystallinecelestinemagic444?si=CmT4wn9Oq4uRAO69

“If you sing from the heart, you can connect to the beautiful cosmic world, where there is no past and no future. Only the blessed present exists there. We do not judge anything or anybody, we're just existing in this beautiful flow, between heaven and earth. If you sing, you're in wholeness, in the blessed palms of God, in the flowers' field, smiling at the heart, and all difficulties evaporate. The soul is happy and the spirit expands. The constraints, which were built by the mind, crumble in an instant. You’re free again, like a bird. You are alive and creating again. You take part in the divine creation and in the magic that is honest and pure.”
Istvan Sky

I make music fckd up tell anything like my followers 🩷

Exploring the boundaries of electronic music in deep, tech house, progressive and underground sounds since 2019.

Singer/Songwriter - Born and raised in London, song writer - looking for new projects /co-writers producers 
(soulful pop/drum and bass/R&B/accoustic/world/dance)
skills -lead and backing vocals harmonies piano and keyboard and I write my own songs open to collaboration with other talented musicians/producers. 

Submit your music: hipstercasts@gmail.com

Disco balls, neon lights and groovy bass lines...

New Album: 2552
Available on SoundCloud, Bandcamp and Elastic Stage (vinyl copy) now.

"Sugarstealer’s 2552 is a bold statement record - one that seems to straddle the line between immersive listen and club-minded machinery. On one hand, it rewards deep, repeated listens; on the other, many of its sonic decisions clearly consider how tracks might live in a DJ’s crate.

What’s immediately striking is how the album embraces contrast: atmospheric soundscapes versus propulsive rhythm. It doesn’t commit fully to one lane (e.g. purely ambient, purely dancefloor), but instead leverages tension between those poles.

For fans, 2552 offers thematic depth, mood shifts, and textural surprises. For DJs, it offers usable sections, transitions, and some floor-ready energy without sacrificing musical integrity.

One of the biggest strengths of 2552 is its sound design  -subtle but intentional. The production is not overstuffed; there’s room for echoes, negative space, and gradual build. Sugarstealer favors evolving textures: pads swell, unusual percussion elements flicker in and out, reverb tails stretch, and field recordings or ambient noises occasionally creep into the mix.

From a DJ perspective, this is gold: intros and outros are often forgiving, giving you room to mix in or out without jarring jumps. The use of filters, delays, and modulation make many of the transitions feel organic.

The pacing of 2552 is deliberate. It tends to open up space before building tension, rather than dropping into full force immediately. This suits fans who like slow burns and subtle emotional arcs.

There’s a sense of cinematic storytelling: tracks shift in mood, sometimes even mid-track. You might start in something minimal and brooding, and then a sub-melody or rhythmic shift kicks in halfway, recontextualizing what came before.

For DJs, some of those shifts can be leveraged: a breakdown might make a great moment to drop in another track, or to filter out drums and layer in something complementary.

Lyrically or thematically (depending on how much vocal content is used), there’s a feeling of looking both forward and backward - futuristic but haunted, mechanical but human. That duality gives the album emotional weight beyond just sonic experimentation.

Sugarstealer avoids leaning so far into experimentation that the tracks become unusable in mix contexts. Yet, he also resists the trap of making purely functional club tracks. That hybrid is delicate, and 2552 largely succeeds.

The album evokes moods - spaces, memories, tension -not just beats. It draws the listener in emotionally.

It’s not static. There are shifts in density, tone, rhythm, instrumentation. That keeps repeat listens fresh.

Because of thoughtful intros/outros and modulation, a DJ can blend in or out more gracefully than in many other albums of similar scope.

Fans should approach 2552 not just as a background or dance album, but as a journey. Pay attention to details: how textures morph, how silence is used, how emotional peaks and valleys emerge. Let it grow on you on repeated plays.

DJs should identify the “usable zones” in each track: the parts with clean beats, intros/outros with more space, breakdowns or drops that align with other tempos. Experiment with layering -sometimes combining a minimal segment with an external percussion loop or synth can unlock new possibilities.

2552 by Sugarstealer is an album that stands in that sweet spot where listening and mixing potential overlap. It’s not just an experimental side project -it's got real utility. It rewards deep listenership while offering tangible building blocks for DJs.

If I were to give it a rating (in relative terms within its niche), it lands high: a work of vision that doesn’t sacrifice usability. It’s the kind of album that can become a hidden backbone in a set or a late-night playlist that lingers in the mind long after the final fade."

Hipstercast - On My Way

Hipstercast Promos